Skip to main content

University of Reading Cookie Policy

We use cookies on reading.ac.uk to improve your experience. Find out more about our cookie policy. By continuing to use our site you accept these terms, and are happy for us to use cookies to improve your browsing experience.

Continue using the University of Reading website

  • Schools and departments
  • Henley Business School
  • University of Reading Malaysia
  • Applicants
  • Students
  • Staff
  • Alumni
Show/Hide navigation
University of Reading University of Reading
Mobile search categories
  • Study and life
  • Research
  • About us
  • View courses
  • Home
  • Study and life
    • Study
    • Student life
    • Accommodation
    • Open Days and visiting
    • International and EU students
  • Research
    • Themes
    • Impact
    • Innovation and partnerships
    • Research environment
    • Get involved
    • Discover Page
  • About us
    • Our global community
    • Business
    • Working with the community
    • Visit us
    • Strategy
    • Governance
    • Contact us
  • Applicants
  • Students
  • Staff
  • Alumni
  • Schools and departments
  • Henley Business School
  • University of Reading Malaysia
  • View courses
mask
CHOOSE A SUBJECT
2022/23
2023/24
Undergraduates
Postgraduates
Undergraduates
Postgraduates

Subjects A-B

  • Accounting
  • Agriculture
  • Ancient History
  • Animal Science
  • Anthropology
  • Archaeology
  • Architectural Engineering
  • Architecture
  • Art
  • Biological Sciences
  • Biomedical Engineering
  • Biomedical Sciences
  • Building and Surveying
  • Business and Management

Subjects C-E

  • Chemistry
  • Classics and Classical Studies
  • Climate Science
  • Computer Science
  • Construction Management
  • Consumer Behaviour and Marketing
  • Creative Writing
  • Drama
  • Ecology
  • Economics
  • Education
  • Engineering
  • English Language and Applied Linguistics
  • English Literature
  • Environment

Subjects F-G

  • Film & Television
  • Finance
  • Food and Nutritional Sciences
  • Foundation programmes
  • French
  • Geography
  • German
  • Graphic Communication and Design

Subjects H-M

  • Healthcare
  • History
  • International Development
  • International Foundation Programme (IFP)
  • International Relations
  • Italian
  • Languages and Cultures
  • Law
  • Linguistics
  • Marketing
  • Mathematics
  • Medical Sciences
  • Meteorology and Climate
  • Museum Studies

Subjects N-T

  • Nutrition
  • Pharmacology
  • Pharmacy
  • Philosophy
  • Physician Associate Studies
  • Politics and International Relations
  • Psychology
  • Real Estate and Planning
  • Spanish
  • Speech and Language Therapy
  • Surveying and Construction
  • Teaching
  • Theatre

Subjects U-Z

  • Wildlife Conservation
  • Zoology

Subjects A-C

  • Agriculture
  • Ancient History
  • Animal Sciences
  • Archaeology
  • Architecture
  • Art
  • Biological Sciences
  • Biomedical Sciences
  • Business (Post-Experience)
  • Business and Management (Pre-Experience)
  • Chemistry
  • Classics and Ancient History
  • Climate Science
  • Computer Science
  • Construction Management and Engineering
  • Consumer Behaviour
  • Creative Enterprise
  • Creative Writing

Subjects D-G

  • Data Science
  • Economics
  • Education
  • Energy and Environmental Engineering
  • Engineering
  • English Language and Applied Linguistics
  • English Literature
  • Environmental Sciences
  • Film, Theatre and Television
  • Finance
  • Food and Nutritional Sciences
  • Geography and Environmental Science
  • Graphic Design

Subjects H-P

  • Healthcare
  • History
  • Information Management and Digital Business
  • Information Technology
  • International Development and Applied Economics
  • Languages and Cultures
  • Law
  • Linguistics
  • Management
  • Medieval History
  • Meteorology and Climate
  • Microbiology
  • Nutrition
  • Pharmacy
  • Philosophy
  • Physician Associate
  • Politics and International Relations
  • Project Management
  • Psychology
  • Public Policy

Subjects Q-Z

  • Real Estate and Planning
  • Social Policy
  • Speech and Language Therapy
  • Strategic Studies
  • Teacher training
  • Theatre
  • Typography and Graphic Communication
  • War and Peace Studies
  • Zoology

Subjects A-B

  • Accounting
  • Agriculture
  • Ancient History
  • Animal Science
  • Anthropology
  • Archaeology
  • Architectural Engineering
  • Architecture
  • Art
  • Biological Sciences
  • Biomedical Engineering
  • Biomedical Sciences
  • Building and Surveying
  • Business and Management

Subjects C-E

  • Chemistry
  • Classics and Classical Studies
  • Climate Science
  • Computer Science
  • Construction Management
  • Consumer Behaviour and Marketing
  • Creative Writing
  • Drama
  • Ecology
  • Economics
  • Education
  • Engineering
  • English Language and Applied Linguistics
  • English Literature
  • Environment

Subjects F-G

  • Film & Television
  • Finance
  • Food and Nutritional Sciences
  • Foundation programmes
  • French
  • Geography
  • German
  • Graphic Communication and Design

Subjects H-M

  • Healthcare
  • History
  • International Development
  • International Foundation Programme (IFP)
  • International Relations
  • Italian
  • Languages and Cultures
  • Law
  • Linguistics
  • Marketing
  • Mathematics
  • Medical Sciences
  • Meteorology and Climate
  • Museum Studies

Subjects N-T

  • Nutrition
  • Pharmacology
  • Pharmacy
  • Philosophy
  • Physician Associate Studies
  • Politics and International Relations
  • Psychology
  • Real Estate and Planning
  • Spanish
  • Speech and Language Therapy
  • Surveying and Construction
  • Teaching
  • Theatre & Performance

Subjects U-Z

  • Wildlife Conservation
  • Zoology

Subjects A-C

  • Agriculture
  • Ancient History
  • Animal Sciences
  • Archaeology
  • Architecture
  • Art
  • Biological Sciences
  • Biomedical Sciences
  • Business (Post-Experience)
  • Business and Management (Pre-Experience)
  • Chemistry
  • Classics and Ancient History
  • Climate Science
  • Computer Science
  • Construction Management and Engineering
  • Consumer Behaviour
  • Creative Enterprise
  • Creative Writing

Subjects D-G

  • Data Science
  • Economics
  • Education
  • Energy and Environmental Engineering
  • Engineering
  • English Language and Applied Linguistics
  • English Literature
  • Environmental Sciences
  • Film, Theatre and Television
  • Finance
  • Food and Nutritional Sciences
  • Geography and Environmental Science
  • Graphic Design

Subjects H-P

  • Healthcare
  • History
  • Information Management and Digital Business
  • Information Technology
  • International Development and Applied Economics
  • Languages and Cultures
  • Law
  • Linguistics
  • Management
  • Meteorology and Climate
  • Microbiology
  • Nutrition
  • Pharmacy
  • Philosophy
  • Physician Associate
  • Politics and International Relations
  • Project Management
  • Psychology
  • Public Policy

Subjects Q-Z

  • Real Estate and Planning
  • Social Policy
  • Speech and Language Therapy
  • Strategic Studies
  • Teacher training
  • Theatre
  • Typography and Graphic Communication
  • War and Peace Studies
  • Zoology

BA English Literature

  • UCAS code
    Q300
  • Typical offer
    BBB
  • Year of entry
    2023/24 See 2022/23 entry
  • Course duration
    Full Time:  3 Years
  • Year of entry
    2023/24 See 2022/23 entry
  • Course duration
    Full Time:  3 Years

COVID-19 update


Find out how we're adapting during COVID-19.

Explore a range of writers from across the globe and every period of history, from the middle ages right up to the present, with our BA English Literature course.

Our English Literature degree will enable you to examine in greater detail authors and genres that you may already know (from tragedy to Gothic, from Shakespeare and Dickens to Plath and Beckett). But it will also introduce you to aspects of literary studies that may be less familiar to you, from children's literature to publishing studies and the history of the book. Our academics have published research on everything from medieval poetry to contemporary Caribbean and American fiction, and they will help you to develop your own literary enthusiasms.

Our first year core modules ensure that all of our students have the advanced skills in literary analysis necessary for undergraduate work. We explore the different ways that literary texts respond to their cultural context (Genre and Context); we trace the development of poetry in English over time and across the globe (Poetry in English); we examine how literary texts accrue new meanings in the process of interpretation (Research and Criticism). You can take additional modules in other subjects in your first year, but you also have the option to study creative writing; non-fiction persuasive writing, or twentieth-century American literature. In the second year, you choose modules that range from Renaissance lyric poetry to contemporary fiction. In the third year, your module choices are more diverse and specialised: you can do archive work on Studying Manuscripts, or look at the politics of literature in Writing Global Justice. Everyone in our department, from new lecturers to professors, teaches at every level of the degree: this gives you the benefit of our expertise and makes you part of the conversation about the ways that English Studies is developing. 96% of our students say that staff are good at explaining things (National Student Survey, 2021 Department Level NSS).

On this course, you will have the option to study creative writing modules throughout your degree. Our lecturers and professors of creative writing are all writers who work at the highest professional levels.

Throughout the degree, we prioritise small-group learning within a friendly and supportive environment. In your first and second years, you will have a mix of lectures (which can be quite large) and seminars.

We believe that the study of English Literature is a discursive process in which we learn by sharing our ideas. For this reason, all our third year teaching takes place in seminars taught by research-active experts in the field. We will provide detailed and thorough feedback on your written work. This is crucial to your development as a writer, whether you intend a career in creative or professional writing.

For more information, please visit the Department of English Literature website.

Placement

Throughout your degree you will be thinking about the career choices that will enable you to thrive after graduation: we will help you put in place the skills and experience that you need to launch that career. Our innovative placement scheme gives you the chance to undertake an academic placement in commerce, industry or the arts. You can also take a placement module on languages and literature in heritage, in education, and in the media. Students on our Communications at Work module also undertake a short placement to explore the ways in which the skills and knowledge gained in their studies have direct application to the workplace.

Study abroad

In your second year, you can spend a term studying abroad at one of our partner institutions in Asia, Australia, Canada, Europe and the USA. To find out more, visit the Study Abroad website.

Overview

Explore a range of writers from across the globe and every period of history, from the middle ages right up to the present, with our BA English Literature course.

