BA Art and Theatre

Title:

Art Studio

Code:

FA1ART

Convenor:

MISS Wendy McLean

Summary:

This is a studio-based Art module designed to introduce key methods and approaches towards the development of a self-directed and informed studio practice

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Analysing Theatre and Performance

Code:

FT1ATP

Convenor:

DR Matt McFrederick

Summary:

How do theatrical stories allow us to examine and reimagine our impression of the world today?  What practical qualities do theatre makers return to - or reinvent - in creating meaning in performance?

In this introduction to theatre and performance, you will share your interpretations and expand the ways you see and think about theatre in relation to the world today. You will learn how to be a confident spectator and reader of theatre through a range of diverse and topical performances in local or in London-based venues - previous trips have included the National Theatre, RSC Live, Peking Opera, the West End and smaller, innovative fringe venues.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Drawing skills

Code:

FA1DS

Convenor:

MRS Lauren Little

Summary:

In this module you will develop your drawing skills in a series of focused practical sessions, drawing from still and moving subjects, including life drawing, animals, still life, spatial and architectural/landscape contexts. Through the module you will develop your skill-set in terms of foundational techniques such as line, tone, scale; you will also develop applied drawing skills including planning, scaling and gridding up; and develop an understanding of the relationship of the whole subject to detail and internal form. The module also addresses lens-based approaches and the use of photographic media. Workshop teaching will support additional focus on drawing from microscopes and photographic imagery in contrast to those focused on drawing from life. 

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Expanded Drawing

Code:

FA1ED

Convenor:

MR Mark Nader

Summary:

In this module you will develop your drawing skills in a series of practical sessions focused on ‘expanded’ or experimental drawing techniques. This will include working from still and moving subjects including life drawing, animals, still life, spatial and architectural/landscape contexts but also exploring other approaches to drawing such as sculptural, performance and conceptual-based strategies, digital drawing, dry point and mono-print drawing techniques and the inter-section of drawing and painting.  Through the module you will develop your skill set in terms of foundational skills such as line, tone, scale but you will also develop an understanding of the varied contemporary and historical contexts, uses, ideas and techniques of expanded drawing.  

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

English for Arts and Communication Design

Code:

FA1EN

Convenor:

MS Emily Salvesen

Summary:

This module is for international students whose first language is not English with IELTS (or equivalent) below 7.0. The module recognises the need to continue language development for students whose first language is not English, and to develop their academic skills in a UK Arts and Communication Design context.

Assessment Method:

Assignment 50%, Oral 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Modernisms & Mythologies

Code:

FA1MM

Convenor:

DR James Hellings

Summary:

This module will provide a broad, introductory survey of key developments in the history, theory and criticism of art during the modern period. Its starting point will be theories of the development of modernity and its social, political and economic components, and the ways in which modern art functions in and on its historical contexts. It will continue to look at the retrospective modernist critical and theoretical accounts of modern art's development.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Approaches to Film

Code:

FT1ATF

Convenor:

DR Adam O'Brien

Summary:

How do films tell stories, make meanings, and contribute to our culture? What questions can, and should, we ask of a film?

This module includes a mix of cinema screenings, seminars and lectures, exploring a range of fiction and non-fiction films. Class discussions and assignments will challenge students to explore the meanings and cultural significance of moving images, across the 20th and 21st centuries.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Approaches to Television

Code:

FT1ATT

Convenor:

DR Faye Woods

Summary:

In an era of intensified competition for audiences and technological innovation, the box in the corner has expanded to include a vast universe of televisual content that can be slipped into your pocket. This module will equip student with the tools to both analyse this wealth of programming and the industry that produces it. Considering contemporary developments alongside the extensive history of the form, it examines continuities rather than disruption. Centred on close analysis and critical reading, students will explore a range of viewpoints and frameworks through which to approach television.

Assessment Method:

Assignment 60%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Comedy on Stage and Screen

Code:

FT1CSS

Convenor:

DR Simone Knox

Summary:

This module gives students the opportunity to study comedy on stage and screen, encompassing theatre, live performance, film and television. Students will engage with the relevant critical vocabulary and contextual knowledge to explore how humour is created, circulated and consumed, across a range of genres and practices. Case studies may include classic and contemporary film comedies (e.g. screwball comedy); musical comedies (e.g. The Book of Mormon); stand-up comedy (e.g. Ali Wong); sitcoms (e.g. Friends); or the work of specific creative practitioners (e.g. Joe Orton).

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Exploring the Studio

Code:

FT1ES

Convenor:

PROF Teresa Murjas

Summary:

This module offers you the experience of developing creative practical work, working in small teams. It introduces you to relevant facilities and equipment, processes of practical group work, and exploring how meaning is created in cultural media. This module is focused on the creative possibilities in the Film/TV Studio, a space which calls for projects that draw both on elements of staging a live performance and filming for the screen, involving decision-making processes concerning scripting, set design, costume, make up, lighting and/or sound. So, this module is suitable for you whether you have a particular interest in film, television and/or theatre.

Assessment Method:

Oral 40%, Project 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Introduction to Management

Code:

AP1SB1

Convenor:

PROF Julian Park

Summary:

This module provides a contemporary and comprehensive introduction to management science and its relevance to businesses. Interactive in-class activities and the use of online apps will help you learn techniques for inspiring teamwork in an organisation context, discover the importance of strategic management design for achieving an organisation's goals, and understand the roles of the manager and the responsibilities this carries. You will also have a range of opportunities to gain hands-on practising decision making through case studies. Furthermore, develop your leadership skills to motivate and guide a team towards the achievement of an organisation’s objectives.  

