Professor Lucia Nagib

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+44 (0) 118 378 4084
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Professor in Film
- Founder and Rotating Director of the Centre for Film Aesthetics and Cultures (CFAC)
- Director of Global Engagement
- Co-ordinator of the master's courses
- Director of the MA Creative Enterprise: Film Pathway.
Areas of interest
Nagib is an internationally recognised specialist in world cinema, cinematic realism and cinematic intermediality, which she has explored through a novel approach in many publications, including her single-authored books, Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema (Amsterdam University Press, 2020) and World Cinema and the Ethics of Realism (Bloomsbury, 2011). She is an expert in a number of national cinemas, such as Brazilian, Japanese and German cinemas.
She has taught in academia on film theory, history and practice for nearly three decades and given lectures and keynotes speeches around the world. She has been at the forefront of major research projects in Brazil and the UK, such as the AHRC-FAPESP funded project ‘Towards an Intermedial History of Brazilian Cinema: Exploring Intermediality as a Historiographic Method’ (short title: ‘IntermIdia’), from October 2015 to July 2019, which has produced over a 120 publications. Within the remit of the IntermIdia project, she has written and co-directed (with Samuel Paiva) the award-winning feature-length documentary film, Passages (UK, 2019).She has organised dozens of conferences, symposia and workshops.
Nagib is the author of 7 monographs, the editor of 10 books and the translator of 5 books. She has published over 100 peer-reviewed articles and book chapters. Her writings have appeared in a number of languages other than English, including Portuguese, Spanish, German, French, Chinese and Japanese.
Postgraduate supervision
She welcomes postdoctoral researchers and postgraduate students in all areas of world cinema theory, history and geography. She is particularly interested in projects concerned with cinematic realism; intermediality; new waves and new cinemas; and national cinemas such as Brazilian, Japanese and German cinemas. She has a growing interest in practice as research.
Teaching
Nagib has taught at the State University of Campinas (Brazil), the University of São Paulo (Brazil), the Catholic University of São Paulo (Brazil), the University of Leeds (UK) and since 2013 at the University of Reading. She is currently Honorary Professor of Film at the University of Nottingham in Ningbo, China. Her research-led teaching has encompassed film theory, film history, cinematic realism, cinematic authorship, film and intermediality, Brazilian Cinema, German Cinema, Japanese Cinema, film programming and film festivals, and filmmaking, on UG, PGT and PGR levels.
Current Teaching:
- World Cinema: Creative Peaks
- Film Programming and Film Festivals
- Dissertation and practical project supervision (BA and MA).
Academic qualifications
- LLB University of São Paulo
- MA in Film Studies (thesis on Werner Herzog), University of São Paulo
- PhD in Film Studies (thesis on Nagisa Oshima), University of São Paulo.
Awards and honours
- 2022 to 2025 – Honorary Professor of Film, University of Nottingham in Ningbo, China.
- 2021 – Best Edited Collection Prize from AIM (the Portuguese Association of Moving Image Researchers) for the Dossier ‘Brazilian Cinema in the Neoliberal Era’, edited by me, Ramayana Lira de Souza and Alessandra Soares Brandão, published in the open-access journal Aniki, vol. 5, issue 2.