Our English Literature degree will enable you to examine in greater detail authors and genres that you may already know (from tragedy to Gothic, from Shakespeare and Dickens to Plath and Beckett). But it will also introduce you to aspects of literary studies that may be less familiar to you, from children's literature to publishing studies and the history of the book. Our academics have published research on everything from medieval poetry to contemporary Caribbean and American fiction, and they will help you to develop your own literary enthusiasms.

Our first year core modules ensure that all of our students have the advanced skills in literary analysis necessary for undergraduate work. We explore the different ways that literary texts respond to their cultural context (Genre and Context); we trace the development of poetry in English over time and across the globe (Poetry in English); we examine how literary texts accrue new meanings in the process of interpretation (Research and Criticism). You can take additional modules in other subjects in your first year, but you also have the option to study creative writing; non-fiction persuasive writing, or twentieth-century American literature. In the second year, you choose modules that range from Renaissance lyric poetry to contemporary fiction. In the third year, your module choices are more diverse and specialised: you can do archive work on Studying Manuscripts, or look at the politics of literature in Writing Global Justice. Everyone in our department, from new lecturers to professors, teaches at every level of the degree: this gives you the benefit of our expertise and makes you part of the conversation about the ways that English Studies is developing. 96% of our students say that staff are good at explaining things (National Student Survey, 2021 Department Level NSS).

On this course, you will have the option to study creative writing modules throughout your degree. Our lecturers and professors of creative writing are all writers who work at the highest professional levels.

Throughout the degree, we prioritise small-group learning within a friendly and supportive environment. In your first and second years, you will have a mix of lectures (which can be quite large) and seminars.

We believe that the study of English Literature is a discursive process in which we learn by sharing our ideas. For this reason, all our third year teaching takes place in seminars taught by research-active experts in the field. We will provide detailed and thorough feedback on your written work. This is crucial to your development as a writer, whether you intend a career in creative or professional writing.

For more information, please visit the Department of English Literature website.

Placement

Throughout your degree you will be thinking about the career choices that will enable you to thrive after graduation: we will help you put in place the skills and experience that you need to launch that career. Our innovative placement scheme gives you the chance to undertake an academic placement in commerce, industry or the arts. You can also take a placement module on languages and literature in heritage, in education, and in the media. Students on our Communications at Work module also undertake a short placement to explore the ways in which the skills and knowledge gained in their studies have direct application to the workplace.

Study abroad

In your second year, you can spend a term studying abroad at one of our partner institutions in Asia, Australia, Canada, Europe and the USA. To find out more, visit the Study Abroad website.

Entry requirements A Level BBB

Select Reading as your firm choice on UCAS and we'll guarantee you a place even if you don't quite meet your offer. For details, see our firm choice scheme.

Typical offer

BBB, including grade B in A level English Literature or related subject.

Related subjects include: English Language, English Language and Literature, Drama and Theatre Studies, Creative Writing.

International Baccalaureate

30 points overall including 5 at higher level in English Literature or related subject.

Extended Project Qualification

In recognition of the excellent preparation that the Extended Project Qualification (EPQ) provides to students for University study, we can now include achievement in the EPQ as part of a formal offer.

BTEC Extended Diploma

DDM (Modules taken must be comparable to subject specific requirement)

English language requirements

IELTS 7.0, with no component below 6.0

For information on other English language qualifications, please visit our international student pages.

Alternative entry requirements for International and EU students

For country specific entry requirements look at entry requirements by country.

International Foundation Programme

If you are an international or EU student and do not meet the requirements for direct entry to your chosen degree you can join the University of Reading’s International Foundation Programme. Successful completion of this 1 year programme guarantees you a place on your chosen undergraduate degree. English language requirements start as low as IELTS 4.5 depending on progression degree and start date.

  • Learn more about our International Foundation programme

Pre-sessional English language programme

If you need to improve your English language score you can take a pre-sessional English course prior to entry onto your degree.

  • Find out the English language requirements for our courses and our pre-sessional English programme

Structure

  • Year 1
  • Year 2
  • Year 3

Compulsory modules include:

X

Module details


Title:

Genre and Context

Code:

EN1GC

Convenor:

DR Chloe Houston

Summary:

This module is designed to provide knowledge and understanding of two formative pairings of historical moment and genre: the Renaissance stage and the Victorian novel. In the first term, students will study four Renaissance plays, with an emphasis on drama as a distinct genre with its own particular conventions, and with attention to key aspects of the Renaissance stage, from playing spaces to the use of stage props. In the second term students will study three major Victorian novels, engaging with contextual issues of urbanisation, gender, sexuality and identity. In both cases, students will be encouraged to analyse literature in relation to genre and context and will gain an understanding of their intersections at particular historical moments.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Poetry in English

Code:

EN1PE

Convenor:

DR Matthew Scott

Summary:

This module provides students with training in skills of close reading that are foundational to the study of English Literature, as well as an overview of the history of poetry in English. Students will be introduced to major movements and ideas in key periods from the early Renaissance up to the present; and to a range of genres including love poetry, political poetry, pastoral, elegy, satire, the sonnet, the ode, and the dramatic monologue. Poems studied later in the course will be drawn from the wider English-speaking world, including Ireland, the Caribbean and North America, and will include a diversity of voices.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Research and Criticism

Code:

EN1RC

Convenor:

DR Stephen Thomson

Summary:

This module provides a secure foundation in both the practical skills and theoretical literacy needed for the degree-level study of literature. It combines advanced training in reading, research, and academic writing with an introduction to debates around the core concepts of ‘reader’, ‘author’, and ‘text’. The set texts – a selection of short stories and literary essays from across the world – invite students to reflect on the complexities of these critical terms and to become more independent and more questioning as readers. A series of online screencasts equip students with subject-specific skills such as writing a critical precis and plot summary as well as general academic good practice like referencing and incorporating quotations.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
EN1GC Genre and Context DR Chloe Houston
EN1PE Poetry in English DR Matthew Scott
EN1RC Research and Criticism DR Stephen Thomson

Optional modules include:

X

Module details


Title:

What is Comparative Literature?

Code:

EN1COMP

Convenor:

DR Claire Ross

Summary:

This module will introduce students to some of the major critical and theoretical issues in the study of Comparative Literature, as well as to important methodologies for studying literature in a comparative context. Approaching a cluster of texts from different cultural and historical traditions, students will be encouraged to reflect on the practices and consequences of reading transnationally.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Creative Writing

Code:

EN1CW

Convenor:

DR Conor Carville

Summary:

This module allows students to develop their skills in creative writing across a range of genres. They will be introduced to practical and theoretical issues involved in the activity, and will develop skills in the composition, criticism, revision, and polishing of creative work. Building on ideas from the lecture course, students will produce a portfolio of creative writing for discussion in seminars and contribute to the discussion of presented work. Students will also produce a critical essay derived from the subjects studied in the lecture course in consultation with seminar leaders.

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Shelf Life

Code:

EN1SL

Convenor:

DR John Scholar

Summary:

This module is an introduction to English literature’s material dimension, and to the library as a symbol. For the most part literary study involves the interpretation of poems, novels or plays. This module complements this ordinary kind of reading by investigating books and other archival documents as physical objects. Its focus is on the preservation, use and dissemination of material texts in libraries and collections, and on how those sorts of places have been represented in literature.

One half of the teaching on the module is seminar-based. Students will use set texts to find out how writers have imagined libraries and archives in the past and present: as treasure-houses for a culture’s most valued stories; as labyrinths that hide mysterious and dangerous knowledge; as cemeteries for ideas; as “thought in cold storage”; or, conversely, as bastions for the active defence of free thought. They will consider how literary representations of libraries and archives map onto their actual operation. The other half of the module is practice-based. Students go behind the scenes at the University of Reading’s Special Collections department. They explore its world-class holdings and learn how its archives are safeguarded and made accessible to scholars. Reading’s Special Collections contain priceless stores of rare books and manuscripts, including the Overstone Library, the MERL library, the National Publisher’s Archive, and the Samuel Beckett Collection.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Twentieth-Century American Literature

Code:

EN1TCL

Convenor:

PROF David Brauner

Summary:

Summary module description: Twentieth-Century American Literature presents students with a challenging range of work, bringing together canonical texts with the less familiar; engaging with work by white and African-American writers; and covering a number of genres and sub-genres, from poetry, the short story and drama, to crime fiction. Students will develop their skills in the close reading of literary texts; they will acquire and demonstrate an ability to respond to shifts in modes, styles, and preoccupations across the period; they will learn about and begin to debate ideas of cultural, ethnic, class and racial difference in relation to the US national identities.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Thinking Translation: History and Theory

Code:

EN1TRANS

Convenor:

DR Claire Ross

Summary:

This module introduces students to the main theoretical approaches to translation. The lectures will adopt a historical perspective and address how translation practice has evolved over time. Together, we shall also look at how and whether theory has had any influence on translation practice in the market-place.

Assessment Method:

Assignment 90%, Report 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Management

Code:

AP1SB1

Convenor:

PROF Julian Park

Summary:

This module provides a contemporary and comprehensive introduction to management science and its relevance to businesses. Interactive in-class activities and the use of online apps will help you learn techniques for inspiring teamwork in an organisation context, discover the importance of strategic management design for achieving an organisation's goals, and understand the roles of the manager and the responsibilities this carries. You will also have a range of opportunities to gain hands-on practising decision making through case studies. Furthermore, develop your leadership skills to motivate and guide a team towards the achievement of an organisation’s objectives.  

Assessment Method:

Class test 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Revolutions in Human Behaviour: 4 Million Years BC to the Present

Code:

AR1REV

Convenor:

PROF Steve Mithen

Summary:

This module investigates the development of human society in the long-term, from our earliest hominin ancestors (c. 4 million years ago) through to the present day. We will look at key revolutions that have affected human behaviour in the long-term. Key themes include: human evolution, the development of complex societies, the spread of Christianity and Islam, the industrial revolution, and 20th century world wars. The module is taught by lectures, seminars and has a field trip.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Revolutions in Human Behaviour: 4 Million Years BC to the Present [10 credits]

Code:

AR1REV10

Convenor:

PROF Steve Mithen

Summary:

This module investigates the development of human society in the long-term, from our earliest hominin ancestors (c. 4 million years ago) through to the present day. We will look at key revolutions that have affected human behaviour in the long-term. Key themes include: human evolution, the development of complex societies, the spread of Christianity and Islam, the industrial revolution, and 20th century world wars. The module is taught by lectures.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ancient Greek 1

Code:

CL1G1

Convenor:

MRS Jackie Baines

Summary:

This module aims to teach students some elements of the Ancient Greek language and give them skills to read Ancient Greek at an elementary level.