Assessment Method:

Class test 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Ancient Greek 1

Code:

CL1G1

Convenor:

MRS Jackie Baines

Summary:

This module aims to teach students some elements of the Ancient Greek language and give them skills to read Ancient Greek at an elementary level.

Assessment Method:

Exam 30%, Class test 70%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Latin 1 (C)

Code:

CL1L1

Convenor:

MRS Jackie Baines

Summary:

This module aims to teach students some elements of the Latin language and give them skills to read Latin at an elementary level.

Assessment Method:

Exam 30%, Class test 70%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Ancient Song

Code:

CL1SO

Convenor:

PROF Ian Rutherford

Summary:

This module introduces students to the lyric poetry of ancient Greece and Rome, studying authors from both civilisations and considering a range of thematic approaches to the surviving corpus of poetry. It is intended to be suitable for beginners and for those who have studied some ancient literature before; there is no language requirement, but there will be an opportunity for students who do have relevant skills to employ them in their coursework and exams.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The Economics of Climate Change

Code:

EC110

Convenor:

DR Stefania Lovo

Summary:

The module will offer an economic perspective on the causes and consequences of climate change. It will provide an introduction to key theoretical concepts, such as externalities and public goods, and to the policy tools available to devise adequate responses to climate change, such as command and control measures, taxation and subsidies. The module will also introduce national and international policy approaches in dealing with climate change and provide an overview of their implications for economic development.

Assessment Method:

Assignment 60%, Class test 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Economic Policy and Social Problems

Code:

EC111

Convenor:

PROF James Reade

Summary:

This module will explore a range of contemporary social problems and how economic policy can be used to address them.

Assessment Method:

Assignment 40%, Report 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Intercultural Competence and Communication

Code:

IL1GICC

Convenor:

MS Joan McCormack

Summary:

This module is aimed at students who are keen to develop the skills they will need for working in the multi-cultural global workplace. The module will be delivered at the University of Reading Whiteknights campus. Drawing on expertise from Schools across the university, in the Autumn term it will consider intercultural competence and communication from a range of perspectives, including psychology, education, inclusivity, business, language and discourse, and anthropology. In the Spring term students will apply their knowledge to solve a real-world issue.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Introduction to Linguistics

Code:

ML1IL

Convenor:

MR Federico Faloppa

Summary:

This module aims to familiarise students with principles in general linguistics, and to give students an overall picture of what a language is, how it works, and what its main structures are, with a particular focus on French, German, Italian and Spanish. It will also provide useful meta-linguistic competence which can be applied to the study of any other language.

Assessment Method:

Assignment 40%, Oral 20%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Introduction to Political Ideas

Code:

PO1IPI

Convenor:

DR Rob Jubb

Summary:

An introduction to political theory, covering central topics like the state and its authority, democracy, rights and liberty, equality and social justice, and war and intervention, as well as some of the basic methods for understanding them all. 

Assessment Method:

Exam 60%, Assignment 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Reason and Argument

Code:

PP1RA

Convenor:

DR Jumbly Grindrod

Summary:

This module enhances students’ ability to understand and construct complex arguments through the study of logic and the psychology of human reasoning. Reading: A module guide will be available. Recommended: Jamie Carlin Watson and Robert Arp, Critical Thinking: An Introduction to Reasoning Well, 2nd edition, Bloomsbury, 2015.

Assessment Method:

Assignment 90%, Class test 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Introduction to Psychology

Code:

PY1IPY

Convenor:

DR Katie Barfoot

Summary:

This module is delivered at the University of Reading, for students who are interested in but not studying Psychology.  

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

History of graphic communication 1

Code:

TY1HG1

Convenor:

DR Rob Banham

Summary:

The module provides students with an introduction to the history of graphic communication over the past 150 years, and the changing role of the graphic designer during that time. We will study the key design movements of the 20th century and the work of some of its most influential graphic designers and typographers.

Assessment Method:

Assignment 50%, Oral 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Printing and printmaking

Code:

TY1PRI

Convenor:

DR Rob Banham

Summary:

The invention of printing, and the resulting spread of knowledge, played a crucial part in the development of modern society. This module will provide students with a broad overview of advances in printing and printmaking over the past 500 years. We will study how technological advances and the changing needs of readers affected the production, distribution, and reception of printed documents of all kinds. Students will also gain practical experience of printing, including letterpress, copper-engraving, and stone lithography, and will have opportunities to handle books, prints, and artefacts produced by some of the great printers and printmakers of the past.

Assessment Method:

Assignment 50%, Portfolio 30%, Project 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

What the font? Making and using typefaces

Code:

TY1WTF

Convenor:

DR Matthew Lickiss

Summary:

You are surrounded by fonts. Social media, text messages, email, branding, advertising, websites, books, magazines … Human (and machine) communication relies extensively on fonts, but what do you really know about them? How and why are new fonts created? And is it ever OK to use comic sans?! This module will introduce you to the world of typeface design, exploring the history, theory, and practice of making and using fonts and giving you the opportunity to design a typeface of your own. No background in design is required.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

What the font? Making and using typefaces (10 credits)

Code:

TY1WTF10

Convenor:

DR Matthew Lickiss

Summary:

You are surrounded by fonts. Social media, text messages, email, branding, advertising, websites, books, magazines … Human (and machine) communication relies extensively on fonts, but what do you really know about them? How and why are new fonts created? And is it ever OK to use comic sans?! This module will introduce you to the world of typeface design, exploring the history, theory, and practice of making and using fonts. No background in design is required.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Part 2I Studio

