60/684/1-2

A. Cooper (Manufacturer)

Hames are made by A. Cooper of Helperthorpe, North Yorkshire, circa 1945�?6, part of the British Council collection 1960.
A hame is the rigid frame of a horse's harness and would be attached to a padded leather collar. These two hames are made of a wooden inner portion fitted to an outer iron frame, and are joined at the bottom by a short chain. One of the swivelling tug hooks is stamped with the name of the maker, ?Cooper, Helperthorpe?. The hames were made by A. Cooper of Helperthorpe, North Yorkshire, circa 1945�?6, and are part of a large collection of traditional craft products acquired from the British Council in 1960.

pair of hames: wood, iron

MERL miscellaneous note, B. L. 22 March 1961 – ‘The British Council collection. // This collection of material which is covered by the accession numbers 60/430 to 60/791 contains examples of craft products made in the British Isles. The major part of the collection was prepared immediately after the Second World War for a travelling exhibition which was sent to Australia and New Zealand. // The collection was purchased for a nominal sum by the Museum in two portions, the one in the summer of 1960 and the other in February 1961. // For further details see the individual catalogue cards and the catalogue prepared for the temporary exhibition of the collection.’, MERL 'Catalogue index' card – ‘A set of iron hames made by A. Cooper of Helperthorpe, East Yorkshire. // The hames are made in two sections, a wooden inner portion fitting inside the outer iron frame. They are 29 in. long and are joined at the bottom by a short chain. On one of the swivelling tug hooks is the stamp, “Cooper, Helperthorpe.” // See general card on saddlery (Crafts – Leather).’, British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, ‘Introductory Note’ – ‘This exhibition contains only examples of handicrafts that are still being practised in the British Countryside. It is confined to the work of our traditional craftsmen and women who, with very few exceptions, would not think of themselves as artists or designers but whose work, nevertheless, so greatly enriches the daily life of those who live with and use their products. The work of these craftsmen, too, provides the basis from which many artist-craftsmen gain technical knowledge and inspiration. // Included with these rural crafts are eight screens showing handicraft processes which can be undertaken by schools or adults who wish to practise a craft at home. In this way we hope these examples of Britain’s country crafts may be related to a practical aspect of present day life in the Dominions and meet the increasing need to find satisfying ways of using the leisure which machinery now makes available to us. // Along with her traditional rural crafts Great Britain seeks to employ all the resources of modern agricultural science and engineering. We have therefore included with this exhibition some photographs showing examples of recent developments in agricultural machinery.’, British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, p.11 – 'A.3. Iron Hames, blacksmith-made. A. Cooper, East Yorkshire.', British Council Ref. No. NZ A3.

Helperthorpe

1945 - 1946

Wood, Metal, iron