English English
Change language
  • NederlandsNederlands
  • FrançaisFrançais
  • DeutschDeutsch
  • العربيةالعربية
  • ItalianoItaliano
  • SvenskaSvenska
  • NorskNorsk
  • DanskDansk
  • РусскийРусский
  • CastellanoCastellano
  • Introduction
  • Search
  • Results
  • Details
  • Selection
  • Search History
Actions
  • Print
Displays
  • Extended display
  • Object card
Loading
  • Object number
    60/457
  • Title
    Potato hopper,
  • Collection
    British Council Collection
  • Creator
    J. Coate (Manufacturer)
  • Description
    The hopper is a basket used to put potatoes into a sack when they have been lifted from the soil. It is a circular funnel-shaped basket with a foot and is open at the bottom. The hopper was put into the mouth of the sack and potatoes were thrown into the hopper. This basket, made of brown and white willow and with an iron hook near the base, was made by J. Coate of Harrock Hill, Heskin, Lancashire. Other names for the hopper include ‘dolly’ (in Cambridgeshire), ‘nancy’ and ‘blunk’. The basket is part of a large collection of traditional craft products acquired from the British Council.
  • Physical description
    1 basket hopper: willow, metal [iron]
  • Archival history
    MERL miscellaneous note, B. L. 22 March 1961 – ‘The British Council collection. // This collection of material which is covered by the accession numbers 60/430 to 60/791 contains examples of craft products made in the British Isles. The major part of the collection was prepared immediately after the Second World War for a travelling exhibition which was sent to Australia and New Zealand. // The collection was purchased for a nominal sum by the Museum in two portions, the one in the summer of 1960 and the other in February 1961. // For further details see the individual catalogue cards and the catalogue prepared for the temporary exhibition of the collection.’, MERL 'Catalogue index' card – 'This hopper is funnel-shaped and is used when potatoes are lifted. The potatoes are thrown into the hopper which stands on the ground with a sack attached to the hook at the splayed base. When the hopper is lifted the potatoes drop into the sack beneath. // The twisted rim, handles and splayed base are made of peeled willow and the woven sides are of brown unpeeled willow. Just above the base there is an iron hook to which the sack is fastened. // From: J. Coate, Harrock Hill, Heskin, Lancashire. // See general card on Basket Making.', MERL 'Catalogue of baskets' form – 'NAME: BASKET (hopper) (J. Coate) // Acc. No.: 60/457 // Group: HARVESTING. Roots // Neg. no.: 60/3836 // Place of origin: LANCASHIRE. Heskin // Period in use: Pre-1945. // DESCRIPTION // Materials: Brown & white willow. Iron hook. // Shape and construction: Circular funnel-shape with a foot, open at the bottom. 23 stakes. Side coarse brown slewing. Border 4-behind-2. 2 twisted handles on border. Foot painted white. Nearly flat. 3-behind-2 back. Flown after footing // Dimensions: Diam. top: 22” Diam. bottom: 13” Height: 22” Diam. throat: 9 1/2” Foot: 2” wide // Use: For putting potatoes into a sack. The hopper was put into the sack mouth which hung on the iron hook. // Dialect names: “Dolly” (Cambridge) “Nancy”. “Blunk” // Distribution: // Additional notes: See 64/212. (The iron hook probably means it was not used in “sacking-up-twice”)', MERL ‘Country Craftsmanship’ Exhibition Catalogue, 2 May–31 October 1961, ‘Introductory Note’ by Andrew Jewell – ‘The objects shown in this Exhibition of Country Craftsmanship were originally purchased by the British Council in 1946. They were selected for exhibition in Australia and New Zealand as samples of traditional handcrafts which were then being practised in the British countryside. The Museum of English Rural Life was fortunate to acquire this valuable collection from the Council and to have the opportunity of displaying such a wide variety of skills. // Almost all the crafts shown are still to be found in this country although, in the intervening fifteen years, many of the small firms and individual craftsmen whose products are represented in the Exhibition, have given up working. The number who now remain to carry on these particular traditional crafts continues to decline with the growth of mechanization, the obsolescence of their products and the difficult of finding apprentices to follow them. // All the objects on display have one characteristic in common – they were made to be used. Any aesthetic qualities which the craftsman achieved grew without self-consciousness. Over long years of apprenticeship the craftsman developed an intimate knowledge of the raw material at his disposal and its peculiarities. He acquired by inheritance the methods of his craft which may have had a continuous tradition over centuries of time. And he was quite familiar with the way in which his product was to be used. // We can derive pleasure simply by looking at the shapes and decorations. Both, however, are inseparable from function and environment, and the objects can only be most fully appreciated by an understanding of the purpose for which each was intended. // This, then, is an exhibition of everyday things, made by men and women who might not think of themselves as artists, but whose work, nevertheless, has enriched the daily life of those who live with their products.’, MERL ‘Country Craftsmanship’ Exhibition Catalogue, 2 May–31 October 1961, p.21 – ’236. Potato Hopper, used as a funnel for filling sacks of potatoes. // (J. Coate, Heskin, Lancs.)', British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, ‘Introductory Note’ – ‘This exhibition contains only examples of handicrafts that are still being practised in the British Countryside. It is confined to the work of our traditional craftsmen and women who, with very few exceptions, would not think of themselves as artists or designers but whose work, nevertheless, so greatly enriches the daily life of those who live with and use their products. The work of these craftsmen, too, provides the basis from which many artist-craftsmen gain technical knowledge and inspiration. // Included with these rural crafts are eight screens showing handicraft processes which can be undertaken by schools or adults who wish to practise a craft at home. In this way we hope these examples of Britain’s country crafts may be related to a practical aspect of present day life in the Dominions and meet the increasing need to find satisfying ways of using the leisure which machinery now makes available to us. // Along with her traditional rural crafts Great Britain seeks to employ all the resources of modern agricultural science and engineering. We have therefore included with this exhibition some photographs showing examples of recent developments in agricultural machinery.’, British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, p.42 – ’30. Potato Hopper. Used in digging the potatoes, which are thrown into the open mouth of the basket. They drop into a sack (attached to the hook at the foot) when the basket is lifted. J. Coate, Lancashire.', British Council Ref. No. NZ 30.
  • Production place
    Harrock Hill
  • Production date
    1945 - 1946
  • Object name
    Basket, potato
  • Material
    Wood, willow, Metal, iron
  • Technique
    Basketry, stake and strand
  • Associated subject
    CRAFTS : wood-working
    Basketry
    HARVESTING : pulling and lifting
    Potato
  • Associated person/institution
    Wright, Dorothy (Recorder)
  • External document
    • L:\MERL\Objects\JISC 2012\60 series negatives\60_3836.tif - High resolution image
    • L:\MERL\Objects\Baskets\60_457_cob.tif - High resolution image
Loading
Page
1
University of Reading | Archive and Museum Database
Axiell ALM