Code:

FA2IS2

Convenor:

DR Annabel Frearson

Summary:

This is an Art studio module that is supported by tutorials, group critiques, material sessions, weekly seminars, exhibitions, and a program of visiting artist talks. There is also an option to take a study abroad module or take up a work placement in the Autumn term. The aim of the module is to support and challenge students in their development of an independent, creative and critically informed art practice. The module encourages students to identify and investigate particular (individual) interests and concerns through practical engagement in the studio and workshop areas. Students are further supported in the development of research skills relevant to both the development of an art practice and an understanding of its relationship to the broad field of contemporary art. Through the visiting artist program and placement schemes, students are encouraged to enhance their knowledge of career opportunities and reflect upon skills required to make effective applications.

Assessment Method:

Practical 33%, Portfolio 33%, Report 34%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Part 2 Studio including Career Management Skills

Code:

FA2S2

Convenor:

MR Timothy Renshaw

Summary:

This is a studio-based module where students are supported and guided in the development of an individual art practice. Studio tutors are available from Monday to Friday and they encourage students to be experimental, creative and

to become knowledgeable about contemporary art and culture. Material sessions where students can learn new skill in a range of media from painting to digital are available in the Autumn and Spring term. Weekly lectures by visiting artist give insight into diversity in the art world and the different ways artists make and practice today. Through staging exhibitions students learn about group working and this is further advanced through a program of group tutorials. During the module students learn appropriate methods of documenting and writing about their work. Through making, documenting and writing students learn what materials and ideas matter to them and how their concerns are informed by and relate to relevant contemporary art practices. The university careers team and alumni visit the department in the Autumn and Spring term to give practical and creative advice on the range of careers open to arts graduates.

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Identity, Performance and Culture

Code:

FT2IPC

Convenor:

DR Matt McFrederick

Summary:

On this module, you will explore the construction, representation and theatrical performance of diverse modes of identity such as gender, sexuality, class, nation, ethnicity or disability.  We will consider how these intersect with the performance of identity in culture more generally, asking how theatre and performance can both reinforce particular identity positions and stereotypes, and can also expose or contest narrow, oppressive or exclusionary identity positions. We will investigate the work of theatre practitioners in relation to specific socio-historical, theoretical and theatrical frameworks, and will consider a range of performance forums such as public installations. 

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Visual Thinking and Material Writing

Code:

FA2IMW

Convenor:

PROF Alun Rowlands

Summary:

This is a seminar based module designed to develop writing skills and the awareness of the scope of writing within art and art history. It will focus on the range of writing that constitutes the current discourses in art. The module will look at writings from Art Historical and critical theory approaches to genre in order to expand the student's expectations of what approaches are acceptable and useful within writing about art and art writing. Each week the group will look at different models of art writing in order to think through and begin to find a position on the appropriate forms for different contexts.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Philosophies and Theories of Art

Code:

FA2IPA

Convenor:

PROF John Russell

Summary:

This module explores a range of philosophical and political ideas and tracks their impact on the histories and discourses of art. Over the course of 10 lectures students will be introduced to a range of historical and contemporary expositions and their use in Art, art criticism and theory. The module will develop through a combination of lectures, seminar discussion, exhibition visits, screenings and a written assignment.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

International Study

Code:

FA2IS

Convenor:

PROF Alun Rowlands

Summary:

This module involves a week long supervised study trip to a major European art centre (there is also 1 lecture in Week 2 of the Autumn term). Students see and experience contemporary art at first hand and also benefit from the knowledge and expertise of accompanying academic staff. Recent centres have included Berlin, Madrid, Vienna, Cologne, Paris and Venice.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

International Study 2

Code:

FA2IS3

Convenor:

PROF Alun Rowlands

Summary:

This module involves a week long supervised study trip to a major European art centre (there is also 1 lecture in Week 2 of the Autumn term). Students see and experience contemporary art at first hand and also benefit from the knowledge and expertise of accompanying academic staff. Recent centres have included Berlin, Madrid, Vienna, Cologne, Paris and Venice.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Independent study with Work Placement

Code:

FA2ISP

Convenor:

DR Kate Allen

Summary:

Students undertake an intensive investigation into an organisation, museum, gallery, studio complex, selected in consultation with a supervisor. Students will develop and present a portfolio consisting of elements such as an annotated list of sources; a critical bibliography including an analysis of a selected number of key sources; an exhibition and reproduction history, including illustrations; a visual analysis; a short discursive text accounting for the significance of their chosen investigation.  It may also be an exhibition or key texts in the field.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

What is the Contemporary? 3

Code:

FA2IWC3

Convenor:

PROF John Russell

Summary:

This module provides a rigorous critical forum where students consider their own artistic concerns in relation to the experiences of visiting speakers. Module content will centre on Contemporary Art's debates and trajectories as well as diverse models of practice through presentations by visiting artists, theorists, writers, curators, and others involved in visual culture. Students will critically analyse the artist presentations through seminar discussion, course reading, art historical research and written response.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

What is the Contemporary? 4

Code:

FA2IWC4

Convenor:

PROF John Russell

Summary:

This module provides a rigorous critical forum where students consider their own artistic concerns in relation to the experiences of visiting speakers. Module content will centre on Contemporary Art's debates and trajectories as well as diverse models of practice through presentations by visiting artists, theorists, writers, curators, and others involved in visual culture. Students will critically analyse the artist presentations through seminar discussion, course reading, art historical research and written response.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Visual Thinking and Material Writing

