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BA Art and Philosophy

  • UCAS code
    VW51
  • Typical offer
    BBB
  • Year of entry
    2023/24
  • Course duration
    Full Time:  4 Years
  • Year of entry
    2023/24
  • Course duration
    Full Time:  4 Years

Develop your independent practice, experience life in another country, and understand the theories and ideas behind contemporary art on our BA Art and Philosophy.

Studying philosophy alongside art allows you to consider the medium from a range of perspectives.

You will join a lively community at Reading School of Art and explore a vast range of media, experiment with emerging art forms, and develop as an artist. The studios are a busy place with events, screenings, performances and exhibitions happening regularly. You will receive a dedicated space, accessible 24 hours a day and seven days a week, and a studio tutor to help develop your individual and professional practice.

Trips to museums and art galleries help prompt thoughts on how art is displayed and received. You will gain professional experience by taking part in your own exhibitions, public art commissions and other events. Your teaching staff are all artists, curators and researchers of international standing and will encourage regular exhibitions and open debate.

Studying philosophy at the University of Reading will equip you with the ability to think logically, to evaluate arguments critically, and to challenge your own ideas and those of other people. We will give you an understanding of the central philosophical principles, concepts, problems, texts and figures. You will be taught by leading experts whose research strengths lie especially in moral philosophy and the philosophy of the mind and language. You will also have the chance to study non-Western philosophies, in particular Indian philosophy.

Your first year will introduce you to the general skills required for all philosophy. In following years you will explore a wide range of subjects and explore the overlap between art and philosophy.

Placements and collaborations are actively encouraged and there is also the option to experience life in another country by studying abroad. Throughout your degree you will receive advice and guidance on your career development.

Placement

A great deal of importance is placed on real-world art experiences in work placements. Past students have enjoyed internships at Studio Voltaire and the Frieze Art Fair. Others have performed at the ICA, taken part in an Arts Council–supported film project at the Museum of English Rural Life and participated in an international exhibition at the Seoul Institute of Arts in South Korea.

There are also several opportunities – across all our undergraduate courses - for you to study abroad at an international university. Institutions include the Emily Carr University of Art & Design in Vancouver, Canada; Rutgers University, New Jersey, USA; Monash University, Australia; and National Taiwan University of the Arts in Tapei, Taiwan; as well as Art Universities in Dijon, France; Zurich, Switzerland; Budapest, Hungary; and Tampere, Finland.

For more information, please visit the Reading School of Art website.

Overview

Develop your independent practice, experience life in another country, and understand the theories and ideas behind contemporary art on our BA Art and Philosophy.

Studying philosophy alongside art allows you to consider the medium from a range of perspectives.

You will join a lively community at Reading School of Art and explore a vast range of media, experiment with emerging art forms, and develop as an artist. The studios are a busy place with events, screenings, performances and exhibitions happening regularly. You will receive a dedicated space, accessible 24 hours a day and seven days a week, and a studio tutor to help develop your individual and professional practice.

Trips to museums and art galleries help prompt thoughts on how art is displayed and received. You will gain professional experience by taking part in your own exhibitions, public art commissions and other events. Your teaching staff are all artists, curators and researchers of international standing and will encourage regular exhibitions and open debate.

Studying philosophy at the University of Reading will equip you with the ability to think logically, to evaluate arguments critically, and to challenge your own ideas and those of other people. We will give you an understanding of the central philosophical principles, concepts, problems, texts and figures. You will be taught by leading experts whose research strengths lie especially in moral philosophy and the philosophy of the mind and language. You will also have the chance to study non-Western philosophies, in particular Indian philosophy.

Your first year will introduce you to the general skills required for all philosophy. In following years you will explore a wide range of subjects and explore the overlap between art and philosophy.

Placements and collaborations are actively encouraged and there is also the option to experience life in another country by studying abroad. Throughout your degree you will receive advice and guidance on your career development.

Placement

A great deal of importance is placed on real-world art experiences in work placements. Past students have enjoyed internships at Studio Voltaire and the Frieze Art Fair. Others have performed at the ICA, taken part in an Arts Council–supported film project at the Museum of English Rural Life and participated in an international exhibition at the Seoul Institute of Arts in South Korea.

There are also several opportunities – across all our undergraduate courses - for you to study abroad at an international university. Institutions include the Emily Carr University of Art & Design in Vancouver, Canada; Rutgers University, New Jersey, USA; Monash University, Australia; and National Taiwan University of the Arts in Tapei, Taiwan; as well as Art Universities in Dijon, France; Zurich, Switzerland; Budapest, Hungary; and Tampere, Finland.

For more information, please visit the Reading School of Art website.

Entry requirements A Level BBB

Select Reading as your firm choice on UCAS and we'll guarantee you a place even if you don't quite meet your offer. For details, see our firm choice scheme.

Typical offer

BBB

All suitable applicants will be interviewed and will need to provide a portfolio of their work.

International Baccalaureate

30 points overall

Extended Project Qualification

In recognition of the excellent preparation that the Extended Project Qualification (EPQ) provides to students for University study, we can now include achievement in the EPQ as part of a formal offer.

BTEC Extended Diploma

DDM

UAL Level 3 Extended Diploma

Merit

English language requirements

IELTS 7.0, with no component below 6.0

For information on other English language qualifications, please visit our international student pages.

Alternative entry requirements for International and EU students

For country specific entry requirements look at entry requirements by country.

Pre-sessional English language programme

If you need to improve your English language score you can take a pre-sessional English course prior to entry onto your degree.

  • Find out the English language requirements for our courses and our pre-sessional English programme

Structure

  • Year 1
  • Year 2
  • Year 3
  • Year 4

Compulsory modules include:

X

Module details


Title:

Art Studio

Code:

FA1ART

Convenor:

MISS Wendy McLean

Summary:

This is a studio-based Art module designed to introduce key methods and approaches towards the development of a self-directed and informed studio practice

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Reason and Argument

Code:

PP1RA

Convenor:

DR Jumbly Grindrod

Summary:

This module enhances students’ ability to understand and construct complex arguments through the study of logic and the psychology of human reasoning. Reading: A module guide will be available. Recommended: Jamie Carlin Watson and Robert Arp, Critical Thinking: An Introduction to Reasoning Well, 2nd edition, Bloomsbury, 2015.

