74/131/41

David Harper (Maker), Maidie Frances Hemeon (Maker)

A rag rug sampler showing three methods. The first is 'flat stitch' and is made with a sewing using knitting wool from unravelled sweaters - it was made by David Harper. The second is 'progged', using nylon fabric and shows both cut and un-cut loops - it was made by M. F. Hemeon. The third is 'prodded', using knitted fabric strips with buttonhole stitch wool edging. The samples are part of the Hemeon Collection of rug-making tools and thrift rugs.

rug sample: fibre

MERL Catalogue Form (temporary) – ‘Object name: SAMPLES // … // Notes: This sampler shows 3 methods: (1) Flat-stitch – using knitting wool (unravelled sweaters etc) and a sewing needle on sacking back. // (2) Progged – using nylon fabric – showing loops cut and un-cut // (3) Prodded – knitted fabric strips used on canvas back – button hole stitch edging in wool.’, MERL Miscellaneous Note, Greta Bertram, 10 December 2013 – The Hemeon Collection of rug-making tools and thrift rugs (74/131/1–74) was put together by Maidie F. Hemeon. Mrs Hemeon was interested in the tradition of ‘thrift’ rugs – rugs made using old fabrics and home-made or home-adapted tools. This type of rug has many names, including ‘rag’, ‘proddie’, ‘peggie’, ‘hooky’, ‘proggy’, ‘clippy’ and ‘bodgy’ rug. These rugs became widespread during the Industrial Revolution in the nineteenth century, but by the 1920s the craft was dying out except in areas of poverty or where tradition had a stronger hold. The necessity for thrift during World War II brought a brief revival, but it did not last long. Mrs Hemeon published a letter in the June 1970 edition of the Women’s Institute ‘Home & Country’ magazine in which she expressed her ambition to trace and preserve all the tools used in the craft before it was industrialised. She hoped to build up a display of samples, materials, tools and coloured photos of finished work in use, for demonstration, exhibition and educational purposes, and to simulate interest in making rag rugs as a living craft rather than as the remains of a dead one. She received many donations in response to the article, and in due course the collection came to MERL. It is likely that some of the samples in the collection were made by Mrs Hemeon. Further information can be found in the MERL Archives, D79/31.

Rug, Sample