BA History and English Literature

Title:

Genre and Context

Code:

EN1GC

Convenor:

DR Chloe Houston

Summary:

This module is designed to provide knowledge and understanding of two formative pairings of historical moment and genre: the Renaissance stage and the Victorian novel. In the first term, students will study four Renaissance plays, with an emphasis on drama as a distinct genre with its own particular conventions, and with attention to key aspects of the Renaissance stage, from playing spaces to the use of stage props. In the second term students will study three major Victorian novels, engaging with contextual issues of urbanisation, gender, sexuality and identity. In both cases, students will be encouraged to analyse literature in relation to genre and context and will gain an understanding of their intersections at particular historical moments.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Poetry in English

Code:

EN1PE

Convenor:

DR Matthew Scott

Summary:

This module provides students with training in skills of close reading that are foundational to the study of English Literature, as well as an overview of the history of poetry in English. Students will be introduced to major movements and ideas in key periods from the early Renaissance up to the present; and to a range of genres including love poetry, political poetry, pastoral, elegy, satire, the sonnet, the ode, and the dramatic monologue. Poems studied later in the course will be drawn from the wider English-speaking world, including Ireland, the Caribbean and North America, and will include a diversity of voices.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Research and Criticism

Code:

EN1RC

Convenor:

DR Stephen Thomson

Summary:

This module provides a secure foundation in both the practical skills and theoretical literacy needed for the degree-level study of literature. It combines advanced training in reading, research, and academic writing with an introduction to debates around the core concepts of ‘reader’, ‘author’, and ‘text’. The set texts – a selection of short stories and literary essays from across the world – invite students to reflect on the complexities of these critical terms and to become more independent and more questioning as readers. A series of online screencasts equip students with subject-specific skills such as writing a critical precis and plot summary as well as general academic good practice like referencing and incorporating quotations.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Journeys through History 1:Power and People

Code:

HS1JH1

Convenor:

DR Daniel Renshaw

Summary:

This module offers an introduction to the political and social history of Europe and the world in the last millennium. The module is compulsory for all Part 1 History students on both single subject and joint honours programmes.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Journeys through History 2: Culture and Concepts'

Code:

HS1JH2

Convenor:

PROF Anne Lawrence

Summary:

This module offers an introduction to the cultural history of Europe and the world in the last millennium, and to important concepts used by historians. The module is compulsory for all Part 1 History students on both single subject and joint honours programmes.

Assessment Method:

Assignment 50%, Set exercise 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Research Skills and Opportunities in History

Code:

HS1RSO

Convenor:

DR Ruth Salter

Summary:

This module provides you with the opportunity to develop and hone your skills as a historian, making sure you feel prepared for your academic journey with us in History, and helping to support progress in employability. The module is compulsory for all Part 1 History students on both single subject and joint honours programmes.

Assessment Method:

Assignment 25%, Set exercise 25%, Project 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The Business of Books

Code:

EN2BB

Convenor:

DR Deborah Withers

Summary:

This module will enhance students’ knowledge and understanding of the book as a technology and provide the critical skills with which to consider the history and future of the book as a form. Through a combination of theoretical, methodological and hands-on teaching sessions and workshops, we will study the role and function of books in a select number of different places, historical periods, and institutional contexts, including for instance in the library, in the book shop, the publishing house, and in the board room.

Assessment Method:

Assignment 70%, Oral 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Contemporary Fiction

Code:

EN2CF

Convenor:

DR Mark Nixon

Summary:

This module will provide the opportunity to study a selection of fiction in English from the 1980s to the present day. It will highlight the formal, thematic and cultural diversity of Anglophone fiction produced in this period. Students will encounter a range of authors, including but not limited to African-American, Irish-American, Anglo-Indian, Anglo-Japanese, Canadian-Trinidadian, black British and Nigerian – though the use of such identity categories will be subject to critical scrutiny.Texts will be studied in and against a number of social, political and historical contexts, including multiculturalism, feminism and globalisation. The module will also engage with many of the key critical/theoretical paradigms of the past four decades, such as post-colonialism, post-modernism, transnationalism and intersectionality.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Chaucer and Medieval Narrative

Code:

EN2CMN

Convenor:

DR Aisling Byrne

Summary:

Sometimes called the 'father of English literature', Geoffrey Chaucer (d. 1400) is one of the great innovators in English literary history. In this module we will explore his most famous work, The Canterbury Tales. This is a story collection of enormous variety, featuring everything from vulgar comedies to moral fables and from biting satires to narratives of tragic love. Each week we will explore a different text from The Canterbury Tales and delve into some of Chaucer's key themes, such as love, religion, gender, class, chivalry and magic. The module will also introduce some of the major literary and intellectual influences upon Chaucer's work and set his narratives alongside comparable texts from the period.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Critical Issues

Code:

EN2CRI

Convenor:

DR Stephen Thomson

Summary:

Building on ideas and issues already broached in EN1RC Research & Criticism, this module offers the opportunity to explore critical theory in greater depth. The study of a variety of theoretical texts dealing with topics such as language, ideology, power, gender, and race, will offer not only ‘tools’ for dealing with these issues but also a space in which to reflect on, and gain a deeper understanding of, the ways in which these issues have commonly been thought. This is a challenging module, demanding patient engagement with arguments that may not immediately fit into our common-sense ways of thinking and that may, indeed, require us to question some of the grounding assumptions on which our everyday thinkings rests. But it is also a deeply rewarding module, and highly recommended for anyone considering a dissertation touching on any of the topics mentioned above.

