| Name |
Thesis title |
| Hilary Arnell |
Neo-romanticism in 1920s and 1930s |
| Barbara Berrington |
Performance, Ritual and Art in the Italian Renaissance |
| Alison Boyd |
Post-war Buildings in Southampton |
| Nicola Capon |
The Career and Work of John Tweed (1869-1933) |
| Yi-Fang Chen |
Globalism and New Media Art in Taiwan |
| Suriyya Choudhary |
Shah Rukn e Alam's Mausoleum: A Study of Mausoleum Architecture in Fourteenth Century Pakistan and its Later Influence |
| You Jin Chung |
Buddhism and Western Art in the Twentieth Century |
| Maria Coelho |
Gender and the Body in Contemporary Female Art |
| Clair Drever |
The Counter Culture Art Scene in 1960s London |
| Alberto Faliva |
The Psuedo-fortified Villa in the Plain of the Po River during the Sixteenth Century. |
| Rebecca Gill |
The Genoese Architecture of Galeazzo Alessi |
| Jenny Growcutt |
Pirro Ligorio and the Renaissance Rediscovery of the Ancient Roman Villa |
| Neil Guy |
The Work of Architect/Sculptor and the Renaissance in Lucca |
| Geri Howell |
Dress History and World War II |
| Matt Loder |
The Meta-body: Perspectives on the Elective Lability of the Body |
| Andy McCoy |
British Facist Images of Nazism |
| Rowland MacKenzie |
Changing Perspectives: Fra Matteo Zaccouni's Contribution to Domenichino's Fresco Cycle in Sant'Andrea della Valle |
| Alexandra MacGlip |
The Art Market and the Formation of a National Collection at Tate 1889-1940 |
| Jerry Rayner |
The Visual Representation of Public Hangings |
| Jane Williams |
To what extent was the revival of Russian arts and crafts an important source for British Post-Impressionist artists in their pursuit for Modernity? |