Code:

FA2MW

Convenor:

PROF Alun Rowlands

Summary:

This is a seminar based module designed to develop writing skills and the awareness of the scope of writing within art and art history. It will focus on the range of writing that constitutes the current discourses in art. The module will look at writings from Art Historical and critical theory approaches to genre in order to expand the student's expectations of what approaches are acceptable and useful within writing about art and art writing. Each week the group will look at different models of art writing in order to think through and begin to find a position on the appropriate forms for different contexts.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Philosophies and Theories of Art

Code:

FA2PA

Convenor:

DR James Hellings

Summary:

This module explores a range of philosophical and political ideas and tracks their impact on the histories and discourses of art. Over the course of 10 lectures students will be introduced to a range of historical and contemporary expositions and their use in Art, art criticism and theory. The module will develop through a combination of lectures, seminar discussion, exhibition visits, screenings and a written assignment.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Study Abroad

Code:

FA2SSA

Convenor:

PROF Alun Rowlands

Summary:

Module code to indicate that a student has undertaken a period of Study Abroad at a partner institution as part of their single or joint honours Art degree.

Assessment Method:

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

What is the Contemporary? 1

Code:

FA2WC1

Convenor:

PROF John Russell

Summary:

This module provides a rigorous critical forum where students consider their own artistic concerns in relation to the experiences of visiting speakers. Module content will centre on Contemporary Art's debates and trajectories as well as diverse models of practice through presentations by visiting artists, theorists, writers, curators, and others involved in visual culture. Students will critically analyse the artist presentations through seminar discussion, course reading, art historical research and written response.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

What is the Contemporary? 2

Code:

FA2WC2

Convenor:

PROF John Russell

Summary:

This module provides a rigorous critical forum where students consider their own artistic concerns in relation to the experiences of visiting speakers. Module content will centre on Contemporary Art's debates and trajectories as well as diverse models of practice through presentations by visiting artists, theorists, writers, curators, and others involved in visual culture. Students will critically analyse the artist presentations through seminar discussion, course reading, art historical research and written response.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Exploring Location

Code:

FT2EL

Convenor:

DR Tonia Kazakopoulou

Summary:

Building on Part 1, this module gives you the opportunity to deepen your engagement with creative practical work, working on more advanced projects. You will explore the creative possibilities of working on location, for the purposes of staging a live performance and/or filming for the screen. In groups, you will choose a site and develop a creative project in response. You will develop your experience of Health and Safety practices, relevant equipment and processes of practical group work. You will be able to follow your particular interests in specific creative decision-making processes, such as scripting, set design, lighting and/or sound.  

Assessment Method:

Assignment 40%, Project 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Film Forms and Cultures

Code:

FT2FFC

Convenor:

DR David Foster

Summary:

The module Film Forms and Cultures is designed to broaden students’ knowledge of the variety of film forms in historical and contemporary global cinema, and to deepen their understanding of the relationships between films and their artistic, social and cultural contexts. The module is structured as two case studies, which will be chosen each year from an indicative list including: Art Cinema, Experimental Cinema, the Essay Film, Found Footage and Appropriation, Intermediality and Cinema, Ecocinema.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Placements and Employment Skills (Ten Credits)

Code:

FT2PE10

Convenor:

DR Lucy Tyler

Summary:

Through taught sessions you will gain relevant employment skills. You will then have the opportunity to apply these skills through self-directed study. You will either a) self-organise a placement to undertake in an industry or organisation of your choice or b) undertake a detailed examination of an industry, organisation or role of your choice. Students will develop their approach to the written assessment supported by workshop discussion, and tutor and peer feedback, and in doing so will also develop their pitching and presentation skills.  

In the summer term of the previous year, a session will provide advice on how to secure a placement.  

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Placements and Employment Skills (Twenty Credits)

Code:

FT2PE20

Convenor:

DR Lucy Tyler

Summary:

Through taught sessions you will gain relevant employment skills. You will then have the opportunity to apply these skills through self-directed study. You will either a) self-organise a placement to undertake in an industry or organisation of your choice or b) undertake a detailed examination of an industry, organisation or role of your choice. Students will develop their approach to the written assessment supported by workshop discussion, and tutor and peer feedback, and in doing so will also develop their pitching and presentation skills.  

In the summer term of the previous year, a session will provide advice on how to secure a placement.  

Assessment Method:

Portfolio 50%, Project 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Performance Skills: Acting and Directing

Code:

FT2PS

Convenor:

DR Lisa Woynarski

Summary:

By exploring historic and contemporary acting and directing modes from a global context, this module will enable you to develop a tool-kit of practical acting and directing strategies and approaches to inform your work and identity as an artist-practitioner. Through a case-study approach, you will engage with a diverse set of aesthetic forms of theatre and performance, exploring their associated directing and acting methodologies and critical ideas within them such as agency and expression. You will have the opportunity to test out these different modes of acting and directing in hands-on sessions, reflecting on their use and application in practice.   

Assessment Method:

Practical 50%, Oral 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Screen Storytelling and Criticism

Code:

FT2SSC

Convenor:

DR Adam O'Brien

Summary:

This module explores film and television storytelling, against the backdrop of different genres and historical periods. It focuses on a coherent selection of films / programmes, plus associated critical and theoretical writing. You will explore a range of narrative techniques, and develop your skills in close analysis. This work will be integrated with the study of videographic criticism. You will produce a series of short videographic exercises, and develop skills which will enable you to create video essays for assignments on other modules on your degree programme.  

