Spaces of television - Production, site and style

Description of the project

Results of the research

Description of the project

This research project is funded by the Arts & Humanities Research Council (AHRC), and runs from July 2010 to March 2015. It concerns television fiction produced in the UK from 1955-94. It analyses how spaces of production (in TV studios and on location) conditioned the form and visual style of programmes, and how fictional spaces represented on screen used the opportunities and constraints of studio and exterior space, film and video technologies, and liveness and recording. So, for example, we investigate how BBC studios in London and the regions were used, filmed TV production in sound-stages, and the location shooting of TV drama series and serials. Genres of programme studied include the police and adventure series, science fiction, soap opera and period costume drama.

People

The Principal Investigator leading the project as a whole is Professor Jonathan Bignell (University of Reading) with Co-Investigators Professor James Chapman (University of Leicester) and Professor Stephen Lacey (University of South Wales). Three Postdoctoral Research Assistants have been based at the University of Reading, Leah Panos, Lucy Fife Donaldson and Billy Smart. Two students have written PhD theses as part of the project; Victoria Byard at Leicester and Ben Lamb at South Wales.

Topics and research questions

Some issues addressed in the project include:

  • How archival work can trace the history of production spaces in British TV.
  • How TV assimilated spaces and uses of space from cinema (e.g., using film studios, location shooting, film cameras and directors).
  • Comparisons between videotaped and filmed television in terms of their uses of space.
  • How the changing uses of the TV studio affected the performance styles of actors.
  • How production spaces and technologies impacted on the work of directors.
  • Comparisons across genres, institutions and periods to chart how uses and representations of space change over time.
  • What testimony from TV production staff and performers can tell us about spatial opportunities and constraints.

Results of the research

The project has produced a series of listings of British TV drama 1955-1994 as a set of freely available downloadable and searchable documents: British Television Drama 1955-1994 Databases.

Publications

The project's published outcomes will include a second edition of British Television Drama: Past, Present and Future with contributors from the TV industry as well as academics. Three further books, and special issues of the journals Historical Journal of Film, Radio and Television and Critical Studies in Television, will be devoted to our topic. The work published so far is listed below; follow the links to see further details.

Panos, L. (2013) Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s. Critical Studies in Television, 8 (3). pp. 1-17. ISSN 1749-6020 doi: 10.7227/CST.8.3.2

Panos, L. (2013) Trevor Griffiths' 'Absolute Beginners': socialist humanism and the television studio. Journal of British Cinema and Television, 10 (1). pp. 151-170. ISSN 1755-1714 doi: 10.3366/jbctv.2013.0127

Smart, B. (2012) Brechtian television: theatricality and adaptation of the stage play. In: Loiselle, A. and Maron, J. (eds.) Stages of reality: theatricality in cinema. University of Toronto Press, Toronto, pp. 30-52. ISBN 9781442643529

Smart, B. (2012) Cosmic effects on the intimate screen: J. B. Priestley, Ralph Richardson and 'Johnson over Jordan' (1965). Critical Studies in Television, 7 (1). pp. 49-63. ISSN 1749-6020 doi: 10.7227/CST.7.1.6

Smart, B. (2013) The Life of Galileo and Brechtian television drama. Journal of British Cinema and Television, 10 (1). pp. 112-129. ISSN 1755-1714 doi: 10.3366/jbctv.2013.0125

Public screenings

In February 2014, the British Film Institute in London holds a season of seven screening events suggested by our research and curated by Leah Panos and Billy Smart. Rarely-seen television dramas from the 1960s to the 1980s will showcase creative uses of TV studio space in both naturalistic and highly stylized productions.

'Politics of Television Space' one-day conference

The first symposium arising from the research took place at the University of Leicester on Friday 8 April 2011. Victoria Byard's report on the conference for the Journal of British Cinema and Television can be downloaded here.

'Performance and Television Space' one-day conference

The second symposium arising from the research took place at the University of Glamorgan on Friday 20 April 2012. Ben Lamb's report on the conference for CSTonline can be downloaded here.

'Spaces of Television: Production, Site and Style' three-day conference

The conference was held from Wednesday 18 to Friday 20 September 2013 at the University of Reading. Reports on the conference were published online by Ben Lamb and Victoria Byard, Andrew Pixley, John Wyver (who also blogged about the archive panel) and Kevin McMahon, among others.

Blogs about our research

We have our own blog, titled Spaces of Television, where we publish results of work in progress.

Members of the team have contributed several blogs to CSTonline: Jonathan Bignell has blogged about TV police series and about Doctor Who's TARDIS. Billy Smart has blogged about the work of dramatist Pat Hooker, and the TV series Juliet Bravo and Colin's Sandwich. Leah Panos has blogged about TV historiography and 'blue screen' technology. James Chapman blogged about swashbucklers, Stephen Lacey about drama on Sky TV and Victoria Byard about children's TV. On other online sites, Ben Lamb has blogged about BBC Pebble Mill, and Billy Smart has blogged for the University of Westminster's 'Screen Plays' project, and for the CrossRoads Network Forum.

For further information please contact:

Professor Jonathan Bignell J.Bignell@reading.ac.uk

 

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