Assessment Method:

Assignment 90%, Class test 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
FA1ART Art Studio MISS Wendy McLean
PP1RA Reason and Argument DR Jumbly Grindrod

Optional modules include:

X

Module details


Title:

Drawing skills

Code:

FA1DS

Convenor:

DR Florian Roithmayr

Summary:

In this module you will develop your drawing skills in a series of focused practical sessions, drawing from various subjects, including life drawing, still life, spatial and architectural/landscape contexts. Through the module you will develop your skill-set in terms of foundational techniques such as line, tone, scale; you will also develop applied drawing skills including planning, scaling and gridding up; and develop an understanding of the relationship of the whole subject to detail and internal form. Practical teaching will support a focus on drawing as a way to record, document and communicate observations, as well as a way to explore, realise and communicate ideas and imagination. 

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Expanded Drawing

Code:

FA1ED

Convenor:

PROF John Russell

Summary:

In this module you will develop your drawing skills in a series of practical sessions focused on ‘expanded’ or experimental drawing techniques. This will include working from still and moving subjects including life drawing, animals, still life, spatial and architectural/landscape contexts but also exploring other approaches to drawing such as sculptural, performance and conceptual-based strategies, digital drawing, dry point and mono-print drawing techniques and the inter-section of drawing and painting.  Through the module you will develop your skill set in terms of foundational skills such as line, tone, scale but you will also develop an understanding of the varied contemporary and historical contexts, uses, ideas and techniques of expanded drawing.  

Assessment Method:

Project 90%, Report 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Modernisms & Mythologies

Code:

FA1MM

Convenor:

DR Jenny Chamarette

Summary:

This module will provide a broad, introductory survey of key developments in the history, theory and criticism of art during the modern period. Its starting point will be theories of the development of modernity and its social, political and economic components, and the ways in which modern art functions in and on its historical contexts. It will continue to look at the retrospective modernist critical and theoretical accounts of modern art's development.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Postmodernisms & Other Fictions

Code:

FA1PF

Convenor:

DR Galia Kollectiv

Summary:

This module will provide a broad, introductory survey of key developments in the history, theory and criticism of art during the postmodern period (c. 1960s on). Its starting point will be theories of the development of postmodernity and its social, political, and economic components, and the ways in which modern, postmodern and contemporary art functions in and on its historical contexts.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Elementary Logic

Code:

PP1EL

Convenor:

DR Severin Schroeder

Summary:

Arguments are the foundation of most philosophy. This module will teach you to explore in rigorous, mathematical terms why some arguments provide absolute support for their conclusions, and others do not. This module will thus provide essential formal ‘heavy machinery’ for reading and writing original philosophical papers in later parts of the degree course.Reading: Required readings will be posted online. Recommended:The open-source, online textbook ‘forall x’:http://www.fecundity.com/logic/Wilfrid Hodges, ‘Logic’, Penguin 2001

Assessment Method:

Set exercise 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Global Justice

Code:

PP1GJ

Convenor:

DR Shalini Sinha

Summary:

Global traditions of philosophy  from the Buddha and Confucius to Simone Weil, Frantz Fanon, Martin Luther King Jr., and African and Native American thinkers advocate ideas of justice and freedom that extend far beyond contemporary conceptions. This course shows how these thinkers question our  ideas of justice, and  transform how we approach injustice and freedom in the  context of race and colonialism, nature and  indigenous communities, identity  and sexuality, family and polity, through radically different conceptions of freedom and violence,  love, equality and harmony.

Some of the claims we will examine include: Justice is freedom from suffering!  Revolutionary violence is cathartic and emancipatory! Political justice  requires mental training! Nature is alive and has rights! Gender and sexual freedom are gained by  dissolving bodily boundaries!  Truth lies in pleasure! Justice is  love! Social justice comes with harmonising differences! 

Assessment Method:

Assignment 90%, Class test 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Meaning of Life

Code:

PP1ML

Convenor:

DR George Mason

Summary:

What is the meaning of life? This is perhaps the most important philosophical question we can ask. What is the answer? Indeed, what is the question really asking? In this module, we seek the answers. Along the way, we will consider a series of fascinating questions which promise to enlighten our understanding of ourselves and our place in the world. What makes life worth living? Is there any reason to fear death? Could life in artificial reality be better or more fulfilling than life in the real world?

Reading:

A list of required readings will be posted online. All or nearly all core readings are available electronically.

Assessment Method:

Assignment 90%, Class test 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Mental Machines

Code:

PP1MM

Convenor:

DR Nat Hansen

Summary:

This module investigates the possibility, the promise, and the perils of thinking machines. How close are we to creating artificial intelligence (AI), and what fundamental obstacles does the project of AI still face? How far does the mind extend into the world? For example, could a neural implant or even a smartphone form part of your mind? Are we ourselves thinking machines, in the form of intelligent, naturally occurring computer programs? We will investigate these questions by reading the works of contemporary philosophers such as David Chalmers, Andy Clark, Hubert Dreyfus and John Searle, as well as scientists such as Susan Greenfield.

Reading:

Required readings will be posted online.

Recommended:

Tim Crane, The Mechanical Mind, Routledge 2003.
Hubert Dreyfus, What Computers Still Can't Do, MIT Press 1992.
John Searle, 'Minds, brains, and programs’. Behavioral and Brain Sciences 3: 417-457, 1980.
David J. Chalmers, 'The Singularity: A Philosophical Analysis', Journal of Consciousness Studies 17:7-65, 2010.
Andy Clark and David Chalmers, 'The Extended Mind’, Analysis 58(1): 7-19, 1998.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Right and the Good

Code:

PP1RG

Convenor:

PROF Philip Stratton-Lake

Summary:

In this module we will go through the arguments and positions of W. D. Ross’s The Right and the Good. This will involve a close reading of Ross’s seminal book to get clear on what Ross’s view was, and how defensible it is. This will cover areas such as first order normative theory, moral epistemology, and moral realism. We will assess his methodology, the historical context of the book, and its philosophical reception. 

Reading:

The Right and the Good. By W. D. Ross.

Required readings will be posted online.

Recommended:
Thomas Hurka, British Ethical Theorists From Sidgwick to Ewing

Robert Audi, Moral Knowledge and Ethical Character.
Robert Audi, The Good in the Right
Brad Hoooker, “Ross-Style Pluralism Versus Rule-Consequentialism”. Mind, Vol. 105, No. 420 (Oct., 1996), pp. 531-552

Philip Stratton-Lake, ‘Introduction’ to Ethical Intuitionism: Re-Evaluations.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Radical Philosophy

Code:

PP1RP

Convenor:

PROF Maximilian De Gaynesford

Summary:

From Plato and Marx to contemporaries like Judith Butler, Slavoj Zizek, and Catharine MacKinnon, there is a long tradition of radicalism in philosophy. This course is about how radical philosophy can usefully question our deepest assumptions and challenge our deepest beliefs. Poets should be outlawed from our society! We can secure knowledge by doubting everything! Capitalism will be destroyed by the very forces it creates! Gender is a social performance! Pornography silences women! Torture is permissible in extreme circumstances, e.g. post 9/11! These are some of the claims this course investigates philosophically.