Assessment Method:

Exam 30%, Class test 70%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Latin 1 (C)

Code:

CL1L1

Convenor:

MRS Jackie Baines

Summary:

This module aims to teach students some elements of the Latin language and give them skills to read Latin at an elementary level.

Assessment Method:

Exam 30%, Class test 70%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ancient Song

Code:

CL1SO

Convenor:

PROF Ian Rutherford

Summary:

This module introduces students to the lyric poetry of ancient Greece and Rome, studying authors from both civilisations and considering a range of thematic approaches to the surviving corpus of poetry. It is intended to be suitable for beginners and for those who have studied some ancient literature before; there is no language requirement, but there will be an opportunity for students who do have relevant skills to employ them in their coursework and exams.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Economics of Climate Change

Code:

EC110

Convenor:

DR Stefania Lovo

Summary:

The module will offer an economic perspective on the causes and consequences of climate change. It will provide an introduction to key theoretical concepts, such as externalities and public goods, and to the policy tools available to devise adequate responses to climate change, such as command and control measures, taxation and subsidies. The module will also introduce national and international policy approaches in dealing with climate change and provide an overview of their implications for economic development.

Assessment Method:

Assignment 60%, Class test 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Modernisms & Mythologies

Code:

FA1MM

Convenor:

DR James Hellings

Summary:

This module will provide a broad, introductory survey of key developments in the history, theory and criticism of art during the modern period. Its starting point will be theories of the development of modernity and its social, political and economic components, and the ways in which modern art functions in and on its historical contexts. It will continue to look at the retrospective modernist critical and theoretical accounts of modern art's development.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Approaches to Film

Code:

FT1ATF

Convenor:

DR Adam O'Brien

Summary:

How do films tell stories, make meanings, and contribute to our culture? What questions can, and should, we ask of a film?

This module includes a mix of cinema screenings, seminars and lectures, exploring a range of fiction and non-fiction films. Class discussions and assignments will challenge students to explore the meanings and cultural significance of moving images, across the 20th and 21st centuries.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Analysing Theatre and Performance

Code:

FT1ATP

Convenor:

DR Matt McFrederick

Summary:

How do theatrical stories allow us to examine and reimagine our impression of the world today?  What practical qualities do theatre makers return to - or reinvent - in creating meaning in performance?

In this introduction to theatre and performance, you will share your interpretations and expand the ways you see and think about theatre in relation to the world today. You will learn how to be a confident spectator and reader of theatre through a range of diverse and topical performances in local or in London-based venues - previous trips have included the National Theatre, RSC Live, Peking Opera, the West End and smaller, innovative fringe venues.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Approaches to Television

Code:

FT1ATT

Convenor:

DR Faye Woods

Summary:

In an era of intensified competition for audiences and technological innovation, the box in the corner has expanded to include a vast universe of televisual content that can be slipped into your pocket. This module will equip student with the tools to both analyse this wealth of programming and the industry that produces it. Considering contemporary developments alongside the extensive history of the form, it examines continuities rather than disruption. Centred on close analysis and critical reading, students will explore a range of viewpoints and frameworks through which to approach television.

Assessment Method:

Assignment 60%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Comedy on Stage and Screen

Code:

FT1CSS

Convenor:

DR Simone Knox

Summary:

This module gives students the opportunity to study comedy on stage and screen, encompassing theatre, live performance, film and television. Students will engage with the relevant critical vocabulary and contextual knowledge to explore how humour is created, circulated and consumed, across a range of genres and practices. Case studies may include classic and contemporary film comedies (e.g. screwball comedy); musical comedies (e.g. The Book of Mormon); stand-up comedy (e.g. Ali Wong); sitcoms (e.g. Friends); or the work of specific creative practitioners (e.g. Joe Orton).

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Intercultural Competence and Communication

Code:

IL1GICC

Convenor:

MS Joan McCormack

Summary:

This module is aimed at students who are keen to develop the skills they will need for working in the multi-cultural global workplace. The module will be delivered at the University of Reading Whiteknights campus. Drawing on expertise from Schools across the university, in the Autumn term it will consider intercultural competence and communication from a range of perspectives, including psychology, education, inclusivity, business, language and discourse, and anthropology. In the Spring term students will apply their knowledge to solve a real-world issue.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

English Language and Society

Code:

LS1ELS

Convenor:

DR Christiana Themistocleous

Summary:

The course aims to provide a broad introduction to English Language and Society, and a basis for further in-depth study of the field in parts two and three of the degree in English Language and Linguistics.

Assessment Method:

Exam 60%, Assignment 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Linguistics

Code:

ML1IL

Convenor:

MR Federico Faloppa

Summary:

This module aims to familiarise students with principles in general linguistics, and to give students an overall picture of what a language is, how it works, and what its main structures are, with a particular focus on French, German, Italian and Spanish. It will also provide useful meta-linguistic competence which can be applied to the study of any other language.

Assessment Method:

Assignment 40%, Oral 20%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Freedom

Code:

PO1FRE

Convenor:

DR Andrew Reid

Summary:

This module provides an inter-disciplinary approach to the subject of freedom, with contributions from four different departments of the University: Classics, Law, Philosophy, and Politics. Students will explore a range of different perspectives on the idea of freedom, and will examine the different ways in which freedom is valued and regulated in a variety of settings. Students will work both individually and within groups to prepare their assignments, and there are a variety of written and oral assessments.

Assessment Method:

Assignment 30%, Oral 40%, Report 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Inequality

Code:

PO1INE

Convenor:

DR Jonathan Golub

Summary:

Inequality is everywhere around us: different individuals earn different salaries, people of different genders and backgrounds have access to different economic opportunities, and those at the top of the income distribution have radically distinct life chances than those at the bottom. What explains rising inequality, is it fair and what are the consequences? Should anything be done to reduce inequality, and if so, what?This course aims to answer these questions by providing students with the analytical tools and knowledge to understand and explain the evolution of earnings, racial and gender inequality over time and its variation across developed countries. It also considers the economic, normative and political implications of different forms of inequality, in particular gender and racial inequality. Is inequality at the top of the income distribution (i.e. the 1% v. the rest of us) the inevitable outcome of a well-functioning market system or does it suggest problems in the way our democracy work? Does inequality undermine democracy for instance by affecting political participation or increasing the appeal of non-liberal populist parties? Take the course and you will find out more about these fascinating questions and more!

Assessment Method:

Assignment 40%, Oral 10%, Project 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Political Ideas

Code:

PO1IPI

Convenor:

DR Rob Jubb

Summary:

An introduction to political theory, covering central topics like the state and its authority, democracy, rights and liberty, equality and social justice, and war and intervention, as well as some of the basic methods for understanding them all. 

Assessment Method:

Exam 60%, Assignment 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Reason and Argument

Code:

PP1RA

Convenor:

DR Jumbly Grindrod

Summary:

This module enhances students’ ability to understand and construct complex arguments through the study of logic and the psychology of human reasoning. Reading: A module guide will be available. Recommended: Jamie Carlin Watson and Robert Arp, Critical Thinking: An Introduction to Reasoning Well, 2nd edition, Bloomsbury, 2015.

Assessment Method:

Assignment 90%, Class test 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Radical Philosophy

Code:

PP1RP

Convenor:

DR George Mason

Summary:

From Plato and Marx to contemporaries like Judith Butler, Slavoj Zizek, and Catharine MacKinnon, there is a long tradition of radicalism in philosophy. This course is about how radical philosophy can usefully question our deepest assumptions and challenge our deepest beliefs. Poets should be outlawed from our society! We can secure knowledge by doubting everything! Capitalism will be destroyed by the very forces it creates! Gender is a social performance! Pornography silences women! Torture is permissible in extreme circumstances, e.g. post 9/11! These are some of the claims this course investigates philosophically.

Assessment Method:

Assignment 70%, Oral 20%, Class test 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Psychology

Code:

PY1IPY

Convenor:

DR Katie Barfoot

Summary:

This module is delivered at the University of Reading, for students who are interested in but not studying Psychology.  

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Printing and printmaking

Code:

TY1PRI

Convenor:

DR Rob Banham

Summary:

The invention of printing, and the resulting spread of knowledge, played a crucial part in the development of modern society. This module will provide students with a broad overview of advances in printing and printmaking over the past 500 years. We will study how technological advances and the changing needs of readers affected the production, distribution, and reception of printed documents of all kinds. Students will also gain practical experience of printing, including letterpress, copper-engraving, and stone lithography, and will have opportunities to handle books, prints, and artefacts produced by some of the great printers and printmakers of the past.

Assessment Method:

Assignment 50%, Portfolio 30%, Project 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

What the font? Making and using typefaces

Code:

TY1WTF

Convenor:

DR Matthew Lickiss

Summary:

You are surrounded by fonts. Social media, text messages, email, branding, advertising, websites, books, magazines … Human (and machine) communication relies extensively on fonts, but what do you really know about them? How and why are new fonts created? And is it ever OK to use comic sans?! This module will introduce you to the world of typeface design, exploring the history, theory, and practice of making and using fonts and giving you the opportunity to design a typeface of your own. No background in design is required.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

What the font? Making and using typefaces (10 credits)

Code:

TY1WTF10

Convenor:

DR Matthew Lickiss

Summary:

You are surrounded by fonts. Social media, text messages, email, branding, advertising, websites, books, magazines … Human (and machine) communication relies extensively on fonts, but what do you really know about them? How and why are new fonts created? And is it ever OK to use comic sans?! This module will introduce you to the world of typeface design, exploring the history, theory, and practice of making and using fonts. No background in design is required.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
EN1COMP What is Comparative Literature? DR Claire Ross
EN1CW Introduction to Creative Writing DR Conor Carville
EN1SL Shelf Life DR John Scholar
EN1TCL Twentieth-Century American Literature PROF David Brauner
EN1TRANS Thinking Translation: History and Theory DR Claire Ross
AP1SB1 Introduction to Management PROF Julian Park
AR1REV Revolutions in Human Behaviour: 4 Million Years BC to the Present PROF Steve Mithen
AR1REV10 Revolutions in Human Behaviour: 4 Million Years BC to the Present [10 credits] PROF Steve Mithen
CL1G1 Ancient Greek 1 MRS Jackie Baines
CL1L1 Latin 1 (C) MRS Jackie Baines
CL1SO Ancient Song PROF Ian Rutherford
EC110 The Economics of Climate Change DR Stefania Lovo
FA1MM Modernisms & Mythologies DR James Hellings
FT1ATF Approaches to Film DR Adam O'Brien
FT1ATP Analysing Theatre and Performance DR Matt McFrederick
FT1ATT Approaches to Television DR Faye Woods
FT1CSS Comedy on Stage and Screen DR Simone Knox
IL1GICC Intercultural Competence and Communication MS Joan McCormack
LS1ELS English Language and Society DR Christiana Themistocleous
ML1IL Introduction to Linguistics MR Federico Faloppa
PO1FRE Freedom DR Andrew Reid
PO1INE Inequality DR Jonathan Golub
PO1IPI Introduction to Political Ideas DR Rob Jubb
PP1RA Reason and Argument DR Jumbly Grindrod
PP1RP Radical Philosophy DR George Mason
PY1IPY Introduction to Psychology DR Katie Barfoot
TY1PRI Printing and printmaking DR Rob Banham
TY1WTF What the font? Making and using typefaces DR Matthew Lickiss
TY1WTF10 What the font? Making and using typefaces (10 credits) DR Matthew Lickiss

These are the modules that we currently offer. They may change for your year of study as we regularly review our module offerings to ensure they’re informed by the latest research and teaching methods.