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Modernism in Poetry and Fiction

Code:

EN2MOD

Convenor:

DR Mark Nixon

Summary:

This module examines the concepts of modernity and modernism, and relates them to the history of early twentieth-century poetry and fiction. Experimentation and innovation in poetic and narrative form are explored as responses to wider social upheaval and cultural movements.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Introduction to Old English Literature

Code:

EN2OEL

Convenor:

DR Aisling Byrne

Summary:

https://www.youtube.com/watch?v=Bl0T_Gz-KWI&t=8s

This module introduces students to the period of English literature that is often the most unfamiliar: the Old English or Anglo-Saxon period (c.7th-11th century). Old English literature is richly rewarding, not just because it has been an important influence on many twentieth-century writers (most famousl, J.R.R. Tolkien), but because its literary techniques and themes (female heroes, battles with Vikings, dragons, voyages of exile) are different to much later English literature. This module allows students to explore the literature of a time when England was part of the culture of the North.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Restoration to Revolution: 1660-1789

Code:

EN2RER

Convenor:

DR Rebecca Bullard

Summary:

This module surveys the literature and culture of the period 1660 to 1789, which is sometimes known as the 'long eighteenth century'. It explores the development of two of this period's most distinctive literary genres: satire and the novel. It considers how and why writers turned to these genres to express new and emerging ideas in the cultural sphere. Students on this module will investigate all or some of the following themes and ideas: the rise of science and the concept of Enlightenment; the birth of political parties and the partisan public sphere; slavery, human rights, and empire; the city and the country; gender and sexuality; the emergence of Gothic literature; the significance of the classical past.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The Romantic Period

Code:

EN2RP

Convenor:

DR Matthew Scott

Summary:

The module will provide a broad introduction to the varied literary culture of the Romantic period in Britain by examining a diverse group of texts written between 1750 and 1850.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Renaissance Texts and Cultures

Code:

EN2RTC

Convenor:

PROF Michelle O'Callaghan

Summary:

Renaissance Texts and Cultures is a module in which students explore the ways that English literature was shaped by, and helped to re-shape, English culture in the years between the Reformation and the Civil Wars. It provides students with a training in historicist literary criticism, that is, the critical approach that stresses the interconnectedness between literary texts and the cultural and political processes current at the time when the texts were first written and made public.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Shakespeare

Code:

EN2SH

Convenor:

PROF Lucinda Becker

Summary:

The module is organised chronologically in order to focus attention on different stages, genres, and periods of Shakespeare’s career as a dramatist, and begins with a lecture on the contexts of Shakespeare’s theatre, including political and social influences. Close study of at least seven plays, including A Midsummer Night’s Dream, Richard II, Measure for Measure, Hamlet, Julius Caesar, Macbeth, and The Tempest, will encourage students to explore aspects of tradition and innovation in Shakespeare’s use of theatrical modes. The module will allow students to integrate a knowledge of the intellectual, cultural and stage history of the period into their study of the texts.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Victorian Literature

Code:

EN2VIC

Convenor:

DR Lucy Bending

Summary:

The Victorian era is one of great diversity and tension. It is a period when authors began to think about man's place in a world without God; about the workings of the mind; and the role of class and gender in the construction of identity. This module will engage with these, nd other ideas, looking at some of the greatest works of Victorian literature. The module will include novels (Charlotte Bronte's Villette, and Hardy's Return of the Native), poetry (Tennyson's In Memoriam, and Elizabeth Barrett Browning's Sonnets from the Portuguese) journalism (Thackeray's 'Going to See a Man Hanged'), short stories (Daughters of Decadence edited by Elaine Showalter) and plays (Wilde's A Woman of No Importance).  The module offers a broad and exciting sweep of different modes of writing, drawing on some well-known and canonical texts, and some texts that are less frequently studied in an attempt to understand what mattered to the Victorians.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Writing America

Code:

EN2WA

Convenor:

DR Sue Walsh

Summary:

The module is concerned with literary constructions of American identity in American literature, focusing on some of the ways in which imaginative writers have perceived and defined the New World in relation to the Old and helped to shape or contest the nation's sense of cultural distinctiveness. The module will examine both the diversity of American voices and the emergence of common preoccupations, including myths of the frontier, Manifest Destiny, personal and political liberty, and the the construction of race, gender and sexuality.

Assessment Method:

Exam 67%, Assignment 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Writing, Gender, Identity

Code:

EN2WGI

Convenor:

DR Yasmine Shamma

Summary:

This module introduces students to a range of texts and critical approaches which address the relationship between writing and identity. Set texts cover a broad chronological sweep and include letters, novels, short stories and autobiographical works. We explore questions around the constructions of gender, sexuality, race and class in the set texts and more broadly. We discuss and debate assumptions embedded in the texts and our own assumptions as readers of these texts. We explore the power dynamics at play in a text and consider the implications. Lectures provide a contextual framing for the set texts and begin to open out critical questions around writing and identity; seminars are focussed on detailed analysis of the set texts and the recommended secondary reading.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Writing in the Public Sphere

Code:

EN2WPS

Convenor:

DR Mary Morrissey

Summary:

On this module, we study the literature written in order to prompt social and political change. We examine speeches, pamphlets, tracts, and political posters from the early modern period to the present, and we consider how they continue to shape debates about class, race, religion, nationality, and women’s rights across the four nations of Britain and Ireland. We study ideas of a ‘public sphere’ in which political and cultural debate are conducted, and we analyse the techniques used in political literature. We use our study of these texts to identify the rhetorical strategies necessary for successful political campaigning today.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Going Public: Presenting the Past, Planning the Future

Code:

HS2GPP

Convenor:

PROF Kate Williams

Summary:

This module provides students with an opportunity to explore public interpretations of the past beyond academia, to work collaboratively with external partners on a group project which involves researching and communicating about history for public audiences, and to develop key areas of employability. This module is compulsory for all Single Subject History students, and optional for Joint Honours History students.

Assessment Method:

Oral 40%, Portfolio 40%, Report 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Historical Approaches and My Dissertation

Code:

HS2HAD

Convenor:

MISS Liz Barnes

Summary:

This module introduces students to a wide range of primary sources and to the methods and approaches used by historians to analyse those sources, to prepare you to plan, research, and write your final-year dissertation.

