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Nonie M. McFarlane (Designer)

Linen tea towel designed by Nonie McFarlane of New South Wales, Australia. Decorated with an ode to corn dollies.
A cream linen tea towel with a yellow border, designed by Nonie McFarlane of New South Wales, Australia. It is decorated with an ode to a corn dolly, and pictures of different corn dollies, including a Yorkshire spiral, a Suffolk horseshoe, a Norfolk lantern, a Welsh border fan, a Bennelong point, a Countryman's favour, and a cornucopia.

1 cloth: linen; good condition

MERL miscellaneous note Greta Bertram, 20 August 2013 – The 'Coker Collection' of corn dollies was bequeathed to the Museum by Alec Coker, who devoted his retirement from 1965 until his death in 1986 to spreading knowledge of and teaching the craft of corn dolly making. He first became interested in the craft when working at the BBC when he encountered dollies as props on the set of ‘Lorna Doone’ in the 1930s. ‘Corn’ is a term for the family of grains which includes barley, oats, wheat and rye. ‘Corn dolly’ is a wide-ranging term which includes figures, love tokens, crosses, Scandinavian star designs, and Far Eastern shrine dolls made from ‘corn’ straw. Techniques used in the craft include tying, plaiting, weaving and marquetry. The corn dolly was originally an object used in rites and rituals, and in many parts of the world it was believed that the ‘Corn Goddess’ lived in the crop and died when it was harvested. Images of the Goddess, or other talismans, were woven from the last sheaf to be reaped and carefully preserved to ensure an abundant crop the following year. By the twentieth century, corn dollies had lost their ritual associations, and from the 1950s there was a concerted effort to preserve the craft of corn dolly making., MERL 'Handwritten accession' form (Institute of Agricultural History) – ‘Description: Cream linen cloth with yellow border and corn dolly design. Hand screen printed. // Inscription: CORN DOLLY ‘Tis but a thing of corn they say, yet even straw can sturdy be plaited into doll like me. And in the days of long ago. To help the seeds once more to grow. I was an offering to the Gods. A very simple way indeed of asking them to intercede that barn & granary overflow at harvest time with fruit & corn to fill again Amalthea’s horn. ANON. // Designed by Nonie M. McFarlane // Dollies shown on the cloth: Yorkshire spiral, Suffolk horseshoe, Norfolk lantern, Welsh border fan, Bennelong point, Countryman’s favour, Cornucopia (Amalthea’s Horn) // Dimensions: Length: 79.0cm Width: 48.0cm // Associated information: … // References: …’

New South Wales [state]