Optional modules include:

X

Module details


Title:

The Business of Books

Code:

EN2BB

Convenor:

DR Deborah Withers

Summary:

This module will enhance students’ knowledge and understanding of the book as a technology and provide the critical skills with which to consider the history and future of the book as a form. Through a combination of theoretical, methodological and hands-on teaching sessions and workshops, we will study the role and function of books in a select number of different places, historical periods, and institutional contexts, including for instance in the library, in the book shop, the publishing house, and in the board room.

Assessment Method:

Assignment 70%, Oral 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Contemporary Fiction

Code:

EN2CF

Convenor:

PROF Bryan Cheyette

Summary:

This module will provide the opportunity to study a selection of fiction in English from the 1980s to the present day. It will highlight the formal, thematic and cultural diversity of Anglophone fiction produced in this period. Students will encounter a range of authors, including but not limited to African-American, Irish-American, Anglo-Indian, Anglo-Japanese, Canadian-Trinidadian, black British and Nigerian – though the use of such identity categories will be subject to critical scrutiny.Texts will be studied in and against a number of social, political and historical contexts, including multiculturalism, feminism and globalisation. The module will also engage with many of the key critical/theoretical paradigms of the past four decades, such as post-colonialism, post-modernism, transnationalism and intersectionality.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Critical Issues

Code:

EN2CRI

Convenor:

DR Stephen Thomson

Summary:

Building on ideas and issues already broached in EN1RC Research & Criticism, this module offers the opportunity to explore critical theory in greater depth. The study of a variety of theoretical texts dealing with topics such as language, ideology, power, gender, and race, will offer not only ‘tools’ for dealing with these issues but also a space in which to reflect on, and gain a deeper understanding of, the ways in which these issues have commonly been thought. This is a challenging module, demanding patient engagement with arguments that may not immediately fit into our common-sense ways of thinking and that may, indeed, require us to question some of the grounding assumptions on which our everyday thinkings rests. But it is also a deeply rewarding module, and highly recommended for anyone considering a dissertation touching on any of the topics mentioned above.

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Creative Writing: Non-fiction and Long-Form Journalism

Code:

EN2CWJ

Convenor:

MS Katharine Clanchy

Summary:

Creative non-fiction is a wide, exciting, and ever-evolving contemporary genre. It includes memoirs, essays, blog posts, long-form journalism, biography and auto-fiction, and the increasing number of books and articles which fall between these genres. This module will explore this genre, and help you to write your own pieces or pieces of creative non-fiction. Learning takes place in seminar groups, where analytical reading and practical writing interconnect, and in smaller peer groups, where students support each other’s editing with constructive feedback.

Assessment Method:

Assignment 30%, Portfolio 70%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Creative Writing: Poetry

Code:

EN2CWP

Convenor:

PROF Peter Robinson

Summary:

Creative writing is always an interplay between the act of reading and that of writing, each informing the other. In this module, we will critically engage with a range of poems, consider some of the key debates about the form, and write our own poetry in response, experimenting with the possibilities of the genre. Learning takes place in seminar groups, where analytical reading and practical writing interconnect, and in smaller peer groups, where students support each other’s editing with constructive feedback.

Assessment Method:

Assignment 30%, Portfolio 70%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Creative Writing: The Short Story

Code:

EN2CWS

Convenor:

MS Shelley Harris

Summary:

Writers are readers too, and all authors are engaged in a creative cycle: reading literature, writing it, and taking that experience back into their reading. This module invites student writers to explore that process, critically engaging with a range of short stories, encountering some of the key debates about the form, and writing their own short fiction in response. Learning takes place in seminar groups, where analytical reading and practical writing interconnect, and in smaller peer groups, where students support each other’s editing with constructive feedback. This module is delivered at the University of Reading.

Assessment Method:

Assignment 30%, Portfolio 70%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Modernism in Poetry and Fiction

Code:

EN2MOD

Convenor:

DR Mark Nixon

Summary:

This module examines the concepts of modernity and modernism, and relates them to the history of early twentieth-century poetry and fiction. Experimentation and innovation in poetic and narrative form are explored as responses to wider social upheaval and cultural movements.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to Old English Literature

Code:

EN2OEL

Convenor:

DR Aisling Byrne

Summary:

https://www.youtube.com/watch?v=Bl0T_Gz-KWI&t=8s

This module introduces students to the period of English literature that is often the most unfamiliar: the Old English or Anglo-Saxon period (c.7th-11th century). Old English literature is richly rewarding, not just because it has been an important influence on many twentieth-century writers (most famousl, J.R.R. Tolkien), but because its literary techniques and themes (female heroes, battles with Vikings, dragons, voyages of exile) are different to much later English literature. This module allows students to explore the literature of a time when England was part of the culture of the North.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Romantic Period

Code:

EN2RP

Convenor:

DR Matthew Scott

Summary:

The module will provide a broad introduction to the varied literary culture of the Romantic period in Britain by examining a diverse group of texts written between 1750 and 1850.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Renaissance Texts and Cultures

Code:

EN2RTC

Convenor:

PROF Michelle O'Callaghan

Summary:

Renaissance Texts and Cultures is a module in which students explore the ways that English literature was shaped by, and helped to re-shape, English culture in the years between the Reformation and the Civil Wars. It provides students with a training in historicist literary criticism, that is, the critical approach that stresses the interconnectedness between literary texts and the cultural and political processes current at the time when the texts were first written and made public.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Shakespeare

Code:

EN2SH

Convenor:

PROF Lucinda Becker

Summary:

The module is organised chronologically in order to focus attention on different stages, genres, and periods of Shakespeare’s career as a dramatist, and begins with a lecture on the contexts of Shakespeare’s theatre, including political and social influences. Close study of at least seven plays, including A Midsummer Night’s Dream, Richard II, Measure for Measure, Hamlet, Julius Caesar, Macbeth, and The Tempest, will encourage students to explore aspects of tradition and innovation in Shakespeare’s use of theatrical modes. The module will allow students to integrate a knowledge of the intellectual, cultural and stage history of the period into their study of the texts.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Victorian Literature

Code:

EN2VIC

Convenor:

DR Lucy Bending

Summary:

The Victorian era is one of great diversity and tension. It is a period when authors began to think about man's place in a world without God; about the workings of the mind; and the role of class and gender in the construction of identity. This module will engage with these, nd other ideas, looking at some of the greatest works of Victorian literature. The module will include novels (Charlotte Bronte's Villette, and Hardy's Return of the Native), poetry (Tennyson's In Memoriam, and Elizabeth Barrett Browning's Sonnets from the Portuguese) journalism (Thackeray's 'Going to See a Man Hanged'), short stories (Daughters of Decadence edited by Elaine Showalter) and plays (Wilde's A Woman of No Importance).  The module offers a broad and exciting sweep of different modes of writing, drawing on some well-known and canonical texts, and some texts that are less frequently studied in an attempt to understand what mattered to the Victorians.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Writing America

Code:

EN2WA

Convenor:

DR Sue Walsh

Summary:

The module is concerned with literary constructions of American identity in American literature, focusing on some of the ways in which imaginative writers have perceived and defined the New World in relation to the Old and helped to shape or contest the nation's sense of cultural distinctiveness. The module will examine both the diversity of American voices and the emergence of common preoccupations, including myths of the frontier, Manifest Destiny, personal and political liberty, and the the construction of race, gender and sexuality.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Writing in the Public Sphere

Code:

EN2WPS

Convenor:

DR Mary Morrissey

Summary:

On this module, we study the literature written in order to prompt social and political change. We examine speeches, pamphlets, tracts, and political posters from the early modern period to the present, and we consider how they continue to shape debates about class, race, religion, nationality, and women’s rights across the four nations of Britain and Ireland. We study ideas of a ‘public sphere’ in which political and cultural debate are conducted, and we analyse the techniques used in political literature. We use our study of these texts to identify the rhetorical strategies necessary for successful political campaigning today.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Forensic Archaeology and Crime Scene Analysis

Code:

AR2F17

Convenor:

PROF Mary Lewis

Summary:

Through lectures, activities, videos and reading students will be able to understand the theory behind certain forensic and archaeological practices, when and why they are used, and shown the process by which these are undertaken.

Assessment Method:

Report 70%, Class test 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Medieval Europe: power, religion and death

Code:

AR2M8

Convenor:

DR Gabor Thomas

Summary:

This single-term module gives students an overview of how archaeology has changed our understanding of European society over the course of the ‘Long Middle Ages’ (5th-16th centuries AD). It comprises 10 weekly sessions involving a combination of teacher-led content with student-led discussions, is assessed by an essay and site interpretation panel and has a field trip to Winchester - one of the richest medieval urban landscapes in southern England.  It will also include a formative assessment in the form of group poster presentations designed to support students in developing essay topics.  