This module is compulsory for all Single Subject History students and History with Study Abroad students. It is available as an optional module for students taking a joint degree in History, and strongly recommended for Joint History students wishing to complete their Part 3 Dissertation in History. Joint History students opting to complete their Part 3 Dissertation in History without taking this module will be required to complete (as a formative assessment) the dissertation proposal which forms one element of the summative assessment on this module.

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Intellectuals and Society in Twentieth Century Italy

Code:

HS2INT

Convenor:

PROF Daniela La Penna

Summary:

The aim of the module is to provide a clear historical overview of the main conflicts between the intellectual class and the state in twentieth-century Italy, focussing specifically on the Fascist period and the Republican years. Through carefully selected case studies, the students will learn about the always dynamic and sometimes openly conflictual relationship between some key Italian intellectuals and institutions such as the State, the Universities and the media. At the end of the module, the students will be able to give cogent, structured, and informed answers to the following questions: what is an intellectual? Who may become a public intellectual and how does one acquire that status? What are intellectuals' responsibilities towards society?

Assessment Method:

Assignment 80%, Oral 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The Colonial Experience: Africa, 1879 to 1980

Code:

HS2O10

Convenor:

MRS Chessie Baldwin

Summary:

This module explores the impact of colonialism in Africa, considering this impact in broad terms but with a particular focus on the late nineteenth and twentieth centuries, and reflects on how historians can understand the colonial past without reproducing a Eurocentric point of view.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Belief and Unbelief in Europe: Religion, Science and the Supernatural c.1400-1800

Code:

HS2O12

Convenor:

PROF Helen Parish

Summary:

This module will explore the ways in which beliefs about God and attitudes towards nature, science and the supernatural changed between c. 1400 and 1800, and how institutions responded to change. We will examine the interactions between religion, science and magic, and explore the relationship between religious orthodoxies, superstition, and atheism across this period.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Rebel Girls: The Influence of Radical Women 1792-1919

Code:

HS2O14

Convenor:

DR Jacqui Turner

Summary:

This module considers changing perceptions of women in Britain from the late eighteenth century to the early twentieth century, and examines the influence of those women who challenged social stereotypes and the Victorian double standard.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

‘The brightest jewel in the British crown’: The Making of Modern South Asia, 1757-1947

Code:

HS2O16

Convenor:

DR Rohan Deb Roy

Summary:

This module introduces students to the history of modern South Asia. Students learn how British colonial rule and anti-colonial Indian nationalism shaped modern South Asia.  

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Europe in the Twentieth Century

Code:

HS2O19

Convenor:

DR Daniel Renshaw

Summary:

This module surveys European history over the course of the twentieth century, a period of dramatic conflicts and social, political, and cultural changes which transformed Europe itself, and European relationships to the wider world.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Utopia: the Quest for a Perfect World

Code:

HS2O21

Convenor:

DR Jeremy Burchardt

Summary:

This module explores one of humanity’s most cherished and long-standing dreams: the quest for a perfect world. After an initial survey of the roots of the utopian tradition, we focus primarily on modern visions and versions of utopia in the period c.1800-c.2000.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

People, power and revolution: political culture in seventeenth-century England

Code:

HS2O3

Convenor:

DR Rachel Foxley

Summary:

The political narrative of seventeenth-century England is eventful: one Stuart monarch, Charles I, was tried and executed by his own subjects in 1649 following two civil wars; another, James II, was ousted and replaced in the 'Glorious Revolution' of 1688-9. In the middle of the century England came under republican government and experienced the rise to power of Oliver Cromwell as Lord Protector. In this module we will ask who ruled England in the seventeenth century, why two revolutions occurred, and how different politics was by the end of the century compared to the situation when James I came to the throne in 1603.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The American Civil War

Code:

HS2O53

Convenor:

MISS Liz Barnes

Summary:

In 1861, long-standing divisions over the place of slavery in American life erupted into war. The ensuing conflict between the national government and Southern rebels, to date the United States’ bloodiest war, resulted in significant constitutional changes that expanded the nation’s commitment to liberty and equality. In this module, we will examine the outbreak of hostilities, the course of the war, and the route to peace, examining the ways the conflict reshaped American life. We will also explore the memory of the conflict, considering ongoing debates about Confederate memorialisation across the United States.

Assessment Method:

Assignment 70%, Oral 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

'Race’, Ethnicity and Citizenship in America

Code:

HS2O54

Convenor:

PROF Emily West

Summary:

In this module we will explore the significance of 'race', ethnicity and citizenship from the colonial era of American history through to the social protests of the 1960s. 

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

American Century: United States history since 1898

Code:

HS2O55

Convenor:

DR Robert Pee

Summary:

The module will investigate the impact that US foreign policy had on the development of a modern American state and society since the Spanish-American war of 1898.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Medieval Medicine

Code:

HS2O56

Convenor:

MRS Katie Phillips

Summary:

This module considers a variety of aspects of medieval medicine, taking a longue durée approach, from classical medical theories through to plague in the fourteenth century. Among the topics to be explored are: classical and religious concepts; the early Middle Ages; transmission of medical knowledge and the medical schools; hospitals and charity; diagnosis and prognosis; women’s health; miraculous cures; leprosy; and the global Black Death. Students will engage with a wide range of written sources as well as material/visual resources. This module aims to challenge negative preconceptions regarding the nature of medieval medicine, and highlights the continuous interest in new ideas and the acquisition of knowledge throughout the Middle Ages.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Encountering the Atlantic World, 1450-1850

Code:

HS2O57

Convenor:

Summary:

This module introduces students to the ‘Atlantic world’, the idea that from the late fourteenth to the late eighteenth century new connections were established around and across this ocean, connections which drove profound and often turbulent changes to cultures, economies, and political structures, and which have left an important and sometimes unsettling legacy for the modern world.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Black Britain: Race and Migration in Post-war Britain

Code:

HS2O58

Convenor:

Summary:

Black Britain is an optional module that looks at race and migration in twentieth century Britain, a period in which Britain became ‘multicultural’. It looks at the lived experience of migration, and the political debates around it, though the various lenses of political, social, and cultural history. 