Assessment Method:

Assignment 90%, Class test 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Writing the Philosophical Essay

Code:

PP1WRI

Convenor:

DR Luke Elson

Summary:

This module will provide students with the skills necessary to craft clear, well-structured, and persuasive academic writing that effectively communicates complex ideas. Reading:Required readings will be posted online. Recommended: Harry Frankfurt, “On Bullshit” (available online)

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Management

Code:

AP1SB1

Convenor:

PROF Julian Park

Summary:

This module provides a contemporary and comprehensive introduction to management science and its relevance to businesses. Interactive in-class activities and the use of online apps will help you learn techniques for inspiring teamwork in an organisation context, discover the importance of strategic management design for achieving an organisation's goals, and understand the roles of the manager and the responsibilities this carries. You will also have a range of opportunities to gain hands-on practising decision making through case studies. Furthermore, develop your leadership skills to motivate and guide a team towards the achievement of an organisation’s objectives.  

Assessment Method:

Class test 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ancient Song

Code:

CL1SO

Convenor:

PROF Ian Rutherford

Summary:

This module introduces students to the lyric poetry of ancient Greece and Rome, studying authors from both civilisations and considering a range of thematic approaches to the surviving corpus of poetry. It is intended to be suitable for beginners and for those who have studied some ancient literature before; there is no language requirement, but there will be an opportunity for students who do have relevant skills to employ them in their coursework and exams.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Texts, Readers, and Writers

Code:

CL1TR

Convenor:

PROF Eleanor Dickey

Summary:

This module explores the history of texts, reading, and writing in the ancient Greek and Roman worlds. We shall look at literature, papyri, inscriptions, letters, Linear B, etc. Attention will also be given to the invention of the alphabet and to ancient writing materials and technologies. No knowledge of Latin, ancient Greek, or the ancient world more generally is required.

Assessment Method:

Assignment 40%, Oral 50%, Set exercise 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Economics of Climate Change

Code:

EC110

Convenor:

DR Stefania Lovo

Summary:

The module will offer an economic perspective on the causes and consequences of climate change. It will provide an introduction to key theoretical concepts, such as externalities and public goods, and to the policy tools available to devise adequate responses to climate change, such as command and control measures, taxation and subsidies. The module will also introduce national and international policy approaches in dealing with climate change and provide an overview of their implications for economic development.

Assessment Method:

Assignment 60%, Class test 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Approaches to Film

Code:

FT1ATF

Convenor:

DR Adam O'Brien

Summary:

How do films tell stories, make meanings, and contribute to our culture? What questions can, and should, we ask of a film?

This module includes a mix of cinema screenings, seminars and lectures, exploring a range of fiction and non-fiction films. Class discussions and assignments will challenge you to explore the meanings and cultural significance of moving images, across the 20th and 21st centuries.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Analysing Theatre and Performance

Code:

FT1ATP

Convenor:

DR Matt McFrederick

Summary:

How do theatrical stories allow us to examine and reimagine our impression of the world today?  What practical qualities do theatre makers return to - or reinvent - in creating meaning in performance?

In this introduction to theatre and performance, you will share your interpretations and expand the ways you see and think about theatre in relation to the world today. You will learn how to be a confident spectator and reader of theatre through a range of diverse and topical performances in local or in London-based venues - previous trips have included the National Theatre, RSC Live, Peking Opera, the West End and smaller, innovative fringe venues.

Assessment Method:

Assignment 70%, Oral 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Approaches to Television

Code:

FT1ATT

Convenor:

DR Faye Woods

Summary:

In an era of intensified competition for audiences and technological innovation, the box in the corner has expanded to include a vast universe of televisual content that can be slipped into your pocket. In this module you will learn the tools to both analyse this wealth of programming and the industry that produces it. Considering contemporary developments alongside the extensive history of the form, it examines continuities rather than disruption. Centred on close analysis and critical reading, you will explore a range of exciting viewpoints and frameworks through which to approach television.

Assessment Method:

Assignment 60%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Comedy on Stage and Screen

Code:

FT1CSS

Convenor:

DR Simone Knox

Summary:

This module gives you the opportunity to study comedy on stage and screen, encompassing film, television, theatre and stand-up comedy. You will engage with the relevant critical vocabulary and contextual knowledge to explore how humour is created, consumed and debated, across a range of genres and practices. Case studies may include classic and contemporary film comedies (e.g. screwball comedy, black comedy); musical comedies (e.g. The Book of Mormon); stand-up comedy (e.g. Ali Wong, Hannah Gadsby); sitcoms (e.g. Friends); or the work of specific creative practitioners (e.g. Joe Orton). 

Assessment Method:

Assignment 60%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Intercultural Competence and Communication

Code:

IL1GICC

Convenor:

MS Joan McCormack

Summary:

In this module students develop skills and understanding needed for working in the multi-cultural global workplace. In the Autumn term it will consider intercultural competence and communication from a range of disciplinary perspectives, including psychology, education, inclusivity, business, language and discourse. In the Spring term students will apply their knowledge to define and explain a defined a real-world issue.

The module will be delivered at the University of Reading Whiteknights campus

Assessment Method:

Oral 10%, Portfolio 30%, Project 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

English Language and Society

Code:

LS1ELS

Convenor:

DR Christiana Themistocleous

Summary:

The course aims to provide a broad introduction to English Language and Society, and a basis for further in-depth study of the field in parts two and three of the degree in English Language and Linguistics.

Assessment Method:

Exam 60%, Assignment 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Globalization and Language

Code:

LS1GL

Convenor:

DR Tony Capstick

Summary:

In this module students will explore the role of language in globalization. They will examine the reasons for the spread of languages around the globe historically and in the future (especially in the context of political developments such as Brexit, and the increasing importance of World languages such as English). They will also explore debates about linguistic imperialism and the political dimensions of language use and language policies. Finally, they will explore the effects of technology and migration on the linguistic situation in Latin America, New Zealand and the Middle East, including how urban centers are becoming increasingly multilingual and ‘superdiverse’, and the political and social consequences of this. Teaching is drawn from across the School of Literature and Language.