Assessment Method:

Assignment 60%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ancient Epic

Code:

CL2AE

Convenor:

DR Christa Gray

Summary:

This module offers an introduction to early Greek epic, centring around close study of the Iliad Odyssey, but including discussion of other early Greek hexameter poems such Hesiod, the Homeric Hymns, and the Epic Cycle.  It may also cover later epic, for example Apollonius Rhodius or Roman epic.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ancient Egyptian Language and Hieroglyphs

Code:

CL2AEL

Convenor:

PROF Rachel Mairs

Summary:

This module aims to teach students some elements of the Ancient Egyptian language and give them skills to read Egyptian, in the hieroglyphic script, at an elementary level.

Assessment Method:

Exam 67%, Class test 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Greek History: Persian Wars to Alexander

Code:

CL2CGH

Convenor:

PROF Timothy Duff

Summary:

Greek History 479-323 BC, from the end of the Persian Wars, through the Peloponnesian War and the fall of Sparta, to the rise of Macedon and the meteoric career of Alexander the Great.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ancient Drama

Code:

CL2DR

Convenor:

PROF Barbara Goff

Summary:

This module examines the ancient genre of drama, with respect to its content, themes and style, and the context of performance culture which surrounded it.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Roman History: From Republic to Empire

Code:

CL2RO

Convenor:

PROF Annalisa Marzano

Summary:

This Roman history module covers the period from the second triumvirate in the last years of the Republic to the reigns of the emperors.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Introduction to English Language Teaching

Code:

LS2LAT

Convenor:

MRS Suzanne Portch

Summary:

The course aims to provide an overview of key aspects of language teaching methodology and practice. 

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Literature, Language and Education

Code:

LS2LLE

Convenor:

MRS Suzanne Portch

Summary:

This module aims to provide students with an opportunity to apply their existing degree-based knowledge and learning and extend it within their chosen specialisation. 

Assessment Method:

Assignment 45%, Oral 10%, Report 45%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Language and New Media

Code:

LS2LNM

Convenor:

PROF Rodney Jones

Summary:

In this module, students will explore the ways digital media are changing the way people use language. Students will be introduced to a range of theories from sociolinguistics, media studies and discourse analysis and will learn to apply these theories to analysing authentic texts and interactions. Among the topics covered in the module are genres and registers of mediated communication, social networking and online identity, multimodal and multimedia communication, mobile communication and wearable computers, and online tracking and surveillance.

Assessment Method:

Assignment 25%, Oral 25%, Portfolio 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Science, perversion, and dream in global fantastic literature

Code:

ML2GF

Convenor:

DR Alice Christensen

Summary:

This module will explore a number of key literary texts that engage the Fantastic mode of literary representation. The module aims to promote critical awareness of the ways in which French, Hispanic, Italian and German literary traditions adapted and transformed the Fantastic narrative so that it spoke to a number of specific issues such as the advances in science and technology, the changing roles of women, the pressures of modernisation, the impact of psychoanalysis, and fears related to changes brought about by colonisation, the political structure of the Nation-state, and the economy. Texts will be read in the original language if the student is taking that language to degree level, and in English translation if not.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Society, Thought, and Art in Modern Europe

Code:

ML2STA

Convenor:

DR Veronica Heath

Summary:

This module aims to provide students with a systematic historical and cross-national understanding of the key ideas, institutions and symbols that have come to constitute and represent modernity in Europe and, at the same time, new conceptions of Europe. The module examines the birth of modern men and women in Europe in the late eighteenth century and the broad intellectual, cultural, economic, political and social conditions which have been shaping and re-shaping them since. The module further shows a) the contributions of different European nations to a common European reaction to and re-evaluation of tradition and modernity; and b) the diffusion of modernity (Westernisation) from Europe to Asia and Africa and its role in the creation of a global world. Finally, it shows how art has played a leading role in the transformations of modernity; not only recording it but also constituting one of its central components.

Assessment Method:

Assignment 80%, Class test 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Practice of Entrepreneurship

Code:

MM270

Convenor:

DR Norbert Morawetz

Summary:

This is a dynamic and experiential module aiming to give students a strong understanding of key dilemmas likely to be faced by first time entrepreneurs. The module develops student's entrepreneurial skill and confidence to put plans into action. Students gain understanding of the practice of entrepreneurship as informed by theory, role play and guest lectures. This will include exposure to the experience of successful entrepreneurs. Students are given a solid understanding of the realities of business start-up.

 

This module is delivered at the University of Reading and the University of Reading Malaysia

Assessment Method:

Assignment 65%, Oral 30%, Portfolio 5%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Science of Climate Change

Code:

MT2CC

Convenor:

PROF Nigel Arnell

Summary:

This module provides an introduction to the science of climate change, aimed at students who do not necessarily have a scientific background.

Assessment Method:

Exam 70%, Assignment 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Modern International Relations

Code:

PO2MIR

Convenor:

DR Joseph O' Mahoney

Summary:

This module provides an advanced analysis of the principal theoretical approaches to international politics, as well as coverage of a selection of major issues on the international stage, including globalisation, conflict, nuclear weapons and terrorism. 

Assessment Method:

Exam 50%, Assignment 45%, Set exercise 5%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Politics of the Welfare State

Code:

PO2PWS

Convenor:

DR Brandon Beomseob Park

Summary:

The course is an introduction to the politics of welfare states in the developed economies of OECD countries with a particular focus on Western Europe. It focuses on the interaction between political and economic factors in explaining the emergence and evolution of welfare states and their various forms across countries. Students learn the major theoretical approaches in the study of the welfare state and apply them to contemporary debates about the welfare state as well as the politics of welfare state reform.

Assessment Method:

Exam 50%, Assignment 40%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Political Thinking

Code:

PO2THI

Convenor:

DR Alice Baderin

Summary:

Module in applied political theory. The course investigates the ethical issues that lie behind some important contemporary policy debates. 

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ethical Argument 1: Philosophy and How to Live

Code:

PP2EA1

Convenor:

DR Luke Elson

Summary:

This module introduces students to longstanding methods, issues and arguments in moral philosophy.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Global Philosophy 1

Code:

PP2GP1

Convenor:

MISS Michela Bariselli

Summary:

This module introduces some key thinkers and issues in global philosophy, the philosophy of gender and race, the ethics of resistance and the epistemology of terrorism. Some of the claims we will examine include: Gender is an illusion, male and female ‘sex’ attributes are social constructions!  Race categories are racist, they should be abolished! Persons are ‘processes’; self and identity are conceptual fictions!  Self-immolation is an ethical form of political protest! Gandhi and Islamist suicide bombing share an ethics of sacrificial dying! Debt is founded on violence! We should undertake dying with full awareness, by meditative fasting!

We will engage in philosophical conversations with (i) contemporary feminist and race theorists such as Judith Butler, Sally Haslanger and Naomi Zack on performativist,  constructionist and essentialist approaches to gender and race; (ii) Buddhist philosophers on the metaphysics of self and identity; (iii) Buddhist, Gandhian and Islamic ethics of sacrificial dying and political resistance; (iv) interdisciplinary perspectives on the nature and origins of debt and money; (v) Jaina conceptions of meditative dying, suicide and euthanasia; (vi) the epistemology of terrorism and Islamic approaches to non-violence.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Hume, Kant, and Wittgenstein 1

Code:

PP2HKW1

Convenor:

DR Severin Schroeder

Summary:

This module introduces students to the ideas of three great philosophers: David Hume, Immanuel Kant, and Ludwig Wittgenstein, focussing especially on their respective conceptions of philosophy.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ignorance, Doubt, and Relativism 1

Code:

PP2IDR1

Convenor:

DR Jumbly Grindrod

Summary:

This module introduces students to a core area of philosophy – epistemology (the theory of knowledge), makes them familiar with key stances on the extent and nature of human knowledge (modal theories, reliabilist theories, virtue theories etc.), and requires them to evaluate such stances and find their place on the epistemological map. They will also be introduced to the social aspect of epistemology, by considering what role knowledge plays within a society, how we gain knowledge from others, and how we may be harmed specifically as knowers.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Meaning and the Mind 1

Code:

PP2MM1

Convenor:

DR Jumbly Grindrod

Summary:

This module introduces students to core philosophical issues about meaning and the mind, and to central connections between these issues. How could there be minds in a physical world? Are states of consciousness physical states? How do our thoughts and words come to represent the world around us? These questions are intimately related. The capacity to represent the world is a central, problematic feature of the mind. Moreover, to assess what minds are, we must pay careful attention to what our words for mental states mean, and to how they come to mean what they do. We will investigate these questions by reading and discussing recent work in the philosophy of mind and language, by authors such as David Chalmers, Hilary Putnam and John Searle, as well as classic texts by authors such as Gottlob Frege and Princess Elizabeth of Bohemia.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Oppression, Inequality, and the Enemies of Democracy 1

Code:

PP2OID1

Convenor:

DR Charlotte Newey

Summary:

In this module you will consider the question: how should we be governed? The module will introduce you to key philosophical arguments concerning the meaning and value of freedom, equality and democracy. You will study both their defenders and their detractors.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
EN2BB The Business of Books DR Deborah Withers
EN2CF Contemporary Fiction PROF Bryan Cheyette
EN2CRI Critical Issues DR Stephen Thomson
EN2CWJ Creative Writing: Non-fiction and Long-Form Journalism MS Katharine Clanchy
EN2CWP Creative Writing: Poetry PROF Peter Robinson
EN2CWS Creative Writing: The Short Story MS Shelley Harris
EN2MOD Modernism in Poetry and Fiction DR Mark Nixon
EN2OEL Introduction to Old English Literature DR Aisling Byrne
EN2RP The Romantic Period DR Matthew Scott
EN2RTC Renaissance Texts and Cultures PROF Michelle O'Callaghan
EN2SH Shakespeare PROF Lucinda Becker
EN2VIC Victorian Literature DR Lucy Bending
EN2WA Writing America DR Sue Walsh
EN2WPS Writing in the Public Sphere DR Mary Morrissey
AR2F17 Forensic Archaeology and Crime Scene Analysis PROF Mary Lewis
AR2M8 Medieval Europe: power, religion and death DR Gabor Thomas
CL2AE Ancient Epic DR Christa Gray
CL2AEL Ancient Egyptian Language and Hieroglyphs PROF Rachel Mairs
CL2CGH Greek History: Persian Wars to Alexander PROF Timothy Duff
CL2DR Ancient Drama PROF Barbara Goff
CL2RO Roman History: From Republic to Empire PROF Annalisa Marzano
LS2LAT Introduction to English Language Teaching MRS Suzanne Portch
LS2LLE Literature, Language and Education MRS Suzanne Portch
LS2LNM Language and New Media PROF Rodney Jones
ML2GF Science, perversion, and dream in global fantastic literature DR Alice Christensen
ML2STA Society, Thought, and Art in Modern Europe DR Veronica Heath
MM270 Practice of Entrepreneurship DR Norbert Morawetz
MT2CC The Science of Climate Change PROF Nigel Arnell
PO2MIR Modern International Relations DR Joseph O' Mahoney
PO2PWS Politics of the Welfare State DR Brandon Beomseob Park
PO2THI Political Thinking DR Alice Baderin
PP2EA1 Ethical Argument 1: Philosophy and How to Live DR Luke Elson
PP2GP1 Global Philosophy 1 MISS Michela Bariselli
PP2HKW1 Hume, Kant, and Wittgenstein 1 DR Severin Schroeder
PP2IDR1 Ignorance, Doubt, and Relativism 1 DR Jumbly Grindrod
PP2MM1 Meaning and the Mind 1 DR Jumbly Grindrod
PP2OID1 Oppression, Inequality, and the Enemies of Democracy 1 DR Charlotte Newey

These are the modules that we currently offer. They may change for your year of study as we regularly review our module offerings to ensure they’re informed by the latest research and teaching methods.