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Kingship and Crisis in England, c.1154–1330

Code:

HS2O7

Convenor:

DR Elizabeth Matthew

Summary:

This module investigates continuity and change in English politics from the late twelfth to the early fourteenth century. In this era, government was royal government: the prime mover in politics was the king. But kings had concerns outside England. Succession could be problematic. What happened when a king was absent or too young to rule in person? What constrained kings’ freedom of action? What part did queens and subjects play in shaping politics?

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Society, Thought and Art in Modern Europe

Code:

HS2STA

Convenor:

DR Veronica Heath

Summary:

This module aims to provide students with a systematic historical and cross-national understanding of the key ideas, institutions and symbols that have come to constitute and represent modernity in Europe and, at the same time, new conceptions of Europe. This module examines the birth of modern men and women in Europe in the late eighteenth century and the broad intellectual, cultural, economic, political and social conditions which have been shaping and re-shaping them since. The module further shows a) the contributions of different European nations to a common European reaction to and re-evaluation of tradition and modernity; and b) the diffusion of modernity (Westernisation) from Europe to Asia and Africa and its role in the creation of a global world. Finally, it shows how art has played a leading role in the transformations of modernity; not only recording it but also constituting one of its central components.

Assessment Method:

Assignment 80%, Class test 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Unity, Nationalism and Regionalism in Europe

Code:

HS2UNR

Convenor:

DR Athena Leoussi

Summary:

The aim of this module is to study how two ideas became two of the most important  forces which shaped modern Europe from the 18th century to the present day. These were the idea of the nation and the idea of the European community. With this aim in mind, the module is divided into two thematic sections:

The first section explores the origins of the idea of the nation as it emerged as a revolutionary idea in Enlightenment Europe, remoulding states and peoples across Europe and the rest of the world. The section gives historical depth to current debates on nations and nationalism exploring the development of ideas about the nation, national identity, nationalism and the nation-state, through the study of classic and foundational texts such as Ernest Renan’s famous lecture at the Sorbonne of 1882, ‘What is a nation?’, Woodrow Wilson’s ‘Fourteen Points’ of 1918, and close examination of a variety of nationalist movements in Europe, from the French Revolution of 1789, through the making of the first German nation-state, to the national revolutions of 1989 in communist Eastern Europe,  and the challenges to established nation-states by the nationalisms of the European regions which have persisted into the 21st century (e.g., Catalan, Flemish, Scottish). 

The relationship between majority, ruling nations and ethnic and national minorities is also examined as an important factor in nation-building. Does the nation-state exclude minorities?  

The second section engages with public debates about European integration and the nature of European identity as these interact with the member states of the EU and with processes of globalisation.  

Assessment Method:

Assignment 70%, Oral 10%, Set exercise 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Medieval Europe: power, religion and death

Code:

AR2M8

Convenor:

DR Gabor Thomas

Summary:

This single-term module gives students an overview of how archaeology has changed our understanding of European society over the course of the ‘Long Middle Ages’ (5th-16th centuries AD). It comprises 10 weekly sessions involving a combination of teacher-led content with student-led discussions, is assessed by an essay and site interpretation panel and has a field trip to Winchester - one of the richest medieval urban landscapes in southern England.  It will also include a formative assessment in the form of group poster presentations designed to support students in developing essay topics.  

Assessment Method:

Assignment 60%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Literature, Language and Education

Code:

LS2LLE

Convenor:

MRS Suzanne Portch

Summary:

This module aims to provide students with an opportunity to apply their existing degree-based knowledge and learning and extend it within their chosen specialisation. 

Assessment Method:

Assignment 45%, Oral 10%, Report 45%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

American Graphic Novels

Code:

EN3AGN

Convenor:

PROF David Brauner

Summary:

Through detailed analysis of a range of graphic novels and related scholarship, students will develop their skills of close reading sequential art and their understanding of the particular discourses that characterise graphic novels and academic criticism of the medium. There will be a particular emphasis on graphic novels that interrogate and complicate the relationship between autobiography, biography and fiction and that explore constructions of gender and ethnicity in the context of broader historical and political developments in contemporary America. 

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Hitchcock

Code:

EN3AH

Convenor:

DR Neil Cocks

Summary:

Through studying of the films of Alfred Hitchcock, this module offers students the opportunity to engage critically with a new medium. Through a detailed analysis of a range of films, students will be introduced to a variety of critical frameworks, from structuralist accounts of film grammar, to recent interventions from Queer Theory and Psychoanalysis. They will be asked to adopt a reflexive approach towards such theory, thinking through the demands it makes upon their reading.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Black British Fiction

Code:

EN3BBF

Convenor:

DR Cato Marks

Summary:

This module examines a range of British texts (poetry, drama, novels, short stories, films) by writers of black and Asian descent. Beginning with the 1950s and progressing to the present day, we discuss what might constitute the (black) British literary tradition. The module reads its set texts alongside theoretical and historical material examining issues of cultural capital, national identity and minority communities. Documentary footage, blogs, and contemporary reportage will also be examined in order to trace the pressures that the terms ‘black’ and ‘British’ have exerted on each other in a variety of historical, social, and cultural contexts.

Assessment Method:

Assignment 50%, Portfolio 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Children's Literature

Code:

EN3CL

Convenor:

PROF Karin Lesnik-Oberstein

Summary:

This module examines issues around children’s literature and children’s literature criticism and questions wide-spread popular assumptions about how to read and write about children’s literature. Students who do not wish actually to challenge and develop their own thinking, reading and writing about children and children’s books should not, therefore, take this module! Through in seminars closely analysing a range of children’s literature from the twentieth century and later, the module questions and analyses critical assumptions and formulations around authorship, memory, observation, readership, and identity. Some of the texts will be set by the module convenor whilst further texts may be chosen by the seminar group. 