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Screen Storytelling and Criticism B

Code:

FT2SSCB

Convenor:

DR Adam O'Brien

Summary:

This module is a follow-on module to FT2SSC Screen Storytelling and Criticism giving you the opportunity to further  your expertise in video essay making and deepen your understanding of a particular screen text and its contexts through independent research and practice. You will develop a sophisticated awareness of mainstream narrative patterns and conventions, and further improve your ability to analyse and interpret such narratives effectively using videographic methods.  

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Television and Contemporary Culture

Code:

FT2TCC

Convenor:

DR Faye Woods

Summary:

This module deepens your understanding of television form, industry and the complexity of the medium and its programming. It provides the tools to critically engage with issues of representation and identity, explores industrial concerns (who has the power to make television and how does that impact how and what stories are told) as well as global production and trade of television. It considers different approaches to television storytelling and representations of the world around us through a selection of television genres and forms, which may include reality tv, documentary, period drama and sitcom. 

Assessment Method:

Assignment 60%, Project 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Forensic Archaeology and Crime Scene Analysis

Code:

AR2F17

Convenor:

PROF Mary Lewis

Summary:

Through lectures, activities, videos and reading students will be able to understand the theory behind certain forensic and archaeological practices, when and why they are used, and shown the process by which these are undertaken.

Assessment Method:

Report 70%, Class test 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Medieval Europe: power, religion and death

Code:

AR2M8

Convenor:

DR Gabor Thomas

Summary:

This single-term module gives students an overview of how archaeology has changed our understanding of European society over the course of the ‘Long Middle Ages’ (5th-16th centuries AD). It comprises 10 weekly sessions involving a combination of teacher-led content with student-led discussions, is assessed by an essay and site interpretation panel and has a field trip to Winchester - one of the richest medieval urban landscapes in southern England.  It will also include a formative assessment in the form of group poster presentations designed to support students in developing essay topics.  

Assessment Method:

Assignment 60%, Set exercise 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Ancient Epic

Code:

CL2AE

Convenor:

DR Christa Gray

Summary:

This module offers an introduction to early Greek epic, centring around close study of the Iliad Odyssey, but including discussion of other early Greek hexameter poems such Hesiod, the Homeric Hymns, and the Epic Cycle.  It may also cover later epic, for example Apollonius Rhodius or Roman epic.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Ancient Egyptian Language and Hieroglyphs

Code:

CL2AEL

Convenor:

PROF Rachel Mairs

Summary:

This module aims to teach students some elements of the Ancient Egyptian language and give them skills to read Egyptian, in the hieroglyphic script, at an elementary level.

Assessment Method:

Exam 67%, Class test 33%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Greek History: Persian Wars to Alexander

Code:

CL2CGH

Convenor:

PROF Timothy Duff

Summary:

Greek History 479-323 BC, from the end of the Persian Wars, through the Peloponnesian War and the fall of Sparta, to the rise of Macedon and the meteoric career of Alexander the Great.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Ancient Drama

Code:

CL2DR

Convenor:

PROF Barbara Goff

Summary:

This module examines the ancient genre of drama, with respect to its content, themes and style, and the context of performance culture which surrounded it.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Roman History: From Republic to Empire

Code:

CL2RO

Convenor:

PROF Annalisa Marzano

Summary:

This Roman history module covers the period from the second triumvirate in the last years of the Republic to the reigns of the emperors.

Assessment Method:

Exam 50%, Assignment 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Introduction to English Language Teaching

Code:

LS2LAT

Convenor:

MRS Suzanne Portch

Summary:

The course aims to provide an overview of key aspects of language teaching methodology and practice. 

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Language and New Media

Code:

LS2LNM

Convenor:

PROF Rodney Jones

Summary:

In this module, students will explore the ways digital media are changing the way people use language. Students will be introduced to a range of theories from sociolinguistics, media studies and discourse analysis and will learn to apply these theories to analysing authentic texts and interactions. Among the topics covered in the module are genres and registers of mediated communication, social networking and online identity, multimodal and multimedia communication, mobile communication and wearable computers, and online tracking and surveillance.

Assessment Method:

Assignment 25%, Oral 25%, Portfolio 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Science, perversion, and dream in global fantastic literature

Code:

ML2GF

Convenor:

DR Alice Christensen

Summary:

This module will explore a number of key literary texts that engage the Fantastic mode of literary representation. The module aims to promote critical awareness of the ways in which French, Hispanic, Italian and German literary traditions adapted and transformed the Fantastic narrative so that it spoke to a number of specific issues such as the advances in science and technology, the changing roles of women, the pressures of modernisation, the impact of psychoanalysis, and fears related to changes brought about by colonisation, the political structure of the Nation-state, and the economy. Texts will be read in the original language if the student is taking that language to degree level, and in English translation if not.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Society, Thought, and Art in Modern Europe

Code:

ML2STA

Convenor:

DR Veronica Heath

Summary:

This module aims to provide students with a systematic historical and cross-national understanding of the key ideas, institutions and symbols that have come to constitute and represent modernity in Europe and, at the same time, new conceptions of Europe. The module examines the birth of modern men and women in Europe in the late eighteenth century and the broad intellectual, cultural, economic, political and social conditions which have been shaping and re-shaping them since. The module further shows a) the contributions of different European nations to a common European reaction to and re-evaluation of tradition and modernity; and b) the diffusion of modernity (Westernisation) from Europe to Asia and Africa and its role in the creation of a global world. Finally, it shows how art has played a leading role in the transformations of modernity; not only recording it but also constituting one of its central components.