Assessment Method:

Set exercise 10%, Project 90%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Linguistics

Code:

ML1IL

Convenor:

MR Federico Faloppa

Summary:

This module aims to familiarise students with principles in general linguistics, and to give students an overall picture of what a language is, how it works, and what its main structures are, with a particular focus on French, German, Italian and Spanish. It will also provide useful meta-linguistic competence which can be applied to the study of any other language.

Assessment Method:

Assignment 40%, Oral 20%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Student Enterprise

Code:

MM1F10

Convenor:

DR Lebene Soga

Summary:

This is a dynamic module introducing students to key concepts of business start-up. Students work in a team to identify and develop a new business opportunity, and then seek to test their idea through ‘lean start-up’ experiments. Students will be introduced to key concepts of entrepreneurial management including design thinking, business model creation, entrepreneurial finance and marketing. This is a highly interactive and practical module, with a focus on experiential learning.


 

Assessment Method:

Project 60%, Class test 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Political Ideas

Code:

PO1IPI

Convenor:

DR Andrew Reid

Summary:

An introduction to political theory, covering central topics like the state and its authority, democracy, rights and liberty, equality and social justice, and war and intervention, as well as some of the basic methods for understanding them all. 

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Psychology

Code:

PY1IPY

Convenor:

DR Katie Barfoot

Summary:

This module is delivered at the University of Reading, for students who are interested in but not studying Psychology.  

Assessment Method:

Exam 60%, Report 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

History of Graphic Communication

Code:

TY1HGC

Convenor:

DR Rob Banham

Summary:

The module provides students with an introduction to the history of graphic communication over the past 150 years, and the changing role of the graphic designer during that time. We will study the key design movements of the 20th century and the work of some of its most influential graphic designers and typographers.

Assessment Method:

Assignment 50%, Oral 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

What the font? Making and using typefaces

Code:

TY1WTF

Convenor:

DR Rob Banham

Summary:

You are surrounded by fonts. Social media, text messages, email, branding, advertising, websites, books, magazines … Human (and machine) communication relies extensively on fonts, but what do you really know about them? How and why are new fonts created? And is it ever OK to use comic sans?! This module will introduce you to the world of typeface design, exploring the history, theory, and practice of making and using fonts and giving you the opportunity to design a typeface of your own. No background in design is required.

Assessment Method:

Set exercise 50%, Project 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
FA1DS Drawing skills DR Florian Roithmayr
FA1ED Expanded Drawing PROF John Russell
FA1MM Modernisms & Mythologies DR Jenny Chamarette
FA1PF Postmodernisms & Other Fictions DR Galia Kollectiv
PP1EL Elementary Logic DR Severin Schroeder
PP1GJ Global Justice DR Shalini Sinha
PP1ML The Meaning of Life DR George Mason
PP1MM Mental Machines DR Nat Hansen
PP1RG The Right and the Good PROF Philip Stratton-Lake
PP1RP Radical Philosophy PROF Maximilian De Gaynesford
PP1WRI Writing the Philosophical Essay DR Luke Elson
AP1SB1 Introduction to Management PROF Julian Park
CL1SO Ancient Song PROF Ian Rutherford
CL1TR Texts, Readers, and Writers PROF Eleanor Dickey
EC110 The Economics of Climate Change DR Stefania Lovo
FT1ATF Approaches to Film DR Adam O'Brien
FT1ATP Analysing Theatre and Performance DR Matt McFrederick
FT1ATT Approaches to Television DR Faye Woods
FT1CSS Comedy on Stage and Screen DR Simone Knox
IL1GICC Intercultural Competence and Communication MS Joan McCormack
LS1ELS English Language and Society DR Christiana Themistocleous
LS1GL Globalization and Language DR Tony Capstick
ML1IL Introduction to Linguistics MR Federico Faloppa
MM1F10 Student Enterprise DR Lebene Soga
PO1IPI Introduction to Political Ideas DR Andrew Reid
PY1IPY Introduction to Psychology DR Katie Barfoot
TY1HGC History of Graphic Communication DR Rob Banham
TY1WTF What the font? Making and using typefaces DR Rob Banham

These are the modules that we currently offer. They may change for your year of study as we regularly review our module offerings to ensure they’re informed by the latest research and teaching methods.

Compulsory modules include:

X

Module details


Title:

Part 2I Studio

Code:

FA2IS2

Convenor:

MR Angus Wyatt

Summary:

This is an Art studio module that is supported by tutorials, group critiques, material sessions, weekly seminars, exhibitions, and a program of visiting artist talks. There is also an option to take a study abroad module or take up a work placement in the Autumn term. The aim of the module is to support and challenge students in their development of an independent, creative and critically informed art practice. The module encourages students to identify and investigate particular (individual) interests and concerns through practical engagement in the studio and workshop areas. Students are further supported in the development of research skills relevant to both the development of an art practice and an understanding of its relationship to the broad field of contemporary art. Through the visiting artist program and placement schemes, students are encouraged to enhance their knowledge of career opportunities and reflect upon skills required to make effective applications.

Assessment Method:

Practical 33%, Portfolio 33%, Report 34%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Part 2 Studio including Career Management Skills

Code:

FA2S2

Convenor:

PROF Rachel Garfield

Summary:

This is a studio-based module where students are supported and guided in the development of an individual art practice. Studio tutors are available from Monday to Friday and they encourage students to be experimental, creative and

to become knowledgeable about contemporary art and culture. Material sessions where students can learn new skill in a range of media from painting to digital are available in the Autumn and Spring term. Weekly lectures by visiting artist give insight into diversity in the art world and the different ways artists make and practice today. Through staging exhibitions students learn about group working and this is further advanced through a program of group tutorials. During the module students learn appropriate methods of documenting and writing about their work. Through making, documenting and writing students learn what materials and ideas matter to them and how their concerns are informed by and relate to relevant contemporary art practices. The university careers team and alumni visit the department in the Autumn and Spring term to give practical and creative advice on the range of careers open to arts graduates.

