Otto and Marie Neurath Isotype Collection
The Otto and Marie Neurath Isotype Collection is the most comprehensive archive of the work of the Isotype movement. It documents methods of designing and disseminating data that have played a major role in twentieth-century graphic design thinking. Given to the University of Reading by Marie Neurath in 1971, the Isotype Collection includes documents, correspondence, published works, and artefacts relating tot the history, principles, working methods, and products of the movement, from its begginings in 1920s Vienna through to its later incarntions in The Hague, Oxford and London.
The Isotype Collection offers excellent opportunities for scholars interested in European social history between World Wars, inter-War modernism, the history of information design, and campaigns and initiatives that address social and economic planning, public health, housing, and other dimensions of life. The collection will be equally valuable to anyone involved in graphic design of data, museum design, or communication of complex issues to children, particularly in history, and in the natural and physical sciences.
Items from the collections can be seen on the IsotypeRevisited website.
Eric Kindel is Curator od the Otto and Marie Neurath Isotype Collection. Email: firstname.lastname@example.org
Maurice Rickards Collection of Ephemera
The collection of ephemera was first built up by Maurice Rickards in order to demonstrate the diversity of ephemera and their potential for study. It is a representative collection of material consisting of around 20,000 items, which are used in relation to teaching both withinthe Department and on the Centre's shortcourse. It also provides scholars with material for research. Maurice Rickards donated this collection ro the Foundation for Ephemera Studies, who have placed it on permanent loan to the University.
The collection is housed in the Centre for Ephemera Studies
The Non-Latin Typeface Collection
The Non-Latin Type Collection comprises of a range of material acquired over several years on the general theme of typeface design for world scripts. The collection includes a unique set of drawings for typefaces in Arabic, Indian, Thai and other scripts, documentation that supported the original development of these typefaces, and a wide range of examples of printing. Newspapers and ephemera form the main par of examples, together with some books, typeface specimens, and related documents.
The Non-Latin Type collection supports research and teaching in the design of typographic resources for world scripts. The part of the collection comprising type drawings is unique: there is only one comparable collection worldwide (in Andover, Massachussetts) but its focus is largely on the Latin scripts, the Deparment's collections are unique on a worldwide scale.
The Non-Latin Type Collection is also used extensively for teaching within the MA programmes we offer: very intensivelt in the MA Typeface design, but also within MA Book Design and Information Design, where conventions of document design across the world annd discussed.
Fiona Ross is Curator of the Non-Latin Type Collection. Email: email@example.com
Hans Schmoller Collection
Hans Schmoller followed Jan Tschichold as typographer at Penguin, and went on to be Head of Productions and Director. His major achievments while at Penguin include Buildings of England, Pelican History of Art and The Complete Works of William Shakespeare.
The Hans Schmoller Collection comprises of materials such as book designs, layouts, specifications, grids, proofs, and notes for the Complete Works of William Shakespeare.
Banks and Miles Graphic Design Archives
The archive contains examples of the work of the partners Colin Banks and John Miles, of Banks and Miles, including working drawings and specifications, finished designs, presentations and models, publications, and work-related correspondence, as well as a large number of slides of their work.
Design work by Banks and Miles was fundamental to the development of the corporate identity of many national institutions- clients included London Transport, the British Council, the Post Office, British Telecom, the Consumer Association and the institute of Mechanical Engineers.
Much of the design work was directly llinked to the development of typefaces: the double-line alphabet for the Post Office, the phone book typeface for British Telecom, and the New Johnston typeface for London Transport which gave a new digital format to Edward Johnston's classic lettering of 1916. A full set of original Johnston wood type used by London Transport is also part of the archive