- 2020 – Best International Documentary Prize at the Los Angeles Brazilian Film Festival, for the feature-length documentary film Passages (2019), written by me and directed by me and Samuel Paiva
- 2008 – Distinguished Visitor, University of Alberta, Dept of English and Film Studies, Edmonton, Canada
- 2003-2004 – Leverhulme Trust Visiting Professorship in the School of History of Art, Film and Visual Media, Birkbeck, University of London, on invitation from Prof Laura Mulvey, to conduct research on ‘Utopia in Brazilian Cinema’ (12 months)
- 2000 – Ministry of Culture Research Fellowship at the Centre for Brazilian Studies, University of Oxford (3 months)
Professional bodies/affiliations
- Co-editor (with Julian Ross), World Cinema Series, Bloomsbury (London/New York)
- Co-editor (with Tiago de Luca), Film Thinks Series, Bloomsbury (London/New York)
- Member of the AHRC Peer-Review College
- International Expert of the Portuguese Agency for the Assessment and Accreditation of Higher Education, A3ES
- Member of the advisory board of the Centre for Cinematic Intermediality and Visual Culture, Sapientia Hungarian University, Cluj Napoca, Romania
- Member of the advisory board of the ERC-funded project ‘Screen Worlds: Decolonising Film and Screen Studies’ (SOAS, London)
- Member of the advisory board of BAFTSS: British Association of Film, Television and Screen Studies
- Member of the advisory board of AIM (Associação de Investigadores da Imagem em Movimento), Portugal
- Member of the advisory board of the series 'Remapping World Cinema', Routledge (London)
- Member of the editorial advisory board of Screen Studies, Bloomsbury
- Member of the advisory board of journal La cifra impar (Argentina)
- Member of the advisory board of journal Aniki (Portugal)
- Member of the advisory board of journal Screen (UK)
- Member of the advisory board of journal Open Screens (UK)
- Member of the advisory board of journal Transnational Cinemas (UK)
- Member of the advisory board of journal New Cinemas – Journal of Contemporary Film (UK)
- Member of the advisory board of the series 'Brazilian Studies', Peter Lang (Bern, Switzerland)
- Member of the advisory board of the Series 'Issues in National Cinemas', Bloomsbury (London/New York)
- Member of European Network for Cinema and Media Studies (NECS)
- Member of Society for Cinema and Media Studies (SCMS)
- Member of Association of British and Irish Lusitanists (ABIL)
Publications
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Nagib, L.
ORCID: 0000-0001-8808-9748 (2023) Historicising the story through film and music: an intermedial reading of Heimat 2. In: Nagib, L. and Solomon, S. , (eds.) The Moving Form of Film: Historicising the Medium Through Other Media. Oxford University Press , New York. pp. 202-221. ISBN: 9780197621707 | doi: https://dx.doi.org/10.1093/oso/9780197621707.003.0014
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Nagib, L.
ORCID: 0000-0001-8808-9748 and Solomon, S. , eds. (2023) The moving form of film: historicising the medium through other media. Oxford University Press , New York. pp 340. ISBN: 9780197621707 | doi: https://dx.doi.org/10.1093/oso/9780197621707.001.0001
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Nagib, L.
ORCID: 0000-0001-8808-9748 , Corrêa de Araújo, L. , De Luca, T. (2022) Introduction. In: Nagib, L. , Corrêa de Araújo, L. , De Luca, T. , (eds.) Towards an Intermedial History of Brazilian Cinema. Edinburgh Studies in Film and Intermediality Edinburgh University Press pp. 1-14. ISBN: 9781474452984
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Nagib, L.
ORCID: 0000-0001-8808-9748 (2022) An intermedial reading of Glauber Rocha's Cosmogony. In: Nagib, L. , Corrêa de Araújo, L. , De Luca, T. , (eds.) Towards an Intermedial History of Brazilian Cinema. Edinburgh Studies in Film and Intermediality Edinburgh University Press , Edinburgh. pp. 323-344. ISBN: 9781474452984
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Nagib, L.
ORCID: 0000-0001-8808-9748 , Corrêa de Araújo, L. , De Luca, T. , eds. (2022) Towards an intermedial history of Brazilian cinema. Edinburgh Studies in Film and Intermediality Edinburgh University Press pp 304. ISBN: 9781474452984
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Nagib, L.
ORCID: 0000-0001-8808-9748 (2022) Passages to reality: the case of Brazilian cinema. Translocal , 3 pp. 47-65. ISSN: 2184-1519
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Nagib, L.
ORCID: 0000-0001-8808-9748 (2022) The reality of art: an intermedial analysis of Ossessione. In: Blos-Jáni, M. , Király, H. , Lakatos, M. , Pieldner, J. , Sándor, K. , (eds.) Intermedial Encounters: Studies in Honour of Ágnes Pethő. Scientia Publishing House , Cluj-Napoca. pp. 359-372.
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Nagib, L.
ORCID: 0000-0001-8808-9748 (2022) Imagens do Mar. Visões do Paraíso no Cinema Brasileiro Atual. In: Lusvarghi, L. , Alvim, L. , Lopes, D. , (eds.) Estudos de Cinema: Retrospectiva e Perspectivas. Polytheama , São Paulo. pp. 16-36. ISBN: 9786599619304
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Nagib, L.
