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  • Object number
    63/286
  • Creator
    Bere Regis Arts & Crafts Association (Maker)
  • Description
    Dark green linen smock made by the Bere Regis Arts & Crafts Assn., 1905 - 1919. A coat frock, open to the hem and with 16 Dorset buttons.
    This dark green linen smock was made by the Bere Regis Arts & Crafts Association of Bere Regis, Dorset, some time between 1905 and 1919. It is a coat frock, open to the hem and fastened with sixteen Dorset buttons. It has elaborate smocking on the back, front and sleeves. It is elaborately embroidered in green in chain and feather stitch with straight, wavy and branched lines, diamonds and flower motifs.
  • Physical description
    1 smock: linen; good condition- although some red stains
  • Label Text
    3. Coat-type smock. There are three basic styles of smock: reversible (the most common kind), shirt-type and coat-type. Pictured above is a coat-type, so called because of its full-length, buttoned opening which, unlike the round frock, can only be worn one way. The shirt-type smock also has a buttoned front opening, but one that does not stretch the full length of the garment. This smock was made in the early years of the twentieth century by the Bere Regis Arts and Crafts Association, a local Dorset group with an interest in traditional English smocks. It is made of heavyweight linen which, as well as 'drabbet', was a more suitable material for working smocks than the finer, white linen of 'Sunday best'. Working smocks - those worn on a daily basis - were often beige or fawn in colour but could also be black, blue, brown, green or grey. There is, however, some dispute over whether or not a smock's colour, and indeed its style and pattern, provides any clue as to provenance or the wearer's occupation. Blue was very popular in the Midlands, and, according to Maggie Hall in her Shire Publication Smocks, green ones like this were worn in Essex, Hertfordshire, Bedfordshire, Cambridgeshire and Northamptonshire. Yet Oakes and Hill, in their book Rural Costume, prefer to explain such diversity as having more to do with "fashion and individual taste" than any specific regional types. It was not the most common style, but the influence of the coat-type smock can still be seen today in the modern buttoned overall. Whether it be a scientist's white labcoat or the brown overall of a caretaker, all serve the same fundamental purpose - to protect the worker's clothes beneath. 63/286.
  • Archival history
    Citation in publication [Oliver, Tina, 'Smocks: A Guide to the Collections' (Reading: The University of Reading, 2000)] – ‘63/280–286 // The smocks in this group originate from The Bere Regis Arts and crafts Association, Bere Regis, Dorset. The association was formed in 1905 by the Vicar’s wife, the members of the association produced smocks and raffia baskets from 1905 until 1919. The son of the founder donated the smocks to the Museum in 1963. In a letter written in 1963 the donor says ‘Mrs. Bere’s interests were artistic rather than historical; and she believed that the old English smock, with the traditional form of design based entirely on squares and oblongs, had great intrinsic artistic merit. She also admired greatly the traditional patterns and showed splendid scorn for those who described the gathering across the chest as ‘smocking’.’ p.21, ‘Smocks: A guide to the Collection (Rural History Centre)’, Tina Oliver, 2000, p.21 – ‘A dark green heavyweight linen smock. The elaborate smocking and embroidery are stitched with green thread and to a good standard. The design on the panels and yoke is formed of branched lines within diamond shapes, three-petal flower motifs and a waved linear border. Rows of featherstitch form a diamond pattern on the collar and wide pocket flaps. The full-length front opening fastens right over left with eight pairs of Dorset buttons of dark green thread. The cuffs are decorated with zigzag and straight lines and designed to fold back but the fastenings differ – one overlaps and fastens conventionally with buttons and buttonholes, the other is fastened with linked buttons, presumably a mistake at the construction stage.’, Photographic prints – 'Acc. No // 63/286 // Neg. No. // 60/5974', MERL ‘Temporary Catalogue’ form – ‘Sheet 1 of 3 // Condition: generall good, some red stains // Material(s): green linen, green thread, ‘Dorset buttons’ (embroidered on wire) // total length; 123cm // collar depth; 9cm // cuffs depth; 11cm // pocket flaps ht x w; 9.5 x 20cm // place made; Dorset Bere Regis // makers; Bere Regis Arts + Crafts Association // date made; between 1905-1919 // Description: handsewn; style: coat frock, open front to knee, sixteen ‘Dorset buttons’ placed in pairs, hem turned up on right side; collar: one piece, rounded; cuff: rounded, turnback, 1 ‘Dorset button’ on each; pockets: set in across // [page break] side seam, flaps, 1 ‘Dorset button’ on each; tubing: outline cable and points; back and front (each side of opening) – 38 rows, sleeves, top – 4 rows, sleeves, above cuff – 11 rows; embroidery: boxes – feather stitch, chain stitch, curved lines, leaves and flowers in diamonds; collar – feather stitch, zigzag and straight lines; cuffs – feather stitch, zigzag and straight lines; hem – feather stitch, lines; shoulders – feather stitch, chain stitch, diamonds filled with short lines; sides of tubing – feather stitch, lines. // Sheet 2 of 3 // tubing, back ht x w; 20 x 20cm // tubing, front, each side, ht x w; 26 x 11cm // tubing, sleeves, top, ht x w; 2.5 x 9cm // Sheet 3 of 3 // tubing, sleeves, above cuff, ht x w; 7 x 10cm // hem circumference; 226cm’, Rennie M. Bere, October 1963 – ‘The Bere Regis Arts and Crafts Association – This association formed in 1905 or 1906 in the village of Bere Regis, Dorset with the object of interesting local workers in the making of raffia baskets and smocks of traditional old English pattern. The founder and organiser was Sarah Lucy Bere, wife of Rev. Montague Acland Bere, vicar of Bere Regis from 1905 to 1919. The association had its heyday in the years before World War I and, in effect, must have ceased as a corporate enterprise when both vicar and founder left for war service early in 1916. In 1919 they returned but for a few months only and, thereafter, though a few individual workers continued to take orders, either direct or through Mrs. Bere, the association ceased as such. // The association used to meet on regular days each week in a special room in the vicarage and it seems that there were about fifteen or twenty regular workers, all women of the village. The baskets were made of raffia without cane and appear remarkably similar to the well known Nubi-type baskets commonly made in various parts of Africa. By far and away the most important part of the work was the smocking, however. And, amongst other patrons, Queen Alexandra showed interest in the work and accepted a smock from Mrs. Bere at about the time of the Coronation of 1910. // Mrs. Bere’s interests were artistic rather than historical; and she believed that the old English smock, with the traditional form of design based entirely on squares and oblongs, had great intrinsic artistic merit. She also admired greatly the traditional patterns and showed splendid scorn for those who described the gathering across the chest as ‘smocking’. It is probably that her interest was aroused first by old smocks in the Dorchester museum which her uncle, Capt. J.E.A.Acland was at one time curator. She collected patterns from various sources and localities; many of these being included in her sampler. Mrs. Bere’s view seems to have been that the smocking patterns were not simply representative of the county or region in which they were worn as was generally supposed but, subject to some local variation and the local prevalence of certain trades, represented the trade of the wearer. So a farmer wishing to engage a ploughman or a carter, a shepherd or a gardener had only to look at the smocking patterns of the men who went to the local markets looking for jobs. The writer of this note offers no opinion as to the correctness of this view.’
  • Production place
    Bere Regis
  • Production date
    1905 - 1919
  • Production period
    Early-twentieth century
  • Object name
    Smock
  • Material
    Fibre, flax, Fibre, Metal, Fibre
  • Technique
    Stitched, Embroidered, Smocked
  • Dimensions
    • Length 1230 mm
    • Circumference 2260 mm
  • Associated subject
    PERSONAL LIFE : clothing and dress
    Bere Regis
  • Associated period
    ()
  • External document
    • L:\MERL\Objects\JISC 2012\60 series negatives\60_5974.tif - High resolution image
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