Compulsory modules include:

X

Module details


Title:

Dissertation

Code:

EN3DIS

Convenor:

DR Stephen Thomson

Summary:

The Dissertation is a substantial (8,000-word) work of literary-critical argument, based on sustained independent research under the guidance of a supervisor, and written and presented in a scholarly manner. Prior to completing the dissertation students who take this module submit a 2,000-word portfolio of supporting documents, including: a literary review or bibliographical exercise; a sample of dissertation-level work; and a reflective piece, discussing rationales and research questions for the project. The module offers students the opportunity to explore in depth topics of particular interest, and to develop skills accumulated during their first two years of study.

Assessment Method:

Dissertation 80%, Portfolio 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
EN3DIS Dissertation DR Stephen Thomson

Optional modules include:

X

Module details


Title:

American Graphic Novels

Code:

EN3AGN

Convenor:

PROF David Brauner

Summary:

Through detailed analysis of a range of graphic novels and related scholarship, students will develop their skills of close reading sequential art and their understanding of the particular discourses that characterise graphic novels and academic criticism of the medium. There will be a particular emphasis on graphic novels that interrogate and complicate the relationship between autobiography, biography and fiction and that explore constructions of gender and ethnicity in the context of broader historical and political developments in contemporary America. 

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Hitchcock

Code:

EN3AH

Convenor:

DR Neil Cocks

Summary:

Through studying of the films of Alfred Hitchcock, this module offers students the opportunity to engage critically with a new medium. Through a detailed analysis of a range of films, students will be introduced to a variety of critical frameworks, from structuralist accounts of film grammar, to recent interventions from Queer Theory and Psychoanalysis. They will be asked to adopt a reflexive approach towards such theory, thinking through the demands it makes upon their reading.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Black British Fiction

Code:

EN3BBF

Convenor:

DR Cato Marks

Summary:

This module examines a range of British texts (poetry, drama, novels, short stories, films) by writers of black and Asian descent. Beginning with the 1950s and progressing to the present day, we discuss what might constitute the (black) British literary tradition. The module reads its set texts alongside theoretical and historical material examining issues of cultural capital, national identity and minority communities. Documentary footage, blogs, and contemporary reportage will also be examined in order to trace the pressures that the terms ‘black’ and ‘British’ have exerted on each other in a variety of historical, social, and cultural contexts.

Assessment Method:

Assignment 50%, Portfolio 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Contemporary American Fiction

Code:

EN3CF

Convenor:

PROF David Brauner

Summary:

The module is concerned with American fiction published in the last two decades of the twentieth century and first decade of the twenty-first, focusing on some of the ways in which contemporary American novelists deconstruct and reconstruct traditional ideas of what the novel can and should be and do. Exploring key terms such as realism, postmodernism, metafiction and irony, the module will examine both the diversity of contemporary American voices and the emergence of common preoccupations among these writers, alongside the different socio-historical contexts in which they work.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Children's Literature

Code:

EN3CL

Convenor:

PROF Karin Lesnik-Oberstein

Summary:

This module examines issues around children’s literature and children’s literature criticism and questions wide-spread popular assumptions about how to read and write about children’s literature. Students who do not wish actually to challenge and develop their own thinking, reading and writing about children and children’s books should not, therefore, take this module! Through in seminars closely analysing a range of children’s literature from the twentieth century and later, the module questions and analyses critical assumptions and formulations around authorship, memory, observation, readership, and identity. Some of the texts will be set by the module convenor whilst further texts may be chosen by the seminar group. 

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Class Matters

Code:

EN3CM

Convenor:

DR Nicola Wilson

Summary:

What is class and why does it matter? This module considers both the idea of ‘working-class writing’ and the representation of the working classes in cultural forms. Structured chronologically and moving from the work of Robert Tressell and D.H. Lawrence through to the literature of the 1984 Miners’ Strike, the module introduces a variety of twentieth-century working-class writings including novels, short stories, essays, poetry and autobiography. Broadening our understanding of the literary and cultural history of the twentieth century, we consider the impact of unemployment, economic depression, im/migration, and changes in patterns of consumption and leisure on the production and reception of working-class writing.

Assessment Method:

Exam 50%, Assignment 30%, Oral 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Decadence and Degeneration: Literature of the 1880s and 1890s

Code:

EN3DD

Convenor:

DR Lucy Bending

Summary:

This module engages with some of the most iconic texts in English literature, including Stoker’s Dracula, Stevenson’s Jekyll and Hyde, and Wilde’s The Picture of Dorian Gray. In it we will explore what is meant by these terms ‘decadence’ and ‘degeneration’, calling, amongst many other things, on portrayals of 1890s’ foppishness, Darwinian models of evolution, the emergent New Woman phenomenon, the Wilde trial, and the portrayal of prostitution. This module is very interested in contextual material as a way of understanding literary texts, and we will be looking at a wealth of magazine articles and medical and scientific texts as a way of recognizing the depth and complexity of literary works.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Dickens

Code:

EN3DIC

Convenor:

PROF Andrew Mangham

Summary:

An opportunity for the detailed and intensive study of the work of Charles Dickens, based on the close analysis of four works and exploring Dickens's innovations and developments of the novel form in his historical and cultural contexts.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Eighteenth-Century Novel: Sex and Sensibility

Code:

EN3ECN

Convenor:

DR Anna Senkiw

Summary:

The novel as we know it today was born during the eighteenth century. From the first, novels display an intense fascination with the human body, constructions of gender and sexuality, and the physical and emotional responses of readers to the words on the page. But why are eighteenth-century novelists so interested in sex and - to use a key word of the period - sensibility? What different kinds of response do they elicit from their readers? And how can contemporary and recent ideas about the body, gender, authorship and reading help us to interpret these innovative literary texts? 

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Global Literatures: Translation as Theme and Theory

Code:

EN3GLT

Convenor:

DR Nicola Abram

Summary:

This module engages students with the global scope of contemporary literature, from 1980 to the present. Applying a comparative critical approach, it draws on a range of novels, short stories, and literary essays from around the world (some of which will be read in translation). Its focus is on cross-cultural encounter, and the associated issues of communication and translation: these will be studied both as thematic content and as theoretical concepts. This module will therefore be of interest to students preparing to practice as translators, as well as equipping all participants to appreciate and articulate the ways in which language and literature make, unmake, and remake the world and its citizens. 

Assessment Method:

Assignment 50%, Portfolio 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Holocaust Testimony: Memory, Trauma and Representation

Code:

EN3HT

Convenor:

PROF Bryan Cheyette

Summary:

The module introduces students to the most important works of Holocaust Testimony and, by reading these books critically, will develop an awareness of theoretical issues concerning the relationship between trauma, memory and narrative, and the connection, more generally, between literary and historical forms of narrative. The module will examine both the diversity of Holocaust Testimony and the emergence of common preoccupations among these writers, alongside the different narrative forms and socio-historical contexts in which they work.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Literature and Mental Health

Code:

EN3LMH

Convenor:

DR John Scholar

Summary:

This module looks at how literature engaged with mental health in the first half of the twentieth century, a crucial turning point in psychology. Authors may include E.M. Forster, Wilfred Owen, May Sinclair, D. H. Lawrence, and Katherine Mansfield. In the nineteenth century people were becoming increasingly aware of the challenges to mental health posed by city life across Europe. But such challenges were soon overwhelmed by the destruction of the First World War. In its wake two young disciplines, psychiatry and psychology, gained credibility and resources. These disciplines arguably helped to destigmatize mental illness, laying the foundations for how we approach mental health today. But so did the literature of this period which famously turned inwards to record as faithfully as possible the mind in all its complexity. We will look at literary engagement with trauma, anxiety, and obsession, among other things, but we will also look at how literature inspired readers, helping them to feel positive about their minds and bodies, and depicting seminal moments of psychic and sexual liberation.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Margaret Atwood

Code:

EN3MAT

Convenor:

DR Madeleine Davies

Summary:

Margaret Atwood is Canada's most influential contemporary writer. Atwood consistently engages with issues of power ('who can do what to whom and get away with it') and her work connects with a range of contemporary debates including ecological, feminist, and ideological discourses. On this module we discuss dystopia, speculative fiction, the uncanny, ideology, postmodernity and questions of language and narration, engaging with the texts via close analysis and critical/theoretical readings of the texts. The novel explores Atwood's novels (The Edible Woman, The Handmaid's Tale, Alias Grace, The Blind Assassin and The Testaments) but her poetry and critical essays are discussed as appropriate. Students will demonstrate their engagement with the module in a summative Portfolio assessment which will be submitted by or on the final day of the term in which the module is taught (see below for assessment details). There is no exam on this module.