ORCID: 0000-0001-8808-9748 (2021) The elusive form of film. NECSUS ISSN: 2213-0217
- Nagib, L. (2020) Preface to the second enlarged edition. Pethő, Á., Cinema and Intermediality : The Passion for the In-Between. Cambridge Scholars Publishing , Newcastle upon Tyne. pp. ix-xi. ISBN: 9781527552067
- Nagib, L. (2020) The blind spot of history: colonialism in Tabu. Observatorio (OBS*) , 2020 pp. 27-38. ISSN: 1646-5954 | doi: https://dx.doi.org/10.15847/obsOBS0001812
- Nagib, L. (2020) Passages of Brazilian cinema. University of Reading (Collection)
- Nagib, L. (2020) Realist cinema as world cinema: non-cinema, intermedial passages, total cinema. Film Culture in Transition Amsterdam University Press (670). , Amsterdam. ISBN: 9789462987517 | doi: https://dx.doi.org/10.5117/9789462987517
- Nagib, L. (2020) Passages to reality: the case of Brazilian cinema. Realist Cinema as World Cinema: Non-Cinema, Intermedial Passages. Film Culture in Transition Amsterdam University Press , Amsterdam. pp. 173-198. ISBN: 9789048539215 | doi: https://dx.doi.org/10.5117/9789462987517_ch07
- Nagib, L. (2020) El cine como inestética, la vida como no-cine: um estudio sobre la trilogía prohibida de Jafar Panahi. In: Campo, J. , Crowder-Taraborrelli, T. , Garavelli, C. , Piedras, P. , Wilson, K. , (eds.) El cine documental Una encrucijada estética y política Inquisiciones contemporáneas al sistema audiovisual de Javier Campo, Tomás Crowder-Ta. Prometeo , Buenos Aires. pp. 155-173. ISBN: 9789878331287
- Nagib, L. and Paiva, S. (2019) Passages - travelling in and out of film through Brazilian geography. [Video]
- Nagib, L. and Solomon, S. , eds. (2019) Intermediality in Brazilian cinema: the case of Tropicália. Screen. Screen , 60. Oxford Academic (1). | doi: https://dx.doi.org/10.1093/screen/hjy064
- Nagib, L. (2019) Multimedia identities: an analysis of How Tasty Was My Little Frenchman. Screen , 60 (1). pp. 160-171. ISSN: 1460-2474 | doi: https://dx.doi.org/10.1093/screen/hjy067
- Rocha, G. , eds. (2018) On cinema. On Cinema by Glauber Rocha. Bloomsbury pp. x-xiv. ISBN: 9781780767031
- Nagib, L. (2018) Passages: travelling in and out of film through Brazilian geography. Rumores: Revista Online de Comunicação, Linguagem e Mídias , 12 (24). pp. 19-40. ISSN: 1982-677X | doi: https://dx.doi.org/10.11606/issn.1982-677X.rum.2018.148836
- Nagib, L. , Souza, R. , Brandão, A. , eds. (2018) Dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal). Aniki: Portuguese Journal of the Moving Image , 5. AIM - AIM - Associação de Investigadores da Imagem em Movimento (2).
- Nagib, L. , Sousa, R. , Brandão, A. , eds. (2018) Introduction to the dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal). In: Nagib, L. , Sousa, R. , Brandão, A. , (eds.) Aniki: Portuguese Journal of the Moving Image , 5 (2). pp. 306-310. ISSN: 2183-1750
- Nagib, L. (2017) Tierra, utopía y mito fundador. De Glauber Rocha a Walter Salles. Enfoco (52). pp. 22-33.
- Nagib, L. (2017) Yaaba, cinefilia e realismo sem fronteiras. Revista África(s) , 4 (7). pp. 61-70. ISSN: 2446-7375
- Nagib, L. (2017) Antropofagia e intermidialidade: o caso de como era gostoso o meu francês. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual , 6 (1). ISSN: 2316-9230 | doi: https://dx.doi.org/10.22475/rebeca.v6n1.479 (REBECA 11)
- Nagib, L. (2017) Mysteries of Lisbon and intermedial history-telling. Aniki: Portuguese Journal of the Moving Image , 4 (2). pp. 375-391. ISSN: 2183-1750
- Nagib, L. (2017) Academy visual history with Carlos Diegues. The Academy of Motion Picture Arts and Sciences (Oscars) [Video]
- Nagib, L. (2017) Bernardet visto de longe. In: Pinto, I. and Margarido, O. , (eds.) Bernardet 80: impacto e influência no cinema brasileiro. Paco Editorial/Abraccine , Jundiaí. pp. 21-32. ISBN: 9788546207886
- Nagib, L. (2017) Le Parricide, le cinéma d’auteur et le Vigo de Salles Gomes. Archives , 109 (111). pp. 48-52.
