Areas of interest
- Material culture in the contemporary world
- Heritage and cultural property
- Aesthetics, art and artisanship
- Religion, especially Roman Catholicism
- Latin America and North America, especially Mexico
- Ethnographic research methods.
Alanna is happy to discuss proposals for postgraduate research that engages with ethnographic methods and the material world, but especially those focusing on cultural production, heritage and conservation, architecture, religion, and the contemporary uses of the past.
For further information please contact email@example.com
Alanna teaches introductory and advanced courses in social anthropology. Her research focuses on the ways that the economics and politics of culture impact contemporary understandings of aesthetics, value, work, identity, religion and the past.
Research centres and groups
Alanna has conducted two major ethnographic research projects in Oaxaca, Mexico. Her doctoral research The Practice of Aesthetics (funding provided by the Emslie Horniman Fund of the Royal Anthropological Institute) considered how Mexican artisans respond to changes in the local and international markets for Oaxacan woodcarvings.
The project resulted in six publications, including the 2019 monograph The Value of Aesthetics: Oaxacan Woodcarvers in Global Economies of Culture.
Alanna completed her PhD at the London School of Economics in 2012. Since then she has been a postdoctoral researcher at the University of Oslo and the University of Kent, and a sessional lecturer at Martin Luther University – Halle Wittenberg and the University of Cambridge.
Alanna is co-convenor of the UK Network for the Anthropology of Christianity (UKNAC), as a part of the Association of Social Anthropologists of the UK and Commonwealth (ASA).
Awards and honours
In 2016, Alanna received a Marie Skłodowska-Curie Individual Grant from the European Commission for the project Restoration and Faith: Practicing religion and conservation in Mexico's historic churches (H2020-EU.1.3.2/MEXRES 701601).
This project investigated the political, aesthetic and ideological dynamics present in religious heritage sites through the lens of a ruined sixteenth century Christian (Dominican) monastery that is currently being restored by non-religious agencies, but which is also still used by the local Catholic community.
- Cant, A. (2021) The politics of craft and working without skill: reconsidering craftsmanship and the community of practice. In: Wood, D. , (eds.) Craft is Political. Bloomsbury Visual Arts Bloomsbury (1). , London. ISBN: 9781350122284
- Cant, A. (2020) Participatory research in Mesoamerica and data protection in Europe (and elsewhere). Annals of Anthropological Practice ISSN: 2153-9588 | doi: https://dx.doi.org/10.1111/napa.12144
- Cant, A. (2019) The Value of Aesthetics: Oaxacan Artisans in Global Economies of Culture. University of Texas Press , Austin, USA. ISBN: 9781477318812
- Cant, A. (2016) Who authors crafts? Producing woodcarvings and authorship in Oaxaca, Mexico. In: Wilkinson-Weber, C. and Ory DeNicola, A. , (eds.) Critical Craft: Technology, Globalization, and Capitalism. Bloomsbury , London. pp. 19-34. ISBN: 9781472594860
- Cant, A. (2016) The art of indigeneity: Aesthetics and competition in Mexican economies of culture. Ethnos , 81 (1). pp. 152-177. ISSN: 0014-1844 | doi: https://dx.doi.org/10.1080/00141844.2014.921218
- Cant, A. (2015) One image, two stories: Ethnographic and touristic photography and the practice of craft in Mexico. Visual Anthropology , 28 (4). pp. 277-285. ISSN: 0894-9468 | doi: https://dx.doi.org/10.1080/08949468.2015.1052308
- Cant, A. (2015) The allure of art and intellectual property: Artisans and industrial replicas in Mexican cultural economies. Journal of the Royal Anthropological Institute , 21 (4). pp. 820-837. ISSN: 1359-0987 | doi: https://dx.doi.org/10.1111/1467-9655.12289