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Medieval Otherworlds

Code:

EN3MO

Convenor:

DR Aisling Byrne

Summary:

Magic and the supernatural play an important role in medieval English literature. In this module we will explore literary accounts of a range of fantastical locations where the ‘other’ is encountered in a particularly dramatic fashion. We will discuss romances where questing knights arrive in uncanny fairy kingdoms or where King Arthur travels to Avalon. We will analyse travel accounts which populate the fringes of the world with marvels and strange beings. In some narratives, heroes test themselves in hellish landscapes or search for paradise on earth. In other texts, sleepers confront the surreal world of their own dreams. Although depictions of these places can be sensational or escapist, authors also use them to explore very serious themes such as desire, death, gender and political authority.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Creative Writing Masterclass: Prose

Code:

EN3MPS

Convenor:

MS Shelley Harris

Summary:

This module will deepen student writers’ understanding of narrative techniques and sharpen their prose. Using a range of short stories, narrative non-fiction and novel extracts as a springboard, students will advance their knowledge of issues such as structure, characterisation, dialogue and prose quality. At the same time, they will put theory into practice by writing, editing and submitting to competitions and publications.
Learning takes place in a weekly two-hour workshop and one hour peer group, where students support each other’s work with constructive feedback. Where possible, we will invite guest writers and industry experts into the workshops, to share their know-how. This module is delivered at the University of Reading.

Assessment Method:

Assignment 30%, Portfolio 60%, Project 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Creative Writing Masterclass: Poetry

Code:

EN3MPY

Convenor:

PROF Peter Robinson

Summary:

This module will enable students to develop and design a short collection of poems, or a sequence or series of poems, or one longer poem, with a view to submitting a selection or extract to a print or online poetry magazine. Weekly workshops will introduce original exercises to allow students to generate material and hone technique. Attention will be paid to the elaboration of style and voice, as well as the balance between consistency and variety of theme and premise across the collection. Workshops will also facilitate group discussion of student work. Close consideration will be given to issues of address and audience, as well as the nature and scope of the poetry being written and published today, with particular focus on emerging voices and subject-matter.

Assessment Method:

Assignment 30%, Portfolio 60%, Project 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Oscar Wilde and the World of Art

Code:

EN3OW

Convenor:

DR John Scholar

Summary:

Oscar Wilde, lover of beauty, sexual rebel, and socialist, was unique but he didn’t emerge from a vacuum. This module looks at how the Aesthetic Movement, the new celebration of art for art’s sake which swept across Europe in the second half of the nineteenth century, inspired Wilde. We will look in depth at Wilde’s fiction, drama and poetry, through the lens of the pioneering painters, designers and art critics who motivated him, asking why words and images combined and collided in this period in new and controversial ways. The module will take advantage of digital technology to confront the most vivid images of this period, such as the Gothic buildings of Venice, the medieval maidens of the Pre-Raphaelite painters, and the smoky sexualities of French symbolist painting. We will examine a wide range of visual arts including painting, photography, fashion, architecture, and interior design. The module will also pose fundamental questions, such as, does a knowledge of the visual arts help us understand literature? And how in this period did literature and the visual arts differently register cultural, technological and political changes?

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Placing Jane Austen

Code:

EN3PA

Convenor:

DR Paddy Bullard

Summary:

Jane Austen once compared her art to that of the miniaturist: each of her novels, she wrote, was like a ‘little bit (two Inches wide) of Ivory on which I work with so fine a Brush, as produces little effect after much labour’. But the relatively small scale of her writing in terms of setting – its tendency to domestic portraits and family groupings – belies the expansiveness and mobility of her imagination. Austen had a vivid sense of the wider world in which she lived. Her meticulously realised interiors are set carefully within larger landscapes, and both are full of social, economic and aesthetic meaning. Her characters move between great houses and ordinary cottages, between city and suburb, between old agricultural estates and newly landscaped parklands, between familiar parishes and fashionable tourist destinations. Austen scholars have also explored wider backgrounds to her fiction: the ocean journeys of her naval officer relatives (and their equivalents in her novels); the colonial slave plantations that paid for those stately country homes. This module investigates Austen’s sense of space and place. It examines the movements of her characters through rooms and houses, the patterns of their dances in assembly halls, the paths of their journeys through town and country. It investigates how these movements sometimes represent changes of heart or class, of mind or fortune. It shows how they are always significant for the carefully drawn lines of her narratives.

Assessment Method:

Assignment 50%, Portfolio 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Psychoanalysis and Text

Code:

EN3PSY

Convenor:

PROF Karin Lesnik-Oberstein

Summary:

This module introduces and explores relationships between psychoanalysis and literary criticism, concentrating not on psychoanalysis as ‘applied’ to literature, but, instead, on thinking through the implications of psychoanalysis for literary criticism and theory. On the basis of readings from Sigmund Freud the students are introduced to central concepts from and about psychoanalysis, primarily the psychoanalytic ‘unconscious’, and then continue by examining the implications of this for ideas about authorship and intentionality, readership and response, and text and interpretation. After the initial readings from Freud, each group selects both primary and secondary literature to analyse closely.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

From Romance to Fantasy

Code:

EN3RF

Convenor:

DR Mary Morrissey

Summary:

On this module, students will explore the role played by fantastical or wondrous elements in English literature from the middle ages to the present day. It will focus on a range of key narrative structures (such as the quest), persistent motifs such as magical objects, and influential modes, such as the gothic. It will present authors typically associated with fantasy, such as J.R.R. Tolkien, alongside authors less typically associated with this type of writing, such as Shakespeare and Jane Austen. It will also consider how romance narratives, like the stories of King Arthur, developed in the medieval period and were then revived and reworked in later centuries. It will explore the reinvention of the middle ages in subsequent centuries and consider what ‘medievalism’ tells us about the culture of later literary periods.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Shakespeare on Film

Code:

EN3SHF

Convenor:

PROF Lucinda Becker

Summary:

Filmic adaptation of Shakespeare is a major component of the ‘Shakespeare Industry’. This module explores how the medium of film has treated Shakespeare, with a focus on how the written text can be used in depictions, interpretations and adaptations, and how film making techniques affect our perception of Shakespeare’s works. Alongside consideration of how plays have been interpreted on screen we will also consider key actors and directors, tracing changes and developments in both cinema and the ways early modern drama has been interpreted and appropriated by filmmakers in the twentieth- and twenty-first centuries. Throughout we will work with an awareness of Shakespeare as a cultural icon.

Assessment Method:

Assignment 80%, Oral 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Writer's Workshop: Studying Manuscripts

Code:

EN3SM

Convenor:

DR Mark Nixon

Summary:

This module provides a practical and theoretical introduction to the study of manuscripts and textual scholarship. Students will have the unique opportunity of drawing on the resources of the extensive range of manuscript materials held at the University’s Special Collections.

Assessment Method:

Assignment 80%, Report 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

The Bloody Stage: Revenge and Death in Renaissance Drama

Code:

EN3TBS

Convenor:

DR Chloe Houston

Summary:

This module explores the representation of revenge and death across a range of revenge tragedies performed on the Renaissance stage. The Renaissance is a period when bodies were mutilated and put on public display by the state. We will explore what spectacles of punishment can tell us about wider cultures of retribution and violence, including the tensions between private revenge and state justice. Since bodies in death are surprisingly articulate, this module will consider how to analyse the staging of death scenes and whether there are differences in the ways that men and women die on stage. These highly stylised revenge tragedies are deliberately provocative and raise important questions about the aesthetics and ethics of violence.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Virginia Woolf and Bloomsbury

Code:

EN3VW

Convenor:

DR Madeleine Davies

Summary:

Virginia Woolf is a crucial reference point for women’s writing and feminist criticism.  This module provides students with knowledge and understanding of selected novels and essays by Virginia Woolf, and explores key issues including her challenges to concepts of boundaries, hierarchies, sex, sexuality and difference, and her attention to debates concerning the social, political, cultural and economic marginalisation of women in the early years of the Twentieth Century. The module emphasises Woolf’s novels, but seminars are also devoted to her critical essays and ‘political’ writing. Discussion of ‘Bloomsbury’ ethics and art weaves throughout the module. The debates included in the module connect with pacifism, the writing of the city, psychoanalysis, the challenge to heteronormativity, the body, and the tension between female creativity and procreativity.

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Writing Women: Nineteenth Century Poetry

Code:

EN3WWP

Convenor:

DR Lucy Bending

Summary:

This module will explore writing primarily by (but also about) women in the nineteenth century. We will read some well-known and influential poems –Christina Rossetti’s Goblin Market and Elizabeth Barrett Browning’s Aurora Leigh, for example – as well as some by less well-known names, discussing the ways in which women responded to poetic tradition. We will ask how women found a voice in a predominantly patriarchal society; what subjects were deemed suitable for female poets, and how such poets overcame the limitations of expectation; how different verse forms could be used to different ends. Above all, the aim is to enjoy a wide-range of poems with women at their centre.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Genes, Lifestyle and Nutrition

Code:

FB3NGLA

Convenor:

DR Vimal Karani

Summary:

Assessment Method:

Assignment 60%, Practical 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Climate Change

Code:

GV3CC

Convenor:

PROF Maria Shahgedanova

Summary:

This course examines natural and human-induced climate change with reference to examples from different parts of the world. By the end of the module, students will gain knowledge about forcings driving climate change (e.g. greenhouse gases, solar variability, volcanic eruptions, desert dust and black carbon aerosol), impacts of climate change on natural and managed systems, methods of climate change assessment and projection, and adaptation to climate change. The course combines the science of climate change (e.g. climatic variability with emphasis on El Nino Southern Oscillation and North Atlantic Oscillation, conceptual understanding of climate modelling) with its application (e.g. investigation of impacts of climate change on glaciated environments, water resources, urban areas). It addresses interactions between climatic changes and conditions of economies and communities focusing on vulnerabilities to climate change, development of adaptation strategies and techniques, and assessments of barriers to adaptation. 

Assessment Method:

Exam 50%, Report 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Ecosystems Modelling

Code:

GV3ESM

Convenor:

DR Shovonlal Roy

Summary:

This module concentrates on modelling ecological dynamics with emphasis to ecosystems on land and in the ocean, which are relevant to a range of global issues, from environmental changes to food security, including the earth’s primary production, oxygen generation, and carbon fixation. The module will cover techniques and aspects required for in-depth understanding the ecosystems function and dynamics. As such this module has got some mathematical contents which is higher than usual in typical Geography modules. Lecture materials and recommended reading include basic calculus, differential equations, logarithms and algebraic manipulations, however, these are not included in the assessments. The content, both technical and general, is suitable for  the final year undergraduate students with little or no experience in ecosystem modelling, but those who are interested in learning the building blocks of modelling, and applying it to the stat-of-the-art environmental and ecological systems.