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Decadence and Degeneration: Literature of the 1880s and 1890s

Code:

EN3DD

Convenor:

DR Lucy Bending

Summary:

This module engages with some of the most iconic texts in English literature, including Stoker’s Dracula, Stevenson’s Jekyll and Hyde, and Wilde’s The Picture of Dorian Gray. In it we will explore what is meant by these terms ‘decadence’ and ‘degeneration’, calling, amongst many other things, on portrayals of 1890s’ foppishness, Darwinian models of evolution, the emergent New Woman phenomenon, the Wilde trial, and the portrayal of prostitution. This module is very interested in contextual material as a way of understanding literary texts, and we will be looking at a wealth of magazine articles and medical and scientific texts as a way of recognizing the depth and complexity of literary works.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Dickens

Code:

EN3DIC

Convenor:

PROF Andrew Mangham

Summary:

An opportunity for the detailed and intensive study of the work of Charles Dickens, based on the close analysis of four works and exploring Dickens's innovations and developments of the novel form in his historical and cultural contexts.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Dissertation

Code:

EN3DIS

Convenor:

DR Stephen Thomson

Summary:

The Dissertation is a substantial (8,000-word) work of literary-critical argument, based on sustained independent research under the guidance of a supervisor, and written and presented in a scholarly manner. Prior to completing the dissertation students who take this module submit a 2,000-word portfolio of supporting documents, including: a literary review or bibliographical exercise; a sample of dissertation-level work; and a reflective piece, discussing rationales and research questions for the project. The module offers students the opportunity to explore in depth topics of particular interest, and to develop skills accumulated during their first two years of study.

Assessment Method:

Dissertation 80%, Portfolio 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Holocaust Testimony: Memory, Trauma and Representation

Code:

EN3HT

Convenor:

DR Stephen Thomson

Summary:

The module introduces students to the most important works of Holocaust Testimony and, by reading these books critically, will develop an awareness of theoretical issues concerning the relationship between trauma, memory and narrative, and the connection, more generally, between literary and historical forms of narrative. The module will examine both the diversity of Holocaust Testimony and the emergence of common preoccupations among these writers, alongside the different narrative forms and socio-historical contexts in which they work.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Literature and Mental Health

Code:

EN3LMH

Convenor:

DR John Scholar

Summary:

This module looks at how literature engaged with mental health in the first half of the twentieth century, a crucial turning point in psychology. Authors may include E.M. Forster, Wilfred Owen, May Sinclair, D. H. Lawrence, and Katherine Mansfield. In the nineteenth century people were becoming increasingly aware of the challenges to mental health posed by city life across Europe. But such challenges were soon overwhelmed by the destruction of the First World War. In its wake two young disciplines, psychiatry and psychology, gained credibility and resources. These disciplines arguably helped to destigmatize mental illness, laying the foundations for how we approach mental health today. But so did the literature of this period which famously turned inwards to record as faithfully as possible the mind in all its complexity. We will look at literary engagement with trauma, anxiety, and obsession, among other things, but we will also look at how literature inspired readers, helping them to feel positive about their minds and bodies, and depicting seminal moments of psychic and sexual liberation.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Margaret Atwood

Code:

EN3MAT

Convenor:

DR Madeleine Davies

Summary:

Margaret Atwood is Canada's most influential contemporary writer. Atwood consistently engages with issues of power ('who can do what to whom and get away with it') and her work connects with a range of contemporary debates including ecological, feminist, and ideological discourses. On this module we discuss dystopia, speculative fiction, the uncanny, ideology, postmodernity and questions of language and narration, engaging with the texts via close analysis and critical/theoretical readings of the texts. The novel explores Atwood's novels (The Edible Woman, The Handmaid's Tale, Alias Grace, The Blind Assassin and The Testaments) but her poetry and critical essays are discussed as appropriate. Students will demonstrate their engagement with the module in a summative Portfolio assessment which will be submitted by or on the final day of the term in which the module is taught (see below for assessment details). There is no exam on this module.

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Modern and Contemporary British Poetry

Code:

EN3MCP

Convenor:

PROF Steven Matthews

Summary:

This module will provide the opportunity for students to study a broad range of poets and poetries, and thereby to encounter some of the key trends in that poetry’s engagement with changing circumstances in England, Wales, and Scotland across the twentieth century and beyond. We consider issues including the aftermaths of modernism; gender and poetry; British poetry and post-war retrenchment; the ‘poetry wars’ of the 1970s; the perpetuation of ‘Movement’ ideals down to the present.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Medieval Otherworlds

Code:

EN3MO

Convenor:

DR Aisling Byrne

Summary:

Magic and the supernatural play an important role in medieval English literature. In this module we will explore literary accounts of a range of fantastical locations where the ‘other’ is encountered in a particularly dramatic fashion. We will discuss romances where questing knights arrive in uncanny fairy kingdoms or where King Arthur travels to Avalon. We will analyse travel accounts which populate the fringes of the world with marvels and strange beings. In some narratives, heroes test themselves in hellish landscapes or search for paradise on earth. In other texts, sleepers confront the surreal world of their own dreams. Although depictions of these places can be sensational or escapist, authors also use them to explore very serious themes such as desire, death, gender and political authority.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Oscar Wilde and the World of Art

Code:

EN3OW

Convenor:

DR John Scholar

Summary:

Oscar Wilde, lover of beauty, sexual rebel, and socialist, was unique but he didn’t emerge from a vacuum. This module looks at how the Aesthetic Movement, the new celebration of art for art’s sake which swept across Europe in the second half of the nineteenth century, inspired Wilde. We will look in depth at Wilde’s fiction, drama and poetry, through the lens of the pioneering painters, designers and art critics who motivated him, asking why words and images combined and collided in this period in new and controversial ways. The module will take advantage of digital technology to confront the most vivid images of this period, such as the Gothic buildings of Venice, the medieval maidens of the Pre-Raphaelite painters, and the smoky sexualities of French symbolist painting. We will examine a wide range of visual arts including painting, photography, fashion, architecture, and interior design. The module will also pose fundamental questions, such as, does a knowledge of the visual arts help us understand literature? And how in this period did literature and the visual arts differently register cultural, technological and political changes?