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
FA2IS2 Part 2I Studio MR Angus Wyatt
FA2S2 Part 2 Studio including Career Management Skills PROF Rachel Garfield

Optional modules include:

X

Module details


Title:

Visual Thinking and Material Writing

Code:

FA2IMW

Convenor:

PROF Alun Rowlands

Summary:

This is a seminar based module designed to develop writing skills and the awareness of the scope of writing within art and art history. It will focus on the range of writing that constitutes the current discourses in art. The module will look at writings from Art Historical and critical theory approaches to genre in order to expand the student's expectations of what approaches are acceptable and useful within writing about art and art writing. Each week the group will look at different models of art writing in order to think through and begin to find a position on the appropriate forms for different contexts.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Philosophies and Theories of Art

Code:

FA2IPA

Convenor:

DR James Hellings

Summary:

This module explores a range of philosophical and political ideas and tracks their impact on the histories and discourses of art. Over the course of 10 lectures students will be introduced to a range of historical and contemporary expositions and their use in Art, art criticism and theory. The module will develop through a combination of lectures, seminar discussion, exhibition visits, screenings and a written assignment.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

International Study

Code:

FA2IS

Convenor:

PROF Alun Rowlands

Summary:

This module involves a week long supervised study trip to a major European art centre (there is also 1 lecture in Week 2 of the Autumn term). Students see and experience contemporary art at first hand and also benefit from the knowledge and expertise of accompanying academic staff. Recent centres have included Berlin, Madrid, Vienna, Cologne, Paris and Venice.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

International Study 2

Code:

FA2IS3

Convenor:

PROF Alun Rowlands

Summary:

This module involves a week long supervised study trip to a major European art centre (there is also 1 lecture in Week 2 of the Autumn term). Students see and experience contemporary art at first hand and also benefit from the knowledge and expertise of accompanying academic staff. Recent centres have included Berlin, Madrid, Vienna, Cologne, Paris and Venice.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Independent study with Work Placement

Code:

FA2ISP

Convenor:

DR Kate Allen

Summary:

Students undertake an intensive investigation into an organisation, museum, gallery, studio complex, selected in consultation with a supervisor. Students will develop and present a portfolio consisting of elements such as an annotated list of sources; a critical bibliography including an analysis of a selected number of key sources; an exhibition and reproduction history, including illustrations; a visual analysis; a short discursive text accounting for the significance of their chosen investigation.  It may also be an exhibition or key texts in the field.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

What is the Contemporary? 3

Code:

FA2IWC3

Convenor:

MISS Julia Crabtree

Summary:

This module provides a rigorous critical forum where students consider their own artistic concerns in relation to the experiences of visiting speakers. Module content will centre on Contemporary Art's debates and trajectories as well as diverse models of practice through presentations by visiting artists, theorists, writers, curators, and others involved in visual culture. Students will critically analyse the artist presentations through seminar discussion, course reading, art historical research and written response.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

What is the Contemporary? 4

Code:

FA2IWC4

Convenor:

MISS Julia Crabtree

Summary:

This module provides a rigorous critical forum where students consider their own artistic concerns in relation to the experiences of visiting speakers. Module content will centre on Contemporary Art's debates and trajectories as well as diverse models of practice through presentations by visiting artists, theorists, writers, curators, and others involved in visual culture. Students will critically analyse the artist presentations through seminar discussion, course reading, art historical research and written response.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Visual Thinking and Material Writing

Code:

FA2MW

Convenor:

PROF Alun Rowlands

Summary:

This is a seminar based module designed to develop writing skills and the awareness of the scope of writing within art and art history. It will focus on the range of writing that constitutes the current discourses in art. The module will look at writings from Art Historical and critical theory approaches to genre in order to expand the student's expectations of what approaches are acceptable and useful within writing about art and art writing. Each week the group will look at different models of art writing in order to think through and begin to find a position on the appropriate forms for different contexts.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Philosophies and Theories of Art

Code:

FA2PA

Convenor:

DR James Hellings

Summary:

This module explores a range of philosophical and political ideas and tracks their impact on the histories and discourses of art. Over the course of 10 lectures students will be introduced to a range of historical and contemporary expositions and their use in Art, art criticism and theory. The module will develop through a combination of lectures, seminar discussion, exhibition visits, screenings and a written assignment.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Study Abroad

Code:

FA2SSA

Convenor:

MISS Julia Crabtree

Summary:

Module code to indicate that a student has undertaken a period of Study Abroad at a partner institution as part of their single or joint honours Art degree.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

What is the Contemporary? 1

Code:

FA2WC1

Convenor:

PROF John Russell

Summary:

This module provides a rigorous critical forum where students consider their own artistic concerns in relation to the experiences of visiting speakers. Module content will centre on Contemporary Art's debates and trajectories as well as diverse models of practice through presentations by visiting artists, theorists, writers, curators, and others involved in visual culture. Students will critically analyse the artist presentations through seminar discussion, course reading, art historical research and written response.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

What is the Contemporary? 2

Code:

FA2WC2

Convenor:

PROF John Russell

Summary:

This module provides a rigorous critical forum where students consider their own artistic concerns in relation to the experiences of visiting speakers. Module content will centre on Contemporary Art's debates and trajectories as well as diverse models of practice through presentations by visiting artists, theorists, writers, curators, and others involved in visual culture. Students will critically analyse the artist presentations through seminar discussion, course reading, art historical research and written response.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ethical Argument 1: Philosophy and How to Live

Code:

PP2EA1

Convenor:

DR Luke Elson

Summary:

This module introduces students to longstanding methods, issues and arguments in moral philosophy.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ethical Argument 2: Philosophy and How to Live

Code:

PP2EA2

Convenor:

DR Luke Elson

Summary:

This module introduces students to longstanding methods, issues and arguments in moral philosophy.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Global Philosophy 1

Code:

PP2GP1

Convenor:

DR Shalini Sinha

Summary:

This module introduces some key thinkers and issues in global philosophy, the philosophy of gender and race, the ethics of resistance and the epistemology of terrorism. Some of the claims we will examine include: Gender is an illusion, male and female ‘sex’ attributes are social constructions!  Race categories are racist, they should be abolished! Persons are ‘processes’; self and identity are conceptual fictions!  Self-immolation is an ethical form of political protest! Gandhi and Islamist suicide bombing share an ethics of sacrificial dying! Debt is founded on violence! We should undertake dying with full awareness, by meditative fasting!