- Nagib, L. (2017) Realist cinema as world cinema. In: Stone, R. and Cooke, P. , (eds.) The Routledge Companion to World Cinema. Routledge , Abingdon-on-Thames. pp. 310-322. ISBN: 9781138918801
- Nagib, L. (2017) Kuarup, o filme. La Furia Umana , 30 ISSN: 2037-0431
- Nagib, L. (2017) Colonialism as fantastic realism in 'Tabu'. In: Liz, M. , (eds.) Portuguese Cinema: Globalizing the Nation. I.B. Tauris , London/New York.
- Nagib, L. (2017) The horizontal spread of a vertical malady: cosmopolitanism and history in Pernambuco’s recent cinematic sensation. In: Delgado, M. , Hart, S. , Johnson, R. , (eds.) A Companion to Latin American Cinema. Wiley Blackwell Companions to National Cinemas Wiley-Blackwell , Hoboken, New Jersey. pp. 343-355. ISBN: 9781118552889
- Nagib, L. (2017) Beyond difference: female participation in the Brazilian film revival of the 1990s. In: Shaw, D. and Martin, D. , (eds.) Latin American Women Filmmakers. I.B. Tauris , London/New York. pp. 31-47. ISBN: 9781784537111
- Nagib, L. (2016) Regurgitated bodies: presenting and representing trauma in 'The Act of Killing'. In: Tzioumakis, Y. and Molloy, C. , (eds.) The Routledge Companion to Film & Politics. Routledge , Abingdon. pp. 218-230. ISBN: 9780415717397
- Nagib, L. (2016) Non-cinema: the location of politics in film. Film-Philosophy , 20 (1). pp. 131-148. ISSN: 1466-4615 | doi: https://dx.doi.org/10.3366/film.2016.0007
- Nagib, L. (2015) The politics of slowness and the traps of modernity. In: De Luca, T. and Barradas Jorge, N. , (eds.) Slow Cinema. Traditions in World Cinema Edinburgh University Press , Edinburgh. pp. 25-46. ISBN: 9780748696024
- Nagib, L. (2015) Utopia in Brazilian cinema: from Black God, White Devil to Foreign land. In: Bethencourt, F. , (eds.) Utopia in Portugal, Brazil and Lusophone African Countries. Reconfiguring Identities in the Portuguese-Speaking World Peter Lang (4). , Oxford. pp. 121-140. ISBN: 9783034318716
- Nagib, L. (2014) Reflexive stasis, scale reversal and the myth of modern cinema. In: Lindner, C. and Donald, S. , (eds.) Inert cities: globalization, mobility and suspension in visual culture. I.B. Tauris , London. pp. 187-201. ISBN: 9781780769721
- Nagib, L. (2014) Tempo, magnitude e o mito do cinema moderno. Aniki: Portuguese Journal of the Moving Image , 1 (1). pp. 8-21. ISSN: 2183-1750
- Nagib, L. (2013) Tempo, magnitude e o mito do cinema moderno. In: Dennison, S. , (eds.) World Cinema: As novas cartografias do cinema mundial. Papirus , Campinas. pp. 219-233. ISBN: 9788530810603
- Nagib, L. (2013) Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha. Brazil Cultural (12). pp. 12-16.