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Publishing Cultures: Writers, Publics, Archives

Code:

EN3PC

Convenor:

DR Nicola Wilson

Summary:

How are texts made and literary reputations formed? What are the roles of collaboration, networks, and cross-media practices in making and distributing modern literature? This research-led module explores how print culture and the literary marketplace affects the way we read and understand texts. It is rooted in the first half of the twentieth century when debates about class, standards of reading and literary taste were hot topics, and new forms of literary cultures emerged. We will explore debates on modernism and the middlebrow, the role of publishers and editors, new book clubs and magazines, radio, celebrity, censorship, and advertising. Through a mixture of critical reading and practice-based workshops, you will be introduced to new ways of thinking about primary texts and can use digital archives and Reading’s unique Special Collections and publisher’s archives to produce your own research-based coursework.

Assessment Method:

Assignment 40%, Project 40%, Report 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Psychoanalysis and Text

Code:

EN3PSY

Convenor:

PROF Karin Lesnik-Oberstein

Summary:

This module introduces and explores relationships between psychoanalysis and literary criticism, concentrating not on psychoanalysis as ‘applied’ to literature, but, instead, on thinking through the implications of psychoanalysis for literary criticism and theory. On the basis of readings from Sigmund Freud the students are introduced to central concepts from and about psychoanalysis, primarily the psychoanalytic ‘unconscious’, and then continue by examining the implications of this for ideas about authorship and intentionality, readership and response, and text and interpretation. After the initial readings from Freud, each group selects both primary and secondary literature to analyse closely.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

From Romance to Fantasy

Code:

EN3RF

Convenor:

DR Mary Morrissey

Summary:

On this module, students will explore the role played by fantastical or wondrous elements in English literature from the middle ages to the present day. It will focus on a range of key narrative structures (such as the quest), persistent motifs such as magical objects, and influential modes, such as the gothic. It will present authors typically associated with fantasy, such as J.R.R. Tolkien, alongside authors less typically associated with this type of writing, such as Shakespeare and Jane Austen. It will also consider how romance narratives, like the stories of King Arthur, developed in the medieval period and were then revived and reworked in later centuries. It will explore the reinvention of the middle ages in subsequent centuries and consider what ‘medievalism’ tells us about the culture of later literary periods.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Shakespeare on Film

Code:

EN3SHF

Convenor:

PROF Lucinda Becker

Summary:

Filmic adaptation of Shakespeare is a major component of the ‘Shakespeare Industry’. This module explores how the medium of film has treated Shakespeare, with a focus on how the written text can be used in depictions, interpretations and adaptations, and how film making techniques affect our perception of Shakespeare’s works. Alongside consideration of how plays have been interpreted on screen we will also consider key actors and directors, tracing changes and developments in both cinema and the ways early modern drama has been interpreted and appropriated by filmmakers in the twentieth- and twenty-first centuries. Throughout we will work with an awareness of Shakespeare as a cultural icon.

Assessment Method:

Assignment 80%, Oral 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The Bloody Stage: Revenge and Death in Renaissance Drama

Code:

EN3TBS

Convenor:

DR Chloe Houston

Summary:

This module explores the representation of revenge and death across a range of revenge tragedies performed on the Renaissance stage. The Renaissance is a period when bodies were mutilated and put on public display by the state. We will explore what spectacles of punishment can tell us about wider cultures of retribution and violence, including the tensions between private revenge and state justice. Since bodies in death are surprisingly articulate, this module will consider how to analyse the staging of death scenes and whether there are differences in the ways that men and women die on stage. These highly stylised revenge tragedies are deliberately provocative and raise important questions about the aesthetics and ethics of violence.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Utopia and Dystopia in English and American Literature

Code:

EN3UTD

Convenor:

DR Chloe Houston

Summary:

Utopia is our way of thinking about the nature and possibility of an ideal society. The word ‘utopia’, coined by Thomas More in 1516, suggests both ‘good place’ (from the Greek, ‘eu-topos’) and ‘no place’ (‘ou-topos’): a place which is both ideal and non-existent. This module will introduce the idea of utopia from its earliest manifestations in western literature up to the present day. Reading a range of texts from different genres and periods of history, we will explore the development of utopian literature from its philosophical, satirical origins in the sixteenth century to the ecological utopias of the late twentieth century and beyond. Along the way, we will encounter the notion of dystopia, a literary tradition which has a shorter but equally rich history, and will question the ways in which utopias and dystopias are inter-related.

Assessment Method:

Assignment 80%, Oral 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Virginia Woolf and Bloomsbury

Code:

EN3VW

Convenor:

DR Madeleine Davies

Summary:

Virginia Woolf is a crucial reference point for women’s writing and feminist criticism.  This module provides students with knowledge and understanding of selected novels and essays by Virginia Woolf, and explores key issues including her challenges to concepts of boundaries, hierarchies, sex, sexuality and difference, and her attention to debates concerning the social, political, cultural and economic marginalisation of women in the early years of the Twentieth Century. The module emphasises Woolf’s novels, but seminars are also devoted to her critical essays and ‘political’ writing. Discussion of ‘Bloomsbury’ ethics and art weaves throughout the module. The debates included in the module connect with pacifism, the writing of the city, psychoanalysis, the challenge to heteronormativity, the body, and the tension between female creativity and procreativity.

