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  • Object number
    UAC/10163
  • Title
    Spoonbills,
  • Exhibition
    Tone Colour, Shadow, Line: Allen W. Seaby and the Art of the Colour Print
  • Creator
    Robert Gillmor (Artist)
  • Description
    Two spoonbills, in heavily shaded contrasts of white and grey, against beige/green rushes. The spoonbill on the left has its head tucked under its wing. Bottom left, in pencil: 13/15 Spoonbills. Signed bottom right.
  • Physical description
    linocut on paper
  • Label Text
    <div style="text-align:Justify;font-family:Georgia;font-style:normal;font-weight:normal;font-size:16;color:#000000;"><p><span><span>Seaby’s grandson, Robert Gillmor, has followed closely in his grandfather’s footsteps when it comes to his passion for colour print, wildlife, and birds. Gillmor studied at the University of Reading and produced his first illustrated book, A Study of Blackbirds, whilst he was still a schoolboy. He embarked on a full-time career as a wildlife artist in 1965 and is renowned, above all, for his striking colour-linocuts.</span></span></p><p><span><span>This pair of spoonbills, like many of Gillmor’s prints, is based on sketches he produced in the field along the Norfolk coast. With their long-legs and simple, bright plumage, spoonbills provide ideal subjects for Gillmor’s linocuts, where the visual impact is based on contrast; as he put it “This is no medium for little brown, streaky jobs that skulk in bushes.”</span></span></p></div>
  • Production date
    1992 - 1992
  • School/style
    British
  • Object name
    Print
  • Material
    Paper
  • Technique
    Linocut
  • Dimensions
    • Height 15 cm
    • Width 17 cm
  • Credit line
    The University of Reading Art Collection © Estate of Robert Gillmor
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