- Nagib, L. (2013) Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles. In: Starling, H. and Borges, A. , (eds.) Imaginação da Terra: Memória e utopia no cinema brasileiro. Editora UFMG , Belo Horizonte. pp. 13-39. ISBN: 9788542300079
- Nagib, L. (2013) Back to the margins in search of the core: foreign land's geography of exclusion. In: Brandellero, S. , (eds.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies University of Wales Press , Cardiff. pp. 162-183. ISBN: 9780708325988
- Nagib, L. (2013) Film as literature, or the Truffaldian Malaise. In: Andrew, D. and Gillain, A. , (eds.) A companion to François Truffaut. Wiley-Blackwell , Oxford. pp. 530-545. ISBN: 9781405198479
- Nagib, L. (2013) The politics of impurity. In: Nagib, L. and Jerslev, A. , (eds.) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series I.B. Tauris , London. pp. 21-40. ISBN: 9781780765105
- Nagib, L. and Jerslev, A. , eds. (2013) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series I.B. Tauris , London. pp 288. ISBN: 9781780765112
- Nagib, L. (2012) Além da diferença: a mulher no Cinema da Retomada. Devires , 9 (1). pp. 14-29. ISSN: 2179-6483
- Nagib, L. (2012) Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves. In: Prager, B. , (eds.) A companion to Werner Herzog. Wiley-Blackwell , Oxford. pp. 58-79. ISBN: 978-1-4051-9440-2
- Nagib, L. (2012) Oshima, corporeal realism and the eroticized apparatus. In: Nagib, L. , Perriam, C. , Dudrah, R. , (eds.) Theorizing world cinema. I.B. Tauris , London. pp. 161-182. ISBN: 9781848854932
- Nagib, L. , Perriam, C. , Dudrah, R. , eds. (2012) Theorizing world cinema. Tauris World Cinema Series I.B. Tauris , London. pp 288. ISBN: 9781848854932
- Nagib, L. (2011) Beto Brant: realismo, género y obra de arte en proceso. In: Vargas Maldonado, J. , (eds.) Tendencias del cine iberoamericano en el nuevo milenio: Agentina, Brasil, España y Mexico. CUCSH: Universidad de Guadalajara , Mexico. pp. 273-302. ISBN: 9786074503753
- Nagib, L. (2011) World cinema and the ethics of realism. Continuum , London. pp 312. ISBN: 9781441165831
- Nagib, L. (2010) Back to the margins in search of the core: "Foreign Land"'s geography of exclusion. In: Iordanova, D. , Martin-Jones, D. , Vidal, B. , (eds.) Cinema at the periphery. Wayne State University Press , Detroit. pp. 190-210. ISBN: 9780814333884
- Nagib, L. (2009) Rumo a uma definição positiva de world cinema. In: Santana, G. , (eds.) Cinema, comunicação e audiovisual. Alameda Editorial , São Paulo. ISBN: 9788598325859
- Nagib, L. (2009) Panaméricas Utópicas: entranced and transient nations in 'I Am Cuba' and 'Land in Trance'. In: Gladston, P. , (eds.) China and other spaces. Critical, Cultural and Communications Press , Nottingham. pp. 71-87. ISBN: 9781905510221
- Nagib, L. (2009) Filmmaking as the production of reality: a study of Hara and Kobayashi's documentaries. In: Nagib, L. and Mello, C. , (eds.) Realism and the audiovisual media. Palgrave Macmillan , Basingstoke. pp. 193-209. ISBN: 9780230246973
- Nagib, L. and Mello, C. , eds. (2009) Realism and the audiovisual media. Palgrave Macmillan , Basingstoke. pp 288. ISBN: 9780230246973
- Nagib, L. (2007) Going global: the Brazilian scripted film. In: Harvey, S. , (eds.) Trading cultures: global traffic and local cultures in film and television. John Libbey , Eastleigh. pp. 95-103. ISBN: 9780861966691
- Nagib, L. (2007) Paraméricas Utópicas: entranced and transient nations in "I Am Cuba" (1964) and "Land in Anguish" (1967). Hispanic Research Journal , 8 (1). pp. 79-90. ISSN: 1745-820X | doi: https://dx.doi.org/10.1179/174582007X164357