We will engage in philosophical conversations with (i) contemporary feminist and race theorists such as Judith Butler, Sally Haslanger and Naomi Zack on performativist,  constructionist and essentialist approaches to gender and race; (ii) Buddhist philosophers on the metaphysics of self and identity; (iii) Buddhist, Gandhian and Islamic ethics of sacrificial dying and political resistance; (iv) interdisciplinary perspectives on the nature and origins of debt and money; (v) Jaina conceptions of meditative dying, suicide and euthanasia; (vi) the epistemology of terrorism and Islamic approaches to non-violence.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Global Philosophy 2

Code:

PP2GP2

Convenor:

DR Shalini Sinha

Summary:

This module introduces some key thinkers and issues in global  philosophy, the philosophy of gender and race, the ethics of resistance and the epistemology of terrorism. Some of the claims we will examine include: Gender is an illusion, male and female ‘sex’ attributes are social constructions!  Race categories are racist, they should be abolished! Persons are ‘processes’; self and identity are conceptual fictions! Self-immolation is an ethical form of political protest! Gandhi and Islamist suicide bombing share an ethics of sacrificial dying! Debt is founded on violence! We should undertake dying with full awareness, by meditative fasting!

We will engage in philosophical conversations with (i) contemporary feminist and race theorists such as Judith Butler, Sally Haslanger and Naomi Zack on performativist,  constructionist and essentialist approaches to gender and race; (ii) Buddhist philosophers on the metaphysics of self and identity; (iii) Buddhist, Gandhian and Islamic perspectives on sacrificial dying and the ethics of political resistance; (iv) interdisciplinary perspectives on the nature and origins of debt and money; (v) Jaina conceptions of meditative dying, suicide and euthanasia; (vi) the epistemology of terrorism and Islamic approaches to non-violence. 

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Hume, Kant, and Wittgenstein 1

Code:

PP2HKW1

Convenor:

DR Severin Schroeder

Summary:

This module introduces students to the ideas of three great philosophers: David Hume, Immanuel Kant, and Ludwig Wittgenstein, focussing especially on their respective conceptions of philosophy.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Hume, Kant, and Wittgenstein 2

Code:

PP2HKW2

Convenor:

DR Severin Schroeder

Summary:

This module introduces students to the ideas of three great philosophers: David Hume, Immanuel Kant, and Ludwig Wittgenstein, focussing especially on their respective conceptions of philosophy.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ignorance, Doubt, and Relativism 1

Code:

PP2IDR1

Convenor:

DR Jumbly Grindrod

Summary:

This module introduces students to a core area of philosophy – epistemology (the theory of knowledge), makes them familiar with key stances on the extent and nature of human knowledge (modal theories, reliabilist theories, virtue theories etc.), and requires them to evaluate such stances and find their place on the epistemological map. They will also be introduced to the social aspect of epistemology, by considering what role knowledge plays within a society, how we gain knowledge from others, and how we may be harmed specifically as knowers.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ignorance, Doubt, and Relativism 2

Code:

PP2IDR2

Convenor:

MR Petter Sandstad

Summary:

This module introduces students to a core area of philosophy – epistemology (the theory of knowledge), makes them familiar with key stances on the extent and nature of human knowledge (modal theories, reliabilist theories, virtue theories etc.), and requires them to evaluate such stances and find their place on the epistemological map. They will also be introduced to the social aspect of epistemology, by considering what role knowledge plays within a society, how we gain knowledge from others, and how we may be harmed specifically as knowers.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Meaning and the Mind 1

Code:

PP2MM1

Convenor:

DR Jumbly Grindrod

Summary:

This module introduces students to core philosophical issues about meaning and the mind, and to central connections between these issues. How could there be minds in a physical world? Are states of consciousness physical states? How do our thoughts and words come to represent the world around us? These questions are intimately related. The capacity to represent the world is a central, problematic feature of the mind. Moreover, to assess what minds are, we must pay careful attention to what our words for mental states mean, and to how they come to mean what they do. We will investigate these questions by reading and discussing recent work in the philosophy of mind and language, by authors such as David Chalmers, Hilary Putnam and John Searle, as well as classic texts by authors such as Gottlob Frege and Princess Elizabeth of Bohemia.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Meaning and the Mind 2

Code:

PP2MM2

Convenor:

MR Petter Sandstad

Summary:

This module introduces students to core philosophical issues about meaning and the mind, and to central connections between these issues. How could there be minds in a physical world? Are states of consciousness physical states? How do our thoughts and words come to represent the world around us? These questions are intimately related. The capacity to represent the world is a central, problematic feature of the mind. Moreover, to assess what minds are, we must pay careful attention to what our words for mental states mean, and to how they come to mean what they do. We will investigate these questions by reading and discussing recent work in the philosophy of mind and language, by authors such as David Chalmers, Hilary Putnam and John Searle, as well as classic texts by authors such as Gottlob Frege and Princess Elizabeth of Bohemia.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Oppression, Inequality, and the Enemies of Democracy 1

Code:

PP2OID1

Convenor:

DR Charlotte Newey

Summary:

In this wide-ranging module, with an emphasis on contemporary political philosophy, we will explore some of the most important concerns for society. We will ask questions such as: Do existing accounts of justice need to be amended to acknowledge, explicitly, the concerns arising from race, gender, and disability? How should political philosophy respond to intersecting oppressions? What aspects of modern life threaten democracy? What is the best method by which to develop theories of justice? Is justice a local or global concern? How should we balance loyalty to our own state with concerns for global justice?

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Oppression, Inequality, and the Enemies of Democracy 2

Code:

PP2OID2

Convenor:

DR Charlotte Newey

Summary:

In this module you develop the skills and build upon the content learned in PP2OID1, Oppression, Inequality and the Enemies of Democracy. This course will build upon key philosophical arguments concerning the meaning and value of freedom, equality and democracy.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
FA2IMW Visual Thinking and Material Writing PROF Alun Rowlands
FA2IPA Philosophies and Theories of Art DR James Hellings
FA2IS International Study PROF Alun Rowlands
FA2IS3 International Study 2 PROF Alun Rowlands
FA2ISP Independent study with Work Placement DR Kate Allen
FA2IWC3 What is the Contemporary? 3 MISS Julia Crabtree
FA2IWC4 What is the Contemporary? 4 MISS Julia Crabtree
FA2MW Visual Thinking and Material Writing PROF Alun Rowlands
FA2PA Philosophies and Theories of Art DR James Hellings
FA2SSA Study Abroad MISS Julia Crabtree
FA2WC1 What is the Contemporary? 1 PROF John Russell
FA2WC2 What is the Contemporary? 2 PROF John Russell
PP2EA1 Ethical Argument 1: Philosophy and How to Live DR Luke Elson
PP2EA2 Ethical Argument 2: Philosophy and How to Live DR Luke Elson
PP2GP1 Global Philosophy 1 DR Shalini Sinha
PP2GP2 Global Philosophy 2 DR Shalini Sinha
PP2HKW1 Hume, Kant, and Wittgenstein 1 DR Severin Schroeder
PP2HKW2 Hume, Kant, and Wittgenstein 2 DR Severin Schroeder
PP2IDR1 Ignorance, Doubt, and Relativism 1 DR Jumbly Grindrod
PP2IDR2 Ignorance, Doubt, and Relativism 2 MR Petter Sandstad
PP2MM1 Meaning and the Mind 1 DR Jumbly Grindrod
PP2MM2 Meaning and the Mind 2 MR Petter Sandstad
PP2OID1 Oppression, Inequality, and the Enemies of Democracy 1 DR Charlotte Newey
PP2OID2 Oppression, Inequality, and the Enemies of Democracy 2 DR Charlotte Newey