Assessment Method:

Assignment 30%, Oral 10%, Report 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Tropical Rainforests, Climate & Lost Civilisations

Code:

GV3TRC

Convenor:

PROF Frank Mayle

Summary:

This module aims to unravel the long-term (multi-millennial scale) history of tropical forests using a range of complimentary approaches and disciplines – e.g. palaeoecology, archaeology and anthropology. This inter-disciplinary perspective integrates physical and human geography, ecology, and archaeology. The module focuses on tropical Latin America and revolves around several key questions: 1) What have been the interrelationships between climate change, human land use (e.g. burning and agriculture), and tropical forest ecosystems through the Holocene, i.e. the last ca. 11,000 years? 2) What is the origin of current patterns of biodiversity? 3) What are the implications of this historical perspective for conservation policy and understanding the fate of tropical forests over the 21st century? 4) To what extent have past cultures/civilisations been constrained by, or benefited from, their tropical surroundings and why did they collapse?

Assessment Method:

Exam 50%, Report 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Intercultural Communications

Code:

LS3IC

Convenor:

DR Erhan Aslan

Summary:

In this module, students will explore how people of different discourse systems or groups communicate with one another in various face-to-face and digitally-mediated contexts. Specifically, students will gain an understanding of how assumptions and values that have been constructed or adopted within a specific culture group influence the ways in which people successfully communicate with each other as well as experience miscommunication. Students will become familiar with a variety of topics in intercultural communication as they engage in hands-on analyses of intercultural encounters.

Assessment Method:

Assignment 50%, Set exercise 10%, Project 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Criminology

Code:

LW3CRY

Convenor:

PROF Paul Almond

Summary:

Criminology is a lecture-led module examining the nature of crime as a social phenomenon, theoretical explanations of criminal behaviour, and official responses to crime. The module will incorporate tutorial classes and a piece of assessed coursework.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Identity and Conflict in Modern Europe

Code:

ML3IC

Convenor:

DR Athena Leoussi

Summary:

This module focuses on identity and conflict in modern Europe. By examining race, gender, warfare, revolution and immigration, it explores the evolution of modern conceptions of the self, of what it is to be human. The module further examines a) the ways in which  modern identities have been pursued and realised in different European contexts, for example, through social movements and national and international legislation; b) the conflicts which new and modern visions of the self have generated and in which they have been shaped; and c) cultural expressions of identity and conflict in paintings, sculptures, monuments and films.

Assessment Method:

Exam 50%, Assignment 30%, Oral 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Language and Power

Code:

ML3LP

Convenor:

MR Federico Faloppa

Summary:

This module aims to familiarise students with the linguistic means by which a whole range of persuasive texts can be analysed. We will also be considering the use of language (and of a language in general) as a powerful tool in itself. We will investigate a range of discourse types and theoretical approaches, and we will for instance look at stylistic and rhetorical features, linguistic creativity and language “play”, techniques for revealing a text’s underlying ideological stance and bias, power relationships and their effect on language.

Assessment Method:

Oral 25%, Project 75%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Entrepreneurial Project

Code:

MM302

Convenor:

MR Keith Heron

Summary:

New venture start-up involves more than generating a creative idea…it involves starting-up or taking action.  

In this module we expect a student to have done something to test out their start-up hypothesis, in order to build their own and potential investor confidence, prior to venture launch. 

A start-up business plan is not a measure of entrepreneurial capacity. This module will not require a Business Plan as one of the task assessments but it will require students to design ‘tests’ of the Value Proposition thinking and explain the learning from their progress towards start-up. 

This module also provides an option for students to test and develop an idea generated by an external entrepreneur, thus enabling greater engagement with a real business situation. This will only occur where the module convenor has assessed the client idea as being suitable for conforming to the aims and assessment specification of this module. 

This module is delivered at the University of Reading and the University of Reading Malaysia

Assessment Method:

Project 40%, Report 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

Feminism and Political Theory

Code:

PO3FPT

Convenor:

DR Maxime Lepoutre

Summary:

This module explores the contributions of feminism to contemporary political theory. It begins by examining theoretical controversies surrounding the definition, subject matter, and aims of feminism. It then brings these theoretical insights to bear on a range of pressing issues in feminist politics, such as abortion, surrogacy, pornography, marriage and sexist language.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

International Political Economy

Code:

PO3IPE

Convenor:

DR Jonathan Golub

Summary:

The course is an introduction to International and Comparative Political Economy (IPE and CPE, respectively), which focuses on the interaction between states and markets at the domestic and international levels. It covers the major theoretical approaches to IPE and CPE and applies them to study international trade, globalisation, the crisis, capitalism, inflation and growth regimes. It also considers the relation between globalisation and the welfare state as well as capitalism.

Assessment Method:

Exam 40%, Assignment 40%, Oral 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

X

Module details


Title:

US Foreign and Defence Policy since 1950

Code:

PO3USF

Convenor:

DR Graham O'Dwyer

Summary:

This module examines US foreign and defence policy from the end of the Second World War to the present, with a focus on understanding US foreign policy processes, institutions, and decision-making. At heart the module seeks to address three broad questions: who makes (and influences) US foreign policy? How has US foreign policy changed since the end of the Second World War? What is the role of US foreign policy in the world today? By exploring historical and contemporary cases, students will analyse how foreign policy decisions are made, who influences them, and how this has evolved overtime. Drawing on primary and secondary sources, students will gain an understanding of crucial events such as the Cuban Missile Crisis, the Vietnam War, the end of the Cold War, and the War on Terror. Finally, the course will explore salient challenges faced by US foreign policymakers today.

Assessment Method:

Assignment 50%, Report 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Code Module Convenor
EN3AGN American Graphic Novels PROF David Brauner
EN3AH Hitchcock DR Neil Cocks
EN3BBF Black British Fiction DR Cato Marks
EN3CF Contemporary American Fiction PROF David Brauner
EN3CL Children's Literature PROF Karin Lesnik-Oberstein
EN3CM Class Matters DR Nicola Wilson
EN3DD Decadence and Degeneration: Literature of the 1880s and 1890s DR Lucy Bending
EN3DIC Dickens PROF Andrew Mangham
EN3ECN The Eighteenth-Century Novel: Sex and Sensibility DR Anna Senkiw
EN3GLT Global Literatures: Translation as Theme and Theory DR Nicola Abram
EN3HT Holocaust Testimony: Memory, Trauma and Representation PROF Bryan Cheyette
EN3LMH Literature and Mental Health DR John Scholar
EN3MAT Margaret Atwood DR Madeleine Davies
EN3MO Medieval Otherworlds DR Aisling Byrne
EN3MPS Creative Writing Masterclass: Prose MS Shelley Harris
EN3MPY Creative Writing Masterclass: Poetry PROF Peter Robinson
EN3OW Oscar Wilde and the World of Art DR John Scholar
EN3PA Placing Jane Austen DR Paddy Bullard
EN3PSY Psychoanalysis and Text PROF Karin Lesnik-Oberstein
EN3RF From Romance to Fantasy DR Mary Morrissey
EN3SHF Shakespeare on Film PROF Lucinda Becker
EN3SM The Writer's Workshop: Studying Manuscripts DR Mark Nixon
EN3TBS The Bloody Stage: Revenge and Death in Renaissance Drama DR Chloe Houston
EN3VW Virginia Woolf and Bloomsbury DR Madeleine Davies
EN3WWP Writing Women: Nineteenth Century Poetry DR Lucy Bending
FB3NGLA Genes, Lifestyle and Nutrition DR Vimal Karani
GV3CC Climate Change PROF Maria Shahgedanova
GV3ESM Ecosystems Modelling DR Shovonlal Roy
GV3TRC Tropical Rainforests, Climate & Lost Civilisations PROF Frank Mayle
LS3IC Intercultural Communications DR Erhan Aslan
LW3CRY Criminology PROF Paul Almond
ML3IC Identity and Conflict in Modern Europe DR Athena Leoussi
ML3LP Language and Power MR Federico Faloppa
MM302 Entrepreneurial Project MR Keith Heron
PO3FPT Feminism and Political Theory DR Maxime Lepoutre
PO3IPE International Political Economy DR Jonathan Golub
PO3USF US Foreign and Defence Policy since 1950 DR Graham O'Dwyer

These are the modules that we currently offer. They may change for your year of study as we regularly review our module offerings to ensure they’re informed by the latest research and teaching methods.

Fees

New UK/Republic of Ireland students: £9,250*

New international students: £20,300

*UK/Republic of Ireland fee changes

UK/Republic of Ireland undergraduate tuition fees are regulated by the UK government. These fees are subject to parliamentary approval and any decision on raising the tuition fees cap for new UK students would require the formal approval of both Houses of Parliament before it becomes law.

EU student fees

With effect from 1 August 2021, new EU students will pay international tuition fees. For exceptions, please read the UK government’s guidance for EU students.

Additional costs

Some courses will require additional payments for field trips and extra resources. You will also need to budget for your accommodation and living costs. See our information on living costs for more details.

Financial support for your studies

You may be eligible for a scholarship or bursary to help pay for your study. Students from the UK may also be eligible for a student loan to help cover these costs. See our fees and funding information for more information on what's available.

Flexible courses (price per 10 credit module)

UK/Republic of Ireland students: £750

International students: £1275

Careers

As an English literature graduate, you will enter the job market with highly developed research and communication skills; you will know how to access reliable information on any topic and how to present your findings in clear and persuasive language: these are valuable skills in today’s economy, where information and communication skills are vital. You will have the critical and cultural awareness necessary for working in the public sector and the media.

Some of our students decide to continue their studies at postgraduate level; others have successful careers in fields as diverse as law, business administration, web-design, teaching and journalism. Overall, 91% of leavers in work and/or study 15 months after the end of their course [1]. Past graduates have gone on to work for employers such the BBC, The Telegraph, Oxford University Press, Waterstones, Cisco Systems and the Royal Mint, as well as local authorities and schools.

[1] Graduate Outcomes Survey 2018/19; First Degree and other undergraduate responders from English Literature.

Studying English at Reading has allowed me to learn about the origins of the English language, write an original short story and create informative pieces for an exhibition in a local museum. Now I'm moving to South Korea to teach English, something I can't imagine doing had I studied anywhere else.

Chantal Armitage
BA English Literature

Alannah talks about BA English Literature.

Contextual offers


We make contextual offers for all our courses.

Take the next step


How to apply

Come to an Open Day

Get a prospectus

Ask us a question

Chat to our students

Related Subjects


  • English Literature

Ready for more?

How to apply
Visit an Open Day
Get a prospectus
View courses
  • Charitable Status
  • Accessibility
  • Privacy Policy
  • Cookies
  • Terms of use

© University of Reading