- Nagib, L. (2007) Brazil on screen: Cinema Novo, new cinema and utopia. Tauris World Cinema Series I.B. Tauris , London. pp 200. ISBN: 9781845113285
- Nagib, L. (2006) Teoria experimental do realismo corpóreo baseada nos filmes de Nagisa Oshima e da nouvelle vague japonesa. In: Greiner, C. and Amorim, C. , (eds.) Leituras do Sexo. Annablume , São Paulo. pp. 127-140. ISBN: 857419610X
- Nagib, L. (2006) Talking bullets: the language of violence in "City of God". In: Vieira, E. , (eds.) "City of God" in several voices: Brazilian social cinema as action. Critical, Cultural and Communications Press , Nottingham. pp. 32-43. ISBN: 9781905510009
- Nagib, L. (2006) Towards a positive definition of World Cinema. In: Dennison, S. and Lim, S. , (eds.) Remapping world cinema: identity, culture and politics in film. Wallflower Press , London. pp. 30-37. ISBN: 9781904764632
- Nagib, L. (2006) The zero, the centre and the empty utopia: from Rossellini to Walter Salles. Studies in European Cinema , 3 (3). pp. 223-233. ISSN: 2040-0594 | doi: https://dx.doi.org/10.1386/seci.3.3.223_1
- Nagib, L. (2006) A utopia no Cinema Brasileiro: matrizes, nostalgia, distopias. Coleção Ensaios CosacNaify , São Paulo. pp 216. ISBN: 8575035576
- Nagib, L. (2005) The trilogy of John of God. In: Mira, A. , (eds.) The cinema of Spain and Portugal. Wallflower , London. pp. 188-197. ISBN: 9781904764441
- Nagib, L. (2005) Cinema Novo, Glauber, Herzog. In: Silva, M. , (eds.) Glauber par Glauber. Magic Cinema , Paris. pp. 88-90.
- Nagib, L. (2004) Talking bullets: the language of violence in "City of God". Third Text , 18 (3). pp. 239-250. ISSN: 1475-5297 | doi: https://dx.doi.org/10.1080/0952882042000227946
- Nagib, L. (2003) Death on the beach: the recycled utopia of Midnight. In: Nagib, L. , (eds.) The new Brazilian cinema. I.B. Tauris , London. pp. 157-174. ISBN: 9781860649288
- Nagib, L. , eds. (2003) The new Brazilian cinema. I.B. Tauris , London. pp 320. ISBN: 9781860649288
- Nagib, L. (2002) O cinema da retomada: depoimentos de 90 cineastas dos anos 90. Editora 34 , São Paulo. pp 528. ISBN: 8573262540
- Nagib, L. (2001) The New Cinema meets Cinema Novo: new trends in Brazilian cinema. Framework , 42 ISSN: 0306-7661
- Nagib, L. (2001) Ouédraogo and the aesthetics of silence. In: Kashula, R. , (eds.) African oral literature: functions in contemporary contexts. New Africa Books , South Africa. pp. 100-111. ISBN: 9781919876073
- Nagib, L. (2000) El nuevo cine bajo el espectro del cinema novo. Cuadernos hispanoamericanos , 601-602 pp. 39-51. ISSN: 0011-250X
- Nagib, L. (1999) Tendências do cinema brasileiro atual. Studies in Latin American Popular Culture , 18 pp. 19-32. ISSN: 0730-9139
- Nagib, L. (1998) Neues Kino besucht das Cinema Novo. Film Bulletin , 98 (4). pp. 41-52.
- Nagib, L. (1996) In the realm of the individual: an analysis of Nagisa Oshima's "In the realm of the senses". In: Dakovic, N. , Derman, D. , Ross, K. , (eds.) Gender & Media. Med-Campus Project , Turkey. pp. 156-174. ISBN: 9789759612009
- Nagib, L. (1996) L'empire de l'individu: L'empire des sens de Nagisa Oshima. Cinémathèque , spring pp. 62-73.
- Nagib, L. (1995) Nascido das cinzas: autor e sujeito nos filmes de Oshima. Edusp , São Paulo. pp 344. ISBN: 8531403138
- Nagib, L. (1993) Em torno da nouvelle vague japonesa. Editora da Unicamp , Campinas. pp 184. ISBN: 8526802828
- Nagib, L. (1991) Werner Herzog: o cinema como realidade. Estação Liberdade , São Paulo. pp 288. ISBN: 8585865733
- Nagib, L. , eds. (1990) Ozu: o extraordinario cineasta do cotidiano. Marco Zero , São Paulo. pp 190. ISBN: 8527981021
- Nagib, L. , eds. (1990) Mestre Mizoguchi: uma lição de cinema. Navegar , São Paulo. pp 289.