These are the modules that we currently offer. They may change for your year of study as we regularly review our module offerings to ensure they’re informed by the latest research and teaching methods.

Compulsory modules include:

X

Module details


Title:

Studio (joint honours)

Code:

FA3HS2

Convenor:

PROF Susanne Clausen

Summary:

This is an Art studio module that is supported by tutorials, group critiques, material sessions, weekly seminars, exhibitions, and a program of visiting artist talks.  The aim of the module is to support and challenge students in their development of an independent, creative and critically informed art practice. The module encourages students to consolidate and develop particular (individual) interests and concerns through practical engagement in the studio and workshop areas, to prepare them for future public exhibitions and to state their positions as artists. Students are further supported in the development of research skills relevant to both the development of an art practice and an understanding of its relationship to the broad field of contemporary art and to locate their practice both historically and theoretically. Through the visiting artist program students are encouraged to enhance their knowledge of career opportunities to enable them to plan and make effective applications for future postgraduate opportunities, employment, professional practice. 

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Dissertation in Philosophy

Code:

PP3DIS

Convenor:

DR Jumbly Grindrod

Summary:

In this module you will pursue an in-depth philosophical project of your own devising. While predominately working independently you will receive one-on-one supervision with an academic working in the same field of study, and you will be encouraged to collaborate with other students on the module. 

Assessment Method:

Oral 25%, Dissertation 65%, Set exercise 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
FA3HS2 Studio (joint honours) PROF Susanne Clausen
PP3DIS Dissertation in Philosophy DR Jumbly Grindrod

Optional modules include:

X

Module details


Title:

Aesthetics

Code:

PP3AEST

Convenor:

DR Severin Schroeder

Summary:

The module will be concerned with conceptual questions concerning aesthetic judgements and the nature of art, beginning with an investigation of the concept of beauty and Kant’s account of it.  We shall then consider different answers to the question ‘What is art?’ Finally, we shall discuss philosophical problems which arise in specific art forms, such as the expression of emotions in music, the question whether fiction can be a valuable source of knowledge, the paradox of tragedy. 

 

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Business Ethics and Social Responsibility

Code:

PP3BESR

Convenor:

DR Charlotte Newey

Summary:

This module will introduce students to a variety of ethical challenges and considerations for professionals and corporate enterprises alike. We consider issues such as: the importance of ethics in the business environment, the grounds of professional ethics, moral reasoning in a business environment, whether doing well is compatible with doing good, and how to allocate social responsibility.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Chinese Philosophy

Code:

PP3CP

Convenor:

PROF John Preston

Summary:

This module introduces students to the following major figures in the Confucian tradition from early Chinese philosophy: Confucius, Mencius, and Xunzi. (Works by Mozi and Han Feizi will also figure). We will look at central texts from each of these thinkers in detail, and consider relations not only between their ideas but also between their ideas and those of notable philosophers from the Western philosophical tradition.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Fairness

Code:

PP3FAI

Convenor:

DR Charlotte Newey

Summary:

This module addresses the concept of fairness and its relation to other moral concepts and considerations.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Happy, Good and Meaningful Lives

Code:

PP3HGML

Convenor:

PROF Philip Stratton-Lake

Summary:

Happiness and well-being are not only important from the agent’s point of view, but are essential to many moral debates. In this module we will analyse the key notions of happiness, a good life, and a meaningful life to gain a better understanding of each. We will also consider various views on what things make for a happy life, a good life, and a meaningful life. The module will look at both historical and current views on these issues.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Philosophy of Law

Code:

PP3LA

Convenor:

DR George Mason

Summary:

This module will introduce students to basic issues in the philosophy of law, including the nature of crime and punishment.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Philosophy of Language: Animals, Babies, Colours, and Language Death

Code:

PP3LANG

Convenor:

DR Nat Hansen

Summary:

Philosophy of language concerns the nature of meaning, language, and communication. It seeks answers to the following questions: Are human beings the only animals who communicate with language? What kinds of mental capacities do babies need to acquire language? How do languages develop and change over time? What is the significance of the fact that languages have different color terms?  What happens when a language dies? Is preventing language death valuable? Can languages go into decline? In particular, is English getting worse over time? How does the development of writing affect the way we use language? What makes some uses of language “correct” and other uses “incorrect”? What is the significance of the fact that some languages don’t have a word for the color “blue”?  Why do we so easily draw conclusions about people who have certain kinds of accents? Why is it so hard to program computers to have natural-sounding human conversations?

Addressing these questions will require an examination of foundational texts in philosophy, linguistics, psychology and anthropology from the 19th, 20th centuries, as well as cutting-edge research informed by developments in the cognitive sciences.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Christian, Islamic and Jewish Mediaeval Philosophy

Code:

PP3MEDI

Convenor:

DR Luke Elson

Summary:

This module introduces students to mediaeval philosophy (roughly, the period from 500 to 1500 AD), including thinkers from at least two of the named religious traditions. We will focus on several representative topics (such as moral obligation, or God’s existence, the problem of universals, or the motion of projectiles) and look at what some major thinkers of the period had to say about it. Careful, repeated reading of difficult texts is a crucial part of this module.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Morality of Abortion

Code:

PP3MOA

Convenor:

PROF Philip Stratton-Lake

Summary:

In this module we will look at both sides of the debate about the morality of abortion. We will consider different approaches to the issue, eg., rights based, value based, reasons based, feminist arguments, etc, read the main literature for each approach, and assess the various arguments. Authors to be considered will typically include Thomson, Singer, Dworkin, Tooley, and Marquis.