Assessment Method:

Assignment 80%, Class test 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Practice of Entrepreneurship

Code:

MM270

Convenor:

DR Norbert Morawetz

Summary:

This is a dynamic and experiential module aiming to give students a strong understanding of key dilemmas likely to be faced by first time entrepreneurs. The module develops student's entrepreneurial skill and confidence to put plans into action. Students gain understanding of the practice of entrepreneurship as informed by theory, role play and guest lectures. This will include exposure to the experience of successful entrepreneurs. Students are given a solid understanding of the realities of business start-up.

This module is delivered at the University of Reading and the University of Reading Malaysia

Assessment Method:

Assignment 65%, Oral 30%, Portfolio 5%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

The Science of Climate Change

Code:

MT2CC

Convenor:

PROF Nigel Arnell

Summary:

This module provides an introduction to the science of climate change, aimed at students who do not necessarily have a scientific background.

Assessment Method:

Exam 70%, Assignment 30%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Modern International Relations

Code:

PO2MIR

Convenor:

DR Joseph O' Mahoney

Summary:

This module provides an advanced analysis of the principal theoretical approaches to international politics, as well as coverage of a selection of major issues on the international stage, including globalisation, conflict, nuclear weapons and terrorism. 

Assessment Method:

Exam 50%, Assignment 45%, Set exercise 5%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Politics of the Welfare State

Code:

PO2PWS

Convenor:

DR Brandon Beomseob Park

Summary:

The course is an introduction to the politics of welfare states in the developed economies of OECD countries with a particular focus on Western Europe. It focuses on the interaction between political and economic factors in explaining the emergence and evolution of welfare states and their various forms across countries. Students learn the major theoretical approaches in the study of the welfare state and apply them to contemporary debates about the welfare state as well as the politics of welfare state reform.

Assessment Method:

Exam 50%, Assignment 40%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Political Thinking

Code:

PO2THI

Convenor:

DR Alice Baderin

Summary:

Module in applied political theory. The course investigates the ethical issues that lie behind some important contemporary policy debates. 

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Ethical Argument 1: Philosophy and How to Live

Code:

PP2EA1

Convenor:

DR Luke Elson

Summary:

This module introduces students to longstanding methods, issues and arguments in moral philosophy.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Global Philosophy 1

Code:

PP2GP1

Convenor:

MISS Michela Bariselli

Summary:

This module introduces some key thinkers and issues in global philosophy, the philosophy of gender and race, the ethics of resistance and the epistemology of terrorism. Some of the claims we will examine include: Gender is an illusion, male and female ‘sex’ attributes are social constructions!  Race categories are racist, they should be abolished! Persons are ‘processes’; self and identity are conceptual fictions!  Self-immolation is an ethical form of political protest! Gandhi and Islamist suicide bombing share an ethics of sacrificial dying! Debt is founded on violence! We should undertake dying with full awareness, by meditative fasting!

We will engage in philosophical conversations with (i) contemporary feminist and race theorists such as Judith Butler, Sally Haslanger and Naomi Zack on performativist,  constructionist and essentialist approaches to gender and race; (ii) Buddhist philosophers on the metaphysics of self and identity; (iii) Buddhist, Gandhian and Islamic ethics of sacrificial dying and political resistance; (iv) interdisciplinary perspectives on the nature and origins of debt and money; (v) Jaina conceptions of meditative dying, suicide and euthanasia; (vi) the epistemology of terrorism and Islamic approaches to non-violence.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Hume, Kant, and Wittgenstein 1

Code:

PP2HKW1

Convenor:

DR Severin Schroeder

Summary:

This module introduces students to the ideas of three great philosophers: David Hume, Immanuel Kant, and Ludwig Wittgenstein, focussing especially on their respective conceptions of philosophy.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Ignorance, Doubt, and Relativism 1

Code:

PP2IDR1

Convenor:

DR Jumbly Grindrod

Summary:

This module introduces students to a core area of philosophy – epistemology (the theory of knowledge), makes them familiar with key stances on the extent and nature of human knowledge (modal theories, reliabilist theories, virtue theories etc.), and requires them to evaluate such stances and find their place on the epistemological map. They will also be introduced to the social aspect of epistemology, by considering what role knowledge plays within a society, how we gain knowledge from others, and how we may be harmed specifically as knowers.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Meaning and the Mind 1

Code:

PP2MM1

Convenor:

DR Jumbly Grindrod

Summary:

This module introduces students to core philosophical issues about meaning and the mind, and to central connections between these issues. How could there be minds in a physical world? Are states of consciousness physical states? How do our thoughts and words come to represent the world around us? These questions are intimately related. The capacity to represent the world is a central, problematic feature of the mind. Moreover, to assess what minds are, we must pay careful attention to what our words for mental states mean, and to how they come to mean what they do. We will investigate these questions by reading and discussing recent work in the philosophy of mind and language, by authors such as David Chalmers, Hilary Putnam and John Searle, as well as classic texts by authors such as Gottlob Frege and Princess Elizabeth of Bohemia.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Oppression, Inequality, and the Enemies of Democracy 1

Code:

PP2OID1

Convenor:

DR Charlotte Newey

Summary:

In this module you will consider the question: how should we be governed? The module will introduce you to key philosophical arguments concerning the meaning and value of freedom, equality and democracy. You will study both their defenders and their detractors.