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Writing Women: Nineteenth Century Poetry

Code:

EN3WWP

Convenor:

DR Lucy Bending

Summary:

This module will explore writing primarily by (but also about) women in the nineteenth century. We will read some well-known and influential poems –Christina Rossetti’s Goblin Market and Elizabeth Barrett Browning’s Aurora Leigh, for example – as well as some by less well-known names, discussing the ways in which women responded to poetic tradition. We will ask how women found a voice in a predominantly patriarchal society; what subjects were deemed suitable for female poets, and how such poets overcame the limitations of expectation; how different verse forms could be used to different ends. Above all, the aim is to enjoy a wide-range of poems with women at their centre.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Crisis, Change, Opportunity: Italy from 1968 to the Present

Code:

HS3CCO

Convenor:

PROF Daniela La Penna

Summary:

The module focuses on defining episodes of Italian history from 1968 to the present day, and it will shed light on how each of the selected themes and events have contributed to change the physiognomy of contemporary Italian society. 

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Discovering Archives and Collections

Code:

HS3DAC

Convenor:

DR Jacqui Turner

Summary:

This module will enable students to test and develop their interest in careers in the archives sector through 10-day placements based internally, at the university’s Special Collections, or externally, at the Berkshire Record Office or another participating repository. These 10-day placements will give students the opportunity to gain and reflect on the type of practical work experience required for successful applications for postgraduate training in archives and records management. The placements will also develop skills in research, oral and written communication, professionalism and adaptability in the workplace, and attention to detail, readily transferable to, and highly valued in, other areas of postgraduate employment. Offered as an alternative to a Topic module, Discovering Archives and Collections will increase choice and enhance personal career-development opportunities within the Part 3 History degree programme.

Assessment Method:

Assignment 30%, Practical 10%, Oral 20%, Report 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

History Education

Code:

HS3HED

Convenor:

DR Elizabeth Matthew

Summary:

This module enables students to test and develop their interest in careers in teaching by applying their skills and communicating their knowledge in local schools. Two-week placements in secondary-school history departments, with pre-placement training and post-placement assessments at the university, give students the opportunity to gain, and reflect on, the practical work experience required for successful applications for postgraduate teacher-training.

Assessment Method:

Practical 10%, Oral 20%, Portfolio 35%, Report 35%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Dissertation in History

Code:

HS3HLD

Convenor:

DR Heike Schmidt

Summary:

This module leads to the completion of a dissertation of 10,000 words, excluding title page, contents page, references, tables, illustrations and their captions, appendices, and bibliography. It allows for an extended in-depth examination of a historical topic, based on guided independent research.

Assessment Method:

Oral 10%, Dissertation 90%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Anarchy in the UK: Punk, Politics and Youth Culture in Britain, 1976-84

Code:

HS3SAU

Convenor:

PROF Matthew Worley

Summary:

This module examines the relationship between youth cultures and politics in Britain between the period 1976 and 1984. These were turbulent times, during which the steady improvements in living standards that helped facilitate the emergence of recognisable youth cultures in the years following World War Two gave way to economic downturn and political instability. Punk, it seemed, was the soundtrack to social, political and cultural change.

Assessment Method:

Exam 40%, Assignment 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Cold War Berlin: Politics and Culture in a Divided City, 1945-89

Code:

HS3SCW

Convenor:

PROF Patrick Major

Summary:

This Special Subject uses recently declassified documents made available since the end of the Cold War to explore the politics of liberation in 1945, the Berlin Blockade of 1948-49, the 17 June 1953 insurrection in East Germany, as well as the mass exodus of the 1950s which ultimately led to the building of the Berlin Wall in August 1961 as well as its fall in 1989. Besides superpower politics and intelligence operations - Berlin was after all 'spy city' - the module will cover everyday life in extraordinary circumstances, including the problem of mass rapes, the black market, reconstruction and denazification. Popular opinion from below will be furnished through situation reports collected by the western military governments and the East German party and Stasi. We also touch on the student movement in West Berlin in the sixties, and the birth of terrorism in the seventies. The module will, moreover, consider the cultural representation of division through propaganda films and literature, including the spy thrillers of Ian Fleming, John le Carré and Philip Kerr, who described Cold War Berlin as ‘perhaps the most atmospheric city on earth’.

Assessment Method:

Exam 40%, Assignment 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Eugenics from 1865 to the Present Day

Code:

HS3SEU

Convenor:

Summary:

This module explores the history of eugenics from 1865 through to the present day. Eugenics is one of the most important, but least well understood, movements of the modern era. At its heart lay a desire to evaluate humans by dividing them into ‘good’ and ‘bad’ stock, but the specific forms this took varied over time and by nation. The module will explore these differences and provide a comparative perspective on the history of eugenics.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Heretics and Popes: Heresy and Persecution in the Medieval World

Code:

HS3SHP

Convenor:

PROF Rebecca Rist

Summary:

This module will focus on the growth of heresy during the Middle Ages (eleventh to fifteenth centuries), the persecution of heretics by the Church and secular authorities, the status of heretics as a minority group, and the concept of the ‘Other’. Different types of heresy will be explored: theological, political, popular, those stemming from grass-roots disaffection and those from intellectual and philosophical traditions. Seminars will examine the origins of the concept of heresy, different types of heretics, the papacy’s response to heresy, the growth of Church legislation and jurisdiction against heretics, and the establishment of the Inquisition. Students will be able to access a range of sources in translation including the writings of heretics themselves, contemporary chronicles, papal letters, sermons, theological treatises, conciliar legislation and canon law. The course will also examine the construction of heresy and orthodoxy, Max Weber’s famous distinction between Sect and Church, and recent trends in the historiography of heresy, including Emmanuel le Roy Ladurie’s Montaillou and Robert Moore’s The Formation of a Persecuting Society and its critics.   

The seminars will explore: Heresy and orthodoxy in medieval society; the concept of heresy; heresy and ‘the Other’; the construction of heresy; political heresy; popular heresy; intellectual heresy; women and heresy; Cathars; Waldensians; Lollards; Hussites; the persecution of heretics; the Albigensian Crusade; the Inquisition; heretics and other minority groups; the historiography of heresy.  

Assessment Method:

Exam 40%, Assignment 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Sexual Politics: Gender, Sex, and Feminism in Britain after 1918

Code:

HS3T100

Convenor:

Summary:

Sexual Politics examines histories of gender, sex and sexuality, and feminism, in Britain since 1918, when the vote was first won for women (albeit only over the age of 30). A mixture of social, cultural and political history, it challenges students to ask why our understandings of these concepts have changed so much over the last 100 years.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Pirates of the Caribbean: Empire, Slavery, and Society, 1550-1750

Code:

HS3T101

Convenor:

Summary:

In this course we will examine the question of piracy in terms of its popular connotations, legal definition, social dimensions, and its importance for the growth of early modern empires, with specific reference to the Caribbean from the mid-sixteenth to the mid-eighteenth century.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Melancholy Medicine: Healing the Body and Mind in Early Modern England, 1570-1730

Code:

HS3T102

Convenor:

Summary:

Melancholy might lead to madness, and fear could cause the plague in early modern understandings of health and medicine in England. This module explores these sorts of beliefs about emotions, health, and the body, and the physicians, surgeons, apothecaries, and lay healers who provided medical treatment. By examining a wide range of primary sources, such as handwritten diaries, medicinal recipe books, and surgeon’s casebooks, key questions will be asked about who treated diseases, how they thought bodies worked, and what patients felt about being sick - during a period which treated sadness with sneezing powder, and fear with leeches. Particular attention will be paid to how bodily health and emotional temperament was thought to differ according to gender, age, race, and disability.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Medieval Magic and the Origins of the Witch-Craze

Code:

HS3T25

Convenor:

PROF Anne Lawrence

Summary:

The period from c.1100 to c.1500 saw important and influential changes in the conception and practices of magic; and yet, despite modern perceptions, this period did not experience a witch craze.  For much of the period, magical practice was dominated by learned men, most of whom were clerics.  This module looks in detail at the forms of magic which they attempted, and traces the gradual changes in attitudes towards magic.  We also look at historical debates about the causes of the early-modern witch craze, and study the evidence provided by late-medieval documents on questions such as the role of the Inquisition.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The Romantic Revolution: Culture, Environment and Society in England, c.1790-c.1900

Code:

HS3T88

Convenor:

DR Jeremy Burchardt

Summary:

The Romantic Revolution was the third of the great revolutions that shaped the modern world, alongside the French and Industrial Revolutions.  It transformed culture in a way that was comparable to the effect of the French Revolution on politics and the Industrial Revolution on the economy.  While less easy to define than the other two revolutions, the Romantic Revolution had, in the view of scholars such as Isaiah Berlin and Tim Blanning, still greater consequences for the way we think and perhaps even feel about the world.  This module looks at Romanticism in England from its origins in the eighteenth century through to its nineteenth-century apogee. 

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Africa from European Settlement to Nelson Mandela

Code:

HS3T89

Convenor:

DR Heike Schmidt

Summary:

Part 3 Options involve the study of specific periods, subjects or types of history.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Poor Law to Hostile Environment: Repatriation, Deportation and Exclusion from Britain 1800-2016

Code:

HS3T90

Convenor:

DR Daniel Renshaw

Summary:

This module will examine the fraught and often controversial language and policy based around concepts of repatriation and expulsion of migrant and minority groups in modern Britain. Beginning in the early nineteenth century and concluding in the twenty-first century, it will consider concepts of the ‘self’ and the ‘other’, what constitutes ‘foreignness’ and ‘home’, attitudes towards migration, and the relationship between voluntary and forced forms of repatriation.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Politics and Popular Culture: Post-Arab Spring Egypt

Code:

HS3T91

Convenor:

DR Dina Rezk

Summary:

This module examines the relationship between politics and popular culture through an examination of post-Arab Spring Egypt as a case study. As well as providing a historical overview of events in Egypt since 2011, we explore various forms of Egyptian popular culture to understand how ordinary people voiced and thereby gave shape to key revolutionary themes including resistance, repression and struggles over the meaning of the revolution.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Policing the United States

Code:

HS3T92

Convenor:

MISS Liz Barnes

Summary:

This module traces the evolution of policing in the United States, from the use of watchmen and militias in colonial North America to the militarised forces we see today. We will examine the role that policing plays in society, particularly in crafting ideas of ‘otherness’ and maintaining established hierarchies of class, race, and gender. We will think about the place that police forces occupy in the American imagination and in American culture, and use what we have learned about the past to reflect on recent calls to defund or abolish the police.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The Anthropology of Heritage and Cultural Property

Code:

AR3HCP

Convenor:

DR Alanna Cant

Summary:

This module focuses on the concepts, institutions, politics, and legal claims of heritage and cultural property in the contemporary world. You will learn about the historical development of these concepts and the national and global institutions, such as English Heritage and UNESCO, through which they are promoted. You will develop a critical understanding of the political, economic, social and environmental effects of these processes. You will also develop your understanding of how heritage has become an important global industry premised on economies of tourism and heritage site conservation. By looking at different cases of heritage and cultural property, you will investigate such questions as: What is the relationship between heritage, identity and the nation-state? What happens when culture becomes a resource? Can the concept of cultural property afford the protections that indigenous and minority groups seek? What are the consequences of natural and human made threats to heritage sites? Course materials will primarily be academic texts and documentary films about specific cases from all over the world. The module will be delivered through a series of lectures, seminar sessions (small groups and general discussions), and documentary films. It will also include presentations by guest speakers who work in the heritage industries.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The Archaeology of Crusading

Code:

AR3M7

Convenor:

DR Aleks Pluskowski

Summary:

This module reviews the archaeological approaches to the crusading movement and the related processes of colonisation, religious conversion and inter-cultural exchange at the fringes of medieval Christian Europe - covering the years AD1095-1492. It is taught through lectures and seminars, and is examined through an assessed essay, seminar performance and a focused report.

Assessment Method:

Assignment 60%, Oral 10%, Report 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.