Assessing these various argument will take us into various more general issues, such as what makes it wrong to kill adult humans, the conditions of having rights, as well as issues outside of moral philosophy that are relevant to this debate, such as the nature of personhood, personal identity, the identity conditions of organisms, philosophy of mind, philosophy of biology, and metaphysics.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Philosophy of Religion

Code:

PP3REL

Convenor:

DR George Mason

Summary:

This module will introduce students to basic issues in the philosophy of religion.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Reason, Value & Knowledge

Code:

PP3RVK

Convenor:

PROF Philip Stratton-Lake

Summary:

To familiarise students with important concepts and debates in contemporary moral theory.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Scandal of Film

Code:

PP3SCF

Convenor:

PROF Maximilian De Gaynesford

Summary:

Films play a central role in our cultural life. But many aspects remain unclear and call for philosophical investigation. For example, we often attribute enormous powers to films. They teach us about reality! They reveal the human condition! They make us better people! They make us worse people! They include some of the greatest art yet produced! They do philosophy—better and more seriously than philosophers do! But are any of these claims actually true? Is it even possible, for example, that a film might be a work of art? It would be a scandal to go on believing these claims and not investigate them. So this course will.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Speech Attacks: bullshit, lies, propaganda

Code:

PP3SPA

Convenor:

DR Nat Hansen

Summary:

This module focuses on the way language can be used aggressively, to deceive, manipulate, and oppress. The theoretical foundation of the approach to language taken in this module is speech act theory, which investigates the various ways that we use language to perform actions ranging from betting, promising, and telling, to insulting, bullshitting, and silencing.  We will begin by discussing the foundations of speech act theory and examine a variety of ways that it has been applied to philosophical problems in feminist theory and political and social theory. We will also discuss lies and bullshit, and what (if anything) is wrong with these uses of language. And we will discuss the nature of propaganda and “fake news” and how to resist its effects. 

Exploring the questions raised in this module will take us into debates in philosophy of language, epistemology, feminist theory, and political philosophy. We will look at real-world examples in which language is used aggressively and use the tools provided by speech act theory to help us understand how those uses function, and how they can be opposed. We will read work by some (if not all) of the following authors: J.L. Austin, Harry Frankfurt, Sally Haslanger, Rae Langton, Ishani Maitra, Geoff Nunberg, Martha Nussbaum, George Orwell, Jason Stanley, and Lynne Tirrell.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Society and State in Ancient Greece

Code:

PP3SSG

Convenor:

DR George Mason

Summary:

A module devoted to the study of classic works in Ancient Greek political philosophy, including some or all of Aristotle’s Politics and Rhetoric and Plato’s Republic and Gorgias. We look at the philosophers’ conceptions of politics, society, and government, and examine their relevance to modern concerns and issues.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Wittgenstein’s Philosophy of Mind and Action

Code:

PP3WMA

Convenor:

DR Severin Schroeder

Summary:

This module introduces students to Ludwig Wittgenstein’s philosophy of mind and action, mainly based on the relevant discussions in his Philosophical Investigations. 

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
PP3AEST Aesthetics DR Severin Schroeder
PP3BESR Business Ethics and Social Responsibility DR Charlotte Newey
PP3CP Chinese Philosophy PROF John Preston
PP3FAI Fairness DR Charlotte Newey
PP3HGML Happy, Good and Meaningful Lives PROF Philip Stratton-Lake
PP3LA Philosophy of Law DR George Mason
PP3LANG Philosophy of Language: Animals, Babies, Colours, and Language Death DR Nat Hansen
PP3MEDI Christian, Islamic and Jewish Mediaeval Philosophy DR Luke Elson
PP3MOA The Morality of Abortion PROF Philip Stratton-Lake
PP3REL Philosophy of Religion DR George Mason
PP3RVK Reason, Value & Knowledge PROF Philip Stratton-Lake
PP3SCF The Scandal of Film PROF Maximilian De Gaynesford
PP3SPA Speech Attacks: bullshit, lies, propaganda DR Nat Hansen
PP3SSG Society and State in Ancient Greece DR George Mason
PP3WMA Wittgenstein’s Philosophy of Mind and Action DR Severin Schroeder

These are the modules that we currently offer. They may change for your year of study as we regularly review our module offerings to ensure they’re informed by the latest research and teaching methods.

Core modules include:

  • Art studio
  • Philosophy dissertation
Please note that all modules are subject to change.

Fees

New UK/Republic of Ireland students: £9,250

New international students: £20,300

UK/Republic of Ireland fee changes

UK/Republic of Ireland undergraduate tuition fees are regulated by the UK government. These fees are subject to parliamentary approval and any decision on raising the tuition fees cap for new UK students would require the formal approval of both Houses of Parliament before it becomes law.

EU student fees

With effect from 1 August 2021, new EU students will pay international tuition fees. For exceptions, please read the UK government’s guidance for EU students.

Additional costs

Some courses will require additional payments for field trips and extra resources. You will also need to budget for your accommodation and living costs. See our information on living costs for more details.

Financial support for your studies

You may be eligible for a scholarship or bursary to help pay for your study. Students from the UK may also be eligible for a student loan to help cover these costs. See our fees and funding information for more information on what's available.

Placement year fees

If you spend a full year on placement, you will only pay 15% of your usual tuition fee for that year. For more information, please see our fees and funding pages or contact placements@reading.ac.uk.

Careers

As well as the practical experience gained on this degree, our students also graduate with a range of transferable skills, such as self-motivation, time management, and strategic thinking. They also develop greater self-confidence and are better able to express themselves.

97% of leavers are in work and/or study 15 months after the end of their course (Graduate Outcomes Survey 2018/19; First Degree responders from Art). Many of our graduates develop successful careers as artists, writers and curators. These include a number of famous alumni, such as Turner Prize-nominated artists, and PhD students who are award-winning artists and curators at influential museums. Other graduates have found employment in galleries, education, art therapy, and film and video production. Recent employers include Tate, Whitechapel Gallery, Christies, Microsoft, the BBC, Victoria & Albert Museum, and Manolo Blahnik.

Studying philosophy enables you to develop a range of transferable skills in clear thinking, logical analysis, and the critical assessment of argument. Such skills are greatly valued in a variety of professional careers such as law, politics, management and marketing. 

BA Art and Philosophy

ONCAMPUS Reading


International students can enrol on the Undergraduate Foundation Programme (UFP) in Art and Design with a guaranteed opportunity for progression to Art, Design, Film and Theatre degrees at the University of Reading.

To find out more, please visit the ONCAMPUS Reading website.

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