Assessment Method:

Assignment 90%, Oral 10%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Studio (joint honours)

Code:

FA3HS2

Convenor:

PROF Susanne Clausen

Summary:

This is an Art studio module that is supported by tutorials, group critiques, material sessions, weekly seminars, exhibitions, and a program of visiting artist talks.  The aim of the module is to support and challenge students in their development of an independent, creative and critically informed art practice. The module encourages students to consolidate and develop particular (individual) interests and concerns through practical engagement in the studio and workshop areas, to prepare them for future public exhibitions and to state their positions as artists. Students are further supported in the development of research skills relevant to both the development of an art practice and an understanding of its relationship to the broad field of contemporary art and to locate their practice both historically and theoretically. Through the visiting artist program students are encouraged to enhance their knowledge of career opportunities to enable them to plan and make effective applications for future postgraduate opportunities, employment, professional practice. 

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Dissertation (Art and Film & Theatre)

Code:

FT3JDFA

Convenor:

DR David Foster

Summary:

This module represents the student's major piece of independent critical work, and aims to integrate and develop some of the critical methodologies and topics of study included in taught modules in the Film & Theatre component of the programme. As such the module aims to test the student's ability to apply accumulated skills and knowledge to an area of individual interest in an extended essay on a topic not directly taught on the course, and which is initiated and developed independently but under supervision. Students will give a short presentation on their research-in-progress during Autumn term.

Assessment Method:

Dissertation 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Adaptations across Stage and Screen

Code:

FT3AD

Convenor:

DR Sarah Bartley

Summary:

You will explore contemporary practices of adaptation in performance and on screen through a series of creative experiments and case study analyses. You will also examine the politics and the disruptive potential of adaptation as a process. Areas of exploration may include: relocating narratives in time and space, Intercultural adaptation, queer adaptations, cultural appropriation, transposing stories across form and genre, retelling stories. You will be able to specialise in the discipline of your choice (film, theatre, television), thinking about adaptation in relation the particular area of practice that interests you.  

Assessment Method:

Practical 60%, Portfolio 40%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Cities on Screen

Code:

FT3CAS

Convenor:

DR Faye Woods

Summary:

The city has long been a favoured subject of the cinema, which has shaped, influenced, mythologized, and invented the city. Television’s representation of the city, both its interiors and exteriors, has helped bring the world into our homes. This module explores film and television’s encounter with the city through a series of city case studies. It explores iconographic cinematic cities as well as less familiar spaces worldwide. It explores humans’ relationships with the city, the everyday routines, the struggle to survive and the flights of fantasy. This module will consider how the city is intertwined with class, race, migration, labour, architecture, geography and nation, along with wider concerns of space and place.   

Assessment Method:

Assignment 50%, Project 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Contemporary Documentary

Code:

FT3CD

Convenor:

MR James Kenward-Abdollahyan

Summary:

This module is taught twice to two different cohorts of students - first in the Autumn term and then repeated in the Spring term.  The 200 contact hours are listed for the first iteration of teaching in the Autumn term, and these same contact hours are repeated for the second iteration of teaching in the Spring term.

The module examines some of the fundamental issues in recent and current documentary film-making for film and television. The module does so by exploring a number of case studies that, individually and collectively, consider documentary in terms of the aesthetic diversity and complexity of existing practice, and particular attention will be paid to the relationship between production process and aesthetics as well as politics of representation. The case studies are drawn from both Anglophone and non-Anglophone contexts, and may include: animated documentary, Chinese documentary, docudrama, documentary and authorship, documentary and poetry, ethnographic documentary, mockumentary, and observational documentary.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Cinema, Spectacle and Technology

Code:

FT3CST

Convenor:

PROF Lisa Purse

Summary:

Cinema has a long tradition of seeking to guarantee its market share through the spectacular, but the spectacular is also frequently derided as ‘just entertainment,’ unworthy of sustained examination. In this module we will explore the ways in which film style, technology, economics, narrative and culture intersect at key moments in the history of spectacular cinema. We will also study how spectacular cinema has been understood and responded to, looking at key debates in film scholarship, film criticism, and in mainstream and trade press.  

This module is taught twice to two different cohorts of students, both in the Spring Term.

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Ensemble Practice

Code:

FT3EP

Convenor:

DR Lisa Woynarski

Summary:

This is a practical theatre module focused on ensemble making. You will form an ensemble, develop a working process and make practical responses to a series of case studies (national and global). You will examine general and specific working practices of ensemble theatre makers, such as conceptual and creative collaboration, rehearsal room and performance processes. You will also extend your knowledge of craft, technical, performance and creative skills in core areas of ensemble practice. This supports the work on FT3APT. 

Assessment Method:

Assignment 40%, Practical 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Identity, Agency, Advocacy: Diversity and Representation in Film, Television and Theatre

Code:

FT3IAA

Convenor:

DR Lisa Woynarski

Summary:

This module is taught twice to two different cohorts of students, one in Autumn and one in Spring term.  The 200 contact hours are listed for the first iteration of teaching in the Autumn term, and these same contact hours are repeated for the second iteration of teaching, in the Spring term.

In this module, we explore questions concerning diversity and inclusion that are currently receiving much high-profile attention and debates in a number of different contexts, within and across film, television and theatre. We undertake close analysis of screen and stage representations that pertain to the complex interconnection of issues such as class, disability, ethnicity, gender, race, and sexuality. We combine our intersectional approach with an examination of relevant industrial, political and socio-cultural contexts and debates, and we explore how diversity and inclusion work intersects with the process of making. We pay particular attention to different kinds of minority and/or marginalized identities, as well as the efforts made by campaigners and advocates to push for equitable and meaningful representation. Films, programmes and plays to feature on the module may include: Fresh Off the Boat; Get Out; Goodbye CP; Jubilee; Kiss, Marry, Kill; The Slave; Transparent.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Practice as Research Project

Code:

FT3PAR

Convenor:

PROF Teresa Murjas

Summary:

It is a practical cross-disciplinary module and focuses on making research-led creative work. Under supervision, students will collaboratively produce a new, public-facing piece of creative practice. There will be contribution to the module from a professional practitioner. The module interlinks with an innovative, large scale research project called The People of 1381 (with reference to the Peasants’ Revolt of 1381), funded by the Arts & Humanities Research Council (AHRC). This is based at the University of Reading and is being conducted in collaboration with the Universities of Glasgow, Oxford and Southampton: https://www.1381.online/ Students on the module will draw on the project research team’s findings in order to make creative work. Students will be assessed on the practice elements of the module and on connected written elements. 

Assessment Method:

Assignment 40%, Project 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Performance & Design: Site, Scenography and Installation

Code:

FT3PD

Convenor:

DR Matt McFrederick

Summary:

Performance & Design will explore the scope and potential of theatre and performance design by investigating historical and contemporary approaches to scenography. In a mixture of practical and critical workshops, you will study the creative application of the visual, aural and spatial elements of design through a rich array of performance environments and a dynamic range of innovative and international performance practices, from digital experiments to site-specific performances. The module will support you in analysing the practice of pioneering designers (such as Jocelyn Herbert and Josef Svoboda), facilitate collaborations with the National Theatre Archive, and enable masterclasses on contemporary approaches to design with visiting designers and/or scholars. 

Assessment Method:

Assignment 40%, Portfolio 60%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Work Placements and Profiles (20 Credits)

Code:

FT3PL20

Convenor:

DR Lucy Tyler

Summary:

This optional module aims to provide an opportunity for career development through reflective learning. Students will either a) self-organise a placement to undertake in an industry or organisation of their choice or b) undertake a detailed examination of an industry, organisation or role of their choice. Students will then construct a written assessment which provides the opportunity for critical reflection on their placement or selected portfolio. 

In the summer term of the previous year, a session will provide dynamic advice on how to secure a placement. Students will work collectively to self-organise a series of relevant industry speakers, and will conduct research on the industry sector that most interests them. Students will develop their approach to the written assessment supported by workshop discussion, and tutor and peer feedback, and in doing so will also develop their pitching and presentation skills.

Assessment Method:

Portfolio 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Three Films

Code:

FT3THF

Convenor:

DR Tonia Kazakopoulou

Summary:

This module takes a long, hard look at three complementary films. In an era of convenient access to proliferating screen media, we never need to watch the same thing twice. But ‘opening up’ a film through multiple viewings and discussions is vital – it can help us better understand how films work, and it gives more voice to diverse interpretations and debates. Rather than attempt to cover periods, genres or themes, Three Films is led by the practice and opportunities of close and cumulative study, and asks what it means to explore the same film from a variety of approaches (for example aesthetic, political and industrial).

Assessment Method:

Oral 50%, Project 50%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Television Industries

Code:

FT3TI

Convenor:

DR Faye Woods

Summary:

This industry studies module explores the current make-up and practices of the US and British television industries and related digital media forms. It will consider their place in the global marketplace alongside questions of power and agency – who gets to make television and what structures shape this? Through a focus on production and distribution cultures this module will analyse channels, streaming platforms and programming (which may include Channel 4, HBO, BBC iPlayer, Netflix, Disney+ and Youtube). This module will explore how different outlets and their programming have developed and will track how the industry responds to the fast pace of technological, political and social change. We will chart trends and cycles of programming, launches of new SVODs, delve into television history and explore breaking changes in the industry. Students will engage in long-form and case-study approaches to individual companies and their programming, responding to and charting real-time change, drawing on industry reporting as well as key concepts in academic work on television industries.

Assessment Method:

Assignment 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

Videographic Criticism

Code:

FT3VC

Convenor:

PROF John Gibbs

Summary:

Learn to make video essays (also known as audiovisual essays). This module gives you the opportunity to explore recent developments in videographic criticism, produce a series of short videographic exercises, respond to extensive feedback, and then create a video essay on a film or television programme of your choice. 

This module is taught twice to two different cohorts of students - first in the Autumn term and then repeated in the Spring term. The 200 contact hours are listed for the first iteration of teaching in the Autumn term, and these same contact hours are repeated for the second iteration of teaching in the Spring term.

Assessment Method:

Project 100%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.

Title:

World Cinema: Creative Peaks

Code:

FT3WCC

Convenor:

MR Mark Player

Summary:

‘World Cinema: Creative Peaks’ looks at film history and geography through a democratic and inclusive approach. Rather than separating Hollywood from the rest of the world, it frames World Cinema as a polycentric phenomenon with peaks of creation in different places and periods. Instead of establishing primacies and hierarchies, it identifies common tropes and cross-pollinations beyond national and cultural borders. Focusing on new realist movements and new waves from around the world, the module will analyse productions from France, Germany, Japan, Brazil, Iran, as well as from the Inuit and other indigenous populations, demonstrating how they compare and inter-relate.  

Assessment Method:

Exam 80%, Oral 20%

Disclaimer:

The modules described on this page are what we currently offer. Modules may change for your year of study as we regularly review our offerings to ensure they’re informed